Tag Archives: light

Sculpted Sandstone

Sculpted Sandstone
Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

Sculpted Sandstone. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

We have to change the way we think about the daily progression of light when photographing in slot canyons. I first learned this when photographing in the red sandstone country of Utah, but it is just as true in the relatively less colorful canyons of Death Valley or even in some places in the plain gray granite landscape of the Sierra Nevada. In most cases we are drawn to the warm, early morning light, with its long shadows and lovely color. But in the canyons that light can be far less compelling, and it may even just end up seeming drab. Once you reset your expectations you find that the best canyon light often comes in the middle of the day, when the sun rises high enough to directly illuminate the red canyon rims, and then this light bounces and reflects downward into the canyon depths.

I made this photograph in a spot in a Utah canyon that was perhaps an even better than usual location for reflected canyon light. The rock was red standstone. Late-morning sunlight lit the upper rim, and that light suffused the lower reaches of the canyon. But here the narrow section of slot canyon wasn’t very long, and some bluish light from the sky reflected on angled rock surfaces, introducing a striking color contrast to the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Morning, Fog, Surf

Morning, Fog, Surf, Big Sur
“Morning, Fog, Surf” — Bright morning light illuminates fog along the Big Sur coast as storm wave run up against the cliffs

The fog in this photograph doesn’t come from the usual source. Typically, along this section of California’s Big Sur coastline, fog rolls in from the ocean in big, fluffy, low-level clouds. That fog is a dark, damp, gray thing, and — with the exception of the moments while it is clearing — it generally does not let in much light. The “fog” in this photograph, which might more accurately be called mist or spray, comes from gigantic waves from a winter storm breaking along the coast in windy conditions. The waves produced this mist on this day of surf up to 40 feet high.

The photograph could also serve as an example of looking away from the most obvious thing. The location is at or just before a very popular and iconic stopping place along the Coast Highway in the Big Sur region. In fact, many people making a quick trip down from the north choose this spot as their turn-around point. I stopped a bit before the throng and pointed my lens in a different direction, down toward a familiar beach lying at the base of huge shoreline cliffs. The beach isn’t visible — the giant waves were so strong that they ran all the way up to the base of the cliff. I decided on a high key interpretation of this scene in order to reveal the glowing backlight slanting across the cliff from above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Blue Door

Blue Door
A blue door in gentle light and surrounded by a monumental door frame, London

Blue Door. © Copyright 2018 G Dan Mitchell – all rights reserved.

A blue door in gentle light and surrounded by a monumental door frame, London

A door, somewhere in London, but I’m now not sure where! I could probably come closer to locating it if I were to go back through the rest of the raw files from this day, but I think it may have been near our hotel, which was a short walk from Paddington Station and not far at all from Hyde Park. I know that we went out more than once for walks in this area, including the morning when I believe I made the photograph.

The doorway seems remarkable to me in several ways. The huge framing is quite something, and not much at all like anything you would typically see in the US, at least not in my part of the country. The frame is so monumental that it has the effect of either making the doorway seem twice as large as it really is… or of making the actual door seem very small. The color of the door is beautiful and something of a surprise given the other colors in the scene. And the light striking the door obliquely from the left seems very beautiful to me.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Headlands And Mist

Headlands And Mist
Strong late-autumn surf raises clouds of mist above rocky headlands along the Big Sur coast.

Headlands and Mist. © Copyright 2018 G Dan Mitchell – all rights reserved.

Strong late-autumn surf raises clouds of mist above rocky headlands along the Big Sur coast.

Today I continue with photographs from my visit to the upper Big Sur coastline in the middle of December, on a day when distant Gulf of Alaska weather fronts were sending giant surf crashing against the beaches, sea stacks, and cliffs. This is perhaps my favorite set of conditions for California coastal photography — a clear, post-storm day with giant surf that raises a layer of mist along the shoreline. When I see reports of such conditions I try my best to get over there quickly!

On the drive down, even as I passed Monterey Bay I could see the effects on the water. Waves in the bay didn’t seem unusually large, but off in the distance I could see the land at the northwest end of the Monterey Peninsula where gigantic white breakers created a line against the horizon. Once I got south of Carmel and right next to the coast the picture was even clearer, and I soon stopped on a bluff to get “up close and personal” (but from a safe spot) with the show. I made this photograph a bit further south in a spot that I’ve photographed many times. Here there is a view across several rocky ribs at the water’s edge and on to a taller hill beyond — and I know this as a spot with great potential for surf and light and for raising clouds of spray and mist.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.