Tag Archives: light

Village People

Village People
Pedestrians waiting for the light to change, San Francisco

Village People. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Pedestrians waiting for the light to change, San Francisco

A photograph like this one may or may not make sense to you. If it does, I probably don’t need to write much about it. If it doesn’t, I’m not sure that I can write enough to explain. But I’ll try. A little bit.

Walking around any large city, and especially in San Francisco, I’m on the lookout for various things: a scene, light, collections of people, individual people, color, architecture, shapes, you name it. I think the light first caused me to pause at this corner. Here much of the light is reflected from the windows of surrounding building, and it comes from almost all directions. Then, for just a moment, this collection of people, most of whom are unconnected with the others in the scene, assembled themselves into this pose, one that almost seems staged. The arrangement of the group intrigues me, but even more the contributions of the individuals is interesting.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dust Storm, Dunes, Evening Light

Dust Storm, Dunes, Evening Light
A dust storm rages above sand dunes at the end of the day, Death Valley National Park

Dust Storm, Dunes, Evening Light. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A dust storm rages above sand dunes at the end of the day, Death Valley National Park

This was a wild evening, featuring an apocalyptic combination of tremendously strong winds, huge clouds of blowing sand and dust, periodic downpours of rain, and light that changed constantly from ominous and dark to luminous clouds backlit by sun to threads of virgo, and more. I had never seen quite this combination of conditions in Death Valley at one time.

Photography was quite challenging. Because sunset was approaching (and I continued to photograph into the dusk), it was often quite dark. The screaming winds made it virtually impossible to shoot from the tripod, so I was mostly reduced to bracing my camera against the window frame of my vehicle and working with the camera handheld. In the rough conditions I was forced to work from a distance with a long lens, since photographing inside the windblown clouds of dust and sand was not a good idea. Here the clouds and the dust above the sand dunes momentarily thinned, creating a backlit glow from the low angle sun about to drop behind mountains to the west.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Natural Bridge, Evening Fog, and Coastal Mountains

Natural Bridge, Evening Fog, and Coastal Mountains
Evening light on the mountains, coast, and incoming fog along the Big Sur coast

Natural Bridge, Evening Fog, and Coastal Mountains. Big Sur Coast, California. July 20, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening light on the mountains, coast, and incoming fog along the Big Sur coast

Yesterday I shared a Big Sur Coast photograph — looking north and in black and white. Today’s post is a counterpoint to that one — it looks south and is in color. Both were made late on the same day, and in the same general central area of this rugged coast. It was late in the day and I was looking for an ideal last photographic location of the day, and from this particular overlook I could see down the coast… and the light was going to go before I had time to find another spot!

In many ways I suppose the view is typical. The view extends into the distance where it disappears into fog and coastal haze, and the coastline is an alternating landscape of shallow bays and jutting peninsulas where mountain ridges drop into the ocean. Here and there are the remnants of ridges and bluffs that lost their battle with the ocean long ago, and which now remain only as isolated rock and sea stacks set off from the shoreline. One of the most impressive of them in this photograph is right below the camera position where a large rocky formation is cut through by a natural bridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Dunes and Mountains

Evening Dunes and Mountains
Evening on Death Valley sand dunes with desert mountains in the distance

Evening Dunes and Mountains. Death Valley National Park, California. March 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening on Death Valley sand dunes with desert mountains in the distance

It was the first evening in Death Valley this season, and we had arrived after a lazy drive in from the Ridgecrest area. Having plenty of time, we stopped at Trona Pinnacles before reaching the park and after entering we took a long side trip out on a gravel road to a couple of somewhat remote canyons. We got settled in and it was time to head out for some evening photography — and since dunes were nearby they seemed like a good first evening destination.

The sand dunes go quickly through some remarkable transitions of light and color at the end of the day. In the full sunlight the tones of the sand can seem a bit flat and washed out, but the low angle light begins to highlight the textures — large textures of the dunes themselves, plus the finer textures of small patterns of windblown sand. The the color of the light begins to warm and the contrast drops and shadows fill with a soft light. At the moment I made this photograph the sun was still above the ridge to our west, but it had passed behind high, thin clouds that momentarily muted the light even more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.