Tag Archives: light

Photographs: Nature, Photographs: Southern California

Temblor Range, Carrizo Plain, Spring

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Temblor Range, Carrizo Plain, Spring
The Temblor Range and spring growth, Carrizo Plain National Monument

Temblor Range, Carrizo Plain, Spring. © Copyright 2019 G Dan Mitchell – all rights reserved.

The Temblor Range and spring growth, Carrizo Plain National Monument.

One the first day of this recent visit to the Carrizo Plain National Monument, I arrived in the middle of the afternoon. I had driven down from the San Francisco Bay Area, choosing to start out later than sometimes since I knew I would not get there for first light. My plan was to arrive in time to set up a campsite and then head out for some late-day and evening photography. I arrived, found a campsite at a location a few miles into the hills on a gravel road, and then travelled back down toward the valley a couple of hours before sunset.

This was among the first photographs of the afternoon. Conditions were quite interesting — rain showers were about (and, in fact, I set up my camp in light rain) but there was also sunlight between the showers. Longer views often included some of the rain, some dark shadows under clouds, and patches of sunlight moving across the landscape. Here I found a place where those bit of sunlight fell on a close hill full of new plants and yellow flowers, and where the longer (ten mile) view across the valley looked out on the location of the San Andreas Fault and the base of the Temblor Range.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dusk Dunes

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Dusk Dunes
Soft evening light on low sand dunes

Dusk Dunes. © Copyright 2019 G Dan Mitchell – all rights reserved.

Soft evening light on low sand dunes.

Sand dunes are perhaps the most classic “desert” photography subject. For most people, they are their first association with these places, and their dry, bare (or so it seems), and utterly dry features are some combination of beautiful, intriguing, and dangerous. I am certainly not immune to their appeal, and photographing them can be an endlessly challenging activity. One reason is that as photographic subjects they are much more varied than you might initially imagine. While they have their own shapes and colors, these are changed radically by wind, color and intensity of light, and more. They provide one other challenge, too — when I first look at them it always seems like they will be easy to photograph, but they always end up presenting more challenges than I expected.

I love photographing dunes in the marginal light at the start and end of the day, and especially the time right around and just after sunset. At these times the dunes undergo sometimes-astonishing color transformations. The warmer tones, which are sometimes sun-blasted into neutrality during the day, begin to emerge in the softer light. And the dunes pick and reflect a wide variety of colors — blue from darker sky; reds, yellows, and even purple from sunset clouds. I photographed these smaller dune formations from a distance in the early evening.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Southern California

Morning, Temblor Range

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Morning, Temblor Range
Morning light on spring-green hills of the Temblor Range

Morning, Temblor Range. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning light on spring-green hills of the Temblor Range.

Many landscapes appeal to me, but if you want to see geology laid bare I think the best places are those where few things grow, or at least where the plant life is so small and sparse as to permit a direct view of the land itself — places above timber line or arid places. This location, the Carrizo Plain, is not the driest place in California, but it is hot enough in the warm season to turn the place brown, and there are virtually no trees here.

The geology and geography here are worthy of attention. The most obvious feature is the Temblor Range of mountains lying to the northeast. These mountains mark the mighty San Andreas earthquake fault — its line sit at their base and the effects of its motion may be see in many places. A second feature, at least for me, is the immensity of the landscape. It is one of those places where distances are deceiving, and what looks like a quick jaunt across the valley could add up to nearly ten miles. On the morning I made this photograph the valley had been full of post-rain fog when the first light arrived. As it cleared it left a certain combination of both clarity and softness in the light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Southern California

Green HIlls, Morning Mist

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Green HIlls, Morning Mist
Morning fog and mist above green spring hills

Green HIlls, Morning Mist. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning fog and mist above green California spring hills.

Many people who visit California for the first time are surprised by how dry much of the state is for most of the year. In many places — most of Southern California, the deserts, the Central Valley, coastal hills, even along portions of the coast — the predominant colors from late spring through autumn are golden and brown. What they don’t know, but may learn over repeated visits, is that much of the state passes through a miraculously green interval every year during late winter and early spring. During this time that dry, brown terrain becomes “impossibly green” for a short period.

This week I visited one of those places that seems desert-like during most of the year. Following recent rains there was mud everywhere, and even the driest of hills was sprouting new green growth. I camped up in a valley above a large plain, and when I arose in pre-dawn light I swore that this arid valley appeared to be full of fog. I broke camp in near-darkness, and as I drove down I entered the fog bank, which soon began to drift and thin in early sunlight, revealing this landscape of overlapping slopes, edges marked by the low-angle light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.