Tag Archives: light

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Death Valley Wildflowers

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Death Valley Spring Wildflowers
“Death Valley Wildflowers” — Hillsides covered with wildflowers after a wet winter in Death Valley.

We just returned from another visit to Death Valley National Park. Wildflowers are blooming in California’s deserts and the show is far from over. It has been an odd weather year in California, but desert areas received abundant well-timed rainfall that is producing an above average (and perhaps earlier than usual?) wildflower bloom. We saw the potential back in December and scheduled our return to the park accordingly. We were not disappointed.

Is this one of the proverbial “super bloom” years? Few are using that term at the present moment, but it is clearly an above average year. Some areas, like this gravel fan below desert hills, are covered with fields of desert gold flowers. Small flowers are underfoot everywhere. Other locations are green with sprouting plants that will continue to produce new blooms over coming weeks.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Mountains, Sky, and Water

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Mountains, Sky, and Water
“Mountains, Sky, and Water” — Desert mountains and hazy light above Lake Manly, Death Valley.

Many of my Lake Manly photographs look out into Badwater Basin, across the lake, and towards the Panamint Range rising in the west. For this photograph I found a camera position a bit north of the “usual spot” and pointed the camera south to including the sequence of desert mountain slopes beyond the lake. This view includes the interrupted reflections of those slopes along with salt flats along the edge of the lake.

This photograph is related to another I shared recently that also featured layers of desert mountains extending into the far distance. Both feature “atmospheric recession,” in which haze lightens more distant features and obscures their details. In addition to elements such as converging perspective lines, this effect also can suggest depth and distance.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Zion High Country, Evening

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Zion High Country, Evening
“Zion High Country, Evening” — Autumn evening in Zion National Park high country.

I made this photograph very close to the end of a lengthy photography trip to Southern Utah. After shooting on my own for days and then working collaboratively with friends and fellow photographers, I left the others behind and joined my family for a few days in Zion National Park.

We stayed outside of the park boundary, a short distance up a side road that leads way back into the park’s less-known high country. We decided to follow that road and see where it would take us. Eventually it arrived at a sort of plateau — high country ringed by red rock formations and cut through by deep valleys. I made this photograph close to sunset along that road.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dawn Light

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Dawn Light
“Dawn Light” — Red dawn light on ridgetop boulders, Panamint Range.

I share this photograph as much for illustrative purposes as for its value as a photograph — it is, in part, a record of a remarkable light phenomenon that too many people never experience. Indeed, it can be difficult to rise hours before dawn, travel to a remote place in the darkness, and stand on a mountain ridge in the winter. But once you do it a few times and see what happens, you will likely be hooked.

We arrived at a high prominence in this desert mountain range in morning twilight. A band of intense red pre-dawn light glowed along the ridge of the mountains to our east, and the clouds began to pick up this color as we set up our camera gear. A moment later the first direct light from the rising sun struck these rocks, turning them blood red.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.