Tag Archives: light

Death Valley, Panamint Foothills, Morning

Death Valley, Panamint Foothills, Morning
Morning sunlight on Death Valley hills and the foothills of the Panamint Mountains

Death Valley, Panamint Foothills, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning sunlight on Death Valley hills and the foothills of the Panamint Mountains.

One’s orientation to “landscape” may manifest in many ways — a focus on the large or the small, an approach that implies objective realism or one that embraces subjectivity, the discovery of new landscapes or the deeper exploration of those already known, an interest in ostensibly “untouched” subjects or attention to those affected by the human presence, and more. Death Valley is diverse enough for any of these, but I often find myself focusing on the largest scale subjects. The place is huge, and at the right hours, in the right seasons, and in the right places the park is a place of deep silence and immense stillness.

This was the last morning of my most recent visit, and I went out alone very early, heading to a place that afforded a somewhat elevated perspective. As I traveled there I was not optimistic about the prospects for the morning — the sky was mostly overcast, there was a bluish haze in the air, and even the earliest light was blocked by clouds to the east. But one thing I relearn nearly every time I go out is that if you go out enough and are persistent enough, things happen, and sometimes they happen at the least likely times. As this morning wore on, some time after the first light that could have been colorful, the sun began to break through the clouds, and areas of light and shadow moved across this immense landscape. As I made this photograph the light was shining on the foothills of the Panamint Range, many miles away and on the far side of Death Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Dune Curves, Morning Light

Dune Curves, Morning Light
Early morning light and shadows on curving dune forms, Death Valley National Park

Dune Curves, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early morning light and shadows on curving dune forms, Death Valley National Park.

Yes, it is one more in the never-ending series of sand dune photographs. As I have written previously, the dunes provide a seemingly endless photographic laboratory in light and shadow, color, texture, form, and more. They can be photographed on the large scale, where they comprise an entire monumental landscape, but they can also be presented on a smaller scale, where a photograph might feature a single gesture of sand, a plant, animal tracks, or some other small thing.

I think that you can look at many photographs of this type as having a dual nature. Looked at one way they are representations of “the real” in the natural world, though always with some degree of subjectivity and interpretation. Looked at in another way they can almost be abstract, divorced from their sources. I enjoy trying to see them both ways and in exploring the flexible boundary between the two ways of seeing. Here I was intrigued by mirrored shapes, in one case created by sunlight on a dune surface and in the other a shadow cast by a low ridge that is not within the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Temblor Range, Carrizo Plain, Spring

Temblor Range, Carrizo Plain, Spring
The Temblor Range and spring growth, Carrizo Plain National Monument

Temblor Range, Carrizo Plain, Spring. © Copyright 2019 G Dan Mitchell – all rights reserved.

The Temblor Range and spring growth, Carrizo Plain National Monument.

One the first day of this recent visit to the Carrizo Plain National Monument, I arrived in the middle of the afternoon. I had driven down from the San Francisco Bay Area, choosing to start out later than sometimes since I knew I would not get there for first light. My plan was to arrive in time to set up a campsite and then head out for some late-day and evening photography. I arrived, found a campsite at a location a few miles into the hills on a gravel road, and then travelled back down toward the valley a couple of hours before sunset.

This was among the first photographs of the afternoon. Conditions were quite interesting — rain showers were about (and, in fact, I set up my camp in light rain) but there was also sunlight between the showers. Longer views often included some of the rain, some dark shadows under clouds, and patches of sunlight moving across the landscape. Here I found a place where those bit of sunlight fell on a close hill full of new plants and yellow flowers, and where the longer (ten mile) view across the valley looked out on the location of the San Andreas Fault and the base of the Temblor Range.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dusk Dunes

Dusk Dunes
Soft evening light on low sand dunes

Dusk Dunes. © Copyright 2019 G Dan Mitchell – all rights reserved.

Soft evening light on low sand dunes.

Sand dunes are perhaps the most classic “desert” photography subject. For most people, they are their first association with these places, and their dry, bare (or so it seems), and utterly dry features are some combination of beautiful, intriguing, and dangerous. I am certainly not immune to their appeal, and photographing them can be an endlessly challenging activity. One reason is that as photographic subjects they are much more varied than you might initially imagine. While they have their own shapes and colors, these are changed radically by wind, color and intensity of light, and more. They provide one other challenge, too — when I first look at them it always seems like they will be easy to photograph, but they always end up presenting more challenges than I expected.

I love photographing dunes in the marginal light at the start and end of the day, and especially the time right around and just after sunset. At these times the dunes undergo sometimes-astonishing color transformations. The warmer tones, which are sometimes sun-blasted into neutrality during the day, begin to emerge in the softer light. And the dunes pick and reflect a wide variety of colors — blue from darker sky; reds, yellows, and even purple from sunset clouds. I photographed these smaller dune formations from a distance in the early evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.