. “Lake, Towers, Distant Mountains” — Mono Lake tufa towers silhouetted against distant desert mountains in morning light.
I arrived here well before sunrise, thinking that clouds overhead and clear sky on the eastern horizon might produce a colorful sunrise. It did! So I made monochrome photographs! OK, I do have some color photographs of the early morning color, too, but I really did come back with as many monochrome photographs as color photos. Maybe MONO Lake calls for MONOchrome images?
“Subalpine Meadow, Evening Light” — A ridge rises above a subalpine meadow and forest, Yosemite.
This is another “quiet” photograph — no brilliant colors, not really an iconic location. It simply captures, I hope, something of the feeling of being in the High Sierra as the day winds down, the light warms as sunset approaches, and begin to stretch across the landscape. It is a beautiful time of day — everything slows down, it gets quieter as people go to camp for dinner.
“Tufa, Stormy Sky” — Tufa formation in pre-sunrise light, backed by dark clouds above the Sierra Nevada.
The light on this scene was a surprise. I had left my campsite high in the Sierra Nevada while it was still dark, arriving at the shore of Mono Lake well before sunrise. For a moment I was the only person there before others began arriving. There were lot of clouds — which can be a blessing or a curse for sunrise photography, depending on where they are and whether there are breaks in the right directions. I expected to arrive at this formation in fairly dismal light, then go look for compositions and set up for sunrise.
“Evening Forest and Hill” — Early evening light streams between forest trees on a Sierra Nevada hill.
I have long been a sucker for backlight. I’m attracted to the glow of light coming straight at me, and I’m intrigued by the dark shadowed sides of objects and by the beams of light that lead toward the camera. Put a forest full of trees in front of me in that light and I cannot resist.