Tag Archives: light

Cathedral Peak, Autumn Sunset

Cathedral Peak, Autumn Sunset
Cathedral Peak in early autumn sunset light.

Cathedral Peak, Autumn Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

Cathedral Peak in early autumn sunset light.

Everyone needs a photograph of Cathedral Peak at sunset, right? Although I’ve been to this place quite a few times — in a wide range of circumstances — I haven’t photographed the peak all that much. Perhaps it is because I haven’t often climbed up these slopes above the lake at this time of day. But on this visit some years ago, I did find myself in the right spot at the right time as a result of doing a bit of late-afternoon exploration.

The peak presents lots of opportunities for beautiful late-day light essentially at the end of the Cathedral range, leaving lower terrain open to the west and allowing the evening sun to shine directly on the mountain. Because the bowl is higher than surrounding terrain, gaining a it of elevation reveals lots of distant peaks, too, and the lake can reflect the mountain’s colors. Because this visit was late in the season — just a few days before the end of September — the meadows are golden-brown, too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Peak, Lake, and Boulders, Sunset

Peak, Lake, and Boulders, Sunset
The last light of the day touches the top of Sheep Peak in the McCabe Lakes Basin, Yosemite National Park.

Peak, Lake, and Boulders, Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last light of the day touches the top of a peak in the northern backcountry of Yosemite National Park.

This is not a new photograph — rather, it is a reconsideration of one that I made almost a decade ago and recently looked it with new eyes. The location is in the northern backcountry of Yosemite National Park, in a somewhat remote area characterized by high ridges, rocky terrains, and some lovely lakes. I was there with a group of friends and photographers for a few glorious days during which we took our time and explored the surrounding terrain.

We were camped at a lower lake among forest trees, in a location that gave us shelter but also access to tons of higher, more alpine terrain. Often we headed off individually to photograph, but on this late afternoon we all headed to the same place, ascending a slope at the upper end of “our” lake to arrive at the next lake up the valley. Sequences of lakes like this are common in many backcountry areas, and I enjoy the individual personalities of the lakes as they are affected by terrain and elevation. This lake was surrounded by alpine meadows, very small and sparse trees, lots of talus, and towering peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sandhill Cranes, Winter Morning

Sandhill Cranes, Winter Morning
A large flock of sandhill cranes in a wetland pond on a winter morning.

Sandhill Cranes, Winter Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

A large flock of sandhill cranes in a wetland pond on a winter morning.

The routine on this (almost certainly ) final day of migratory bird photography for this season was much as it always is, though it started at an earlier hour to accommodate the late winter sunrise. Up at three-something AM and on the road after a quick cup of coffee, I arrived here before dawn. I was pleasantly surprised to find a bit of fog in the air as I began to look for a sunrise subject, and before long I found a very large group of sandhill cranes. When everything works out just right there is a short period of beautiful, warm light as the sun comes up, especially on a morning when a bit of fog or haze softens the light.

This group of cranes was part of an extremely large group of them — perhaps as many as I’ve seen at one time. They have a routine, too. At some point around sunrise they typically begin to take to the air in small groups and fly away, and that process began soon after I started to photograph them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sandhill Cranes, Morning Light

Sandhill Cranes, Morning Light
“Sandhill Cranes, Morning Light” — A group of sandhill cranes, flying in morning light above California’s Central Valley.

The sandhill cranes are still my favorites among the migratory birds that I photograph every winter. They aren’t quite as abundant, as noisy, or as active as the geese, but they have other attractions. Their characteristic cry is often the first one I hear when I arrive in the field, and their morning take-off often starts my days of photography… and their twilight return concludes it. Their flight patterns are a bit more sedate than those of geese and are characterized by a slower pace of wing motion.

Photographing a group like this can be a bit challenging, and a lot of pieces have to fall into place to make it work. In my experience, flying cranes often tend to divert from their trajectory rather than fly over a photographer, often breaking to one side or the other at the last minute. They also tend to not pay a whole lot of attention to photographic considerations such as orienting themselves ideally to the sun’s light. And when groups do fly overhead they often block one another from view. This little group, however, did everything just right! The flew almost into the early morning light, diverting just enough to put a bit more light on the side facing the camera, and they managed to do so while lining up so that all of their heads were visible!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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