Tag Archives: light

Taking to the Air

Taking to the Air
Taking to the Air

Taking to the Air. San Joaquin Valley, California. December 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A group of snow geese take to the air in early morning light above a San Joaquin Valley marsh

I never know exactly what I’ll find when I go out to shoot a subject like that which I focused on today, namely migratory birds out in the San Joaquin Valley of California. While there is a certain amount of knowledge and technique that goes into photographing this subject in this place, there is also a whole bunch of guesswork, luck, and happenstance. The part that I can chalk up to planning includes the choice to be in this place on a cold morning before dawn, enough familiarity with the place to know where to look for the birds and where the light might be good at certain times of day, and enough experience photographing these birds to have developed some knowledge and instincts that I can put to work.

However, so much is not in my control. On this morning I found a good size flock of (mostly) snow geese in a place where I don’t usually see so many of them, and they were closer to the place from which I can photograph than they usually are. So I stopped and photographed them and waited. Not much seemed to be happening at first – the birds mostly just sat in the shallow water – but the light was interesting, slanting in from the right where the sun had just cleared the horizon. When things seem static, there is no clear answer to the question of whether to wait for something to happen or to move on and look for something else. This time my hunch was that it might be worth waiting. And this time that hunch turned out to be the right one. (Just as often it isn’t!) As I waited I found some slightly better angles to shoot from, and eventually additional geese began to arrive and settle in with the group already there. Often some of the most interesting shots are during very brief instants of action, such as the sudden and unexpected lift-off of a flock of birds. So, after standing and watching and seeing little happen for some time, suddenly a lot may happen almost too quickly to photograph it. It pays to be ready to respond quickly. This group of snow geese was not too far in front of me, and when they suddenly took to the sky I was ready to track them as they lifted off. If you look closely you may be able to see water droplets falling from them as they leave the pond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Riverbank, Cottonwood Trees

Riverbank, Cottonwood Trees
Riverbank, Cottonwood Trees

Riverbank, Cottonwood Trees. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Cottonwood trees with fall foliage reflected in the calm surface of the Merced River in late afternoon light

It is barely a month after I made this photograph, and the feeling is now more that of winter than of autumn. (Though where I live some autumn leaves are still falling for a few more days.) But back at the end of October I spent two days photographing fall color in Yosemite Valley. Sierra weather can be almost anything at this time of year, but aside from some leftover snow high up along the Valley’s walls, down below it was sunny and bright with the warm autumn light that can characterize the season in these mountains.

The main leaf color in the Valley comes from black oak, big leaf maple, cottonwoods, and dogwood, each providing its own variations of color and timing. When I was there the maples were a bit past their peak, and at least some of the dogwoods were still becoming more colorful. It seemed like cottonwoods were very close to their most colorful and the black oaks were also quite good. On the first afternoon I spent some time wandering along a section of the Merced River, photographing the cottonwood trees with the Valley’s cliffs as a backdrop and occasionally with the autumn-smooth waters of the Merced reflecting their colors.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marsh Grasses and Fog, Dawn

Marsh Grasses and Fog, Dawn
“Marsh Grasses and Fog, Dawn” — Golden dawn light illuminates autumn fog drifting above marshland grasses in California’s Central Valley.

I went to this place to photograph birds – at least that was my excuse. In the past few years I have become passionate about photographing migratory birds in the Great Central Valley of California between late fall and early spring – geese, cranes, herons, ibises, and more. Once you hear the cries of these birds as thousands of them flock together on the ground or in water or, better yet, as they fly overhead, you can become obsessed. In the fall I anticipate their return and watch for early signs. A few weeks ago we managed to find cranes further up the valley, and I knew that the geese wouldn’t be far behind – so this trip was, literally, a “wild goose chase.”

But the truth is a bit more involved. As much as I love the birds, I think that I’m at least as attracted to landscapes where they are found, and to the weather conditions of this season. You might think that a bird photographer would want clear skies and bright light, but I look forward more to fog, clouds, and mist and other kinds of interesting atmosphere. It occurs to me that the birds may partially be my excuse for visiting this landscape. I was expected that it might be clear on this morning, so I was happy (strange photographer!) when I drove into thick fog a few miles from my destination. I arrived just before dawn as the sky was somewhere in that color range between blue and purple and pink, but just barely visible though the murk. I made a few true sunrise photographs that included a barely visible sun behind fog and clouds, then moved on along a gravel road to try to locate the cranes that I could hear. As I came to a right angle turn, the fog stretched beyond the nearby grasses and straight toward the low sun in front of me, thick enough that all details in the distance disappeared (with the exception of a few barely visible birds) into a luminous glow that was almost painfully intense


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Forest and Cliffs, Autumn

Forest and Cliffs, Autumn
Forest and Cliffs, Autumn

Forest and Cliffs, Autumn. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Soft autumn light on Yosemite Valley forests and granite cliffs.

A typical day of shooting in normal weather in a place like Yosemite Valley starts early – though perhaps not as early as in some other locations, since the first light is somewhat muted by the tall cliffs and taller peaks to the east. I select subjects largely based on what the light is like and where I think it will be interesting, often focusing on places where I can get nice backlight, soft light in shadows, or perhaps atmospheric conditions such as fog. I may move around the Valley, shooting in one spot for a while and then moving on to another place where I suspect that conditions might be interesting. Depending upon the conditions and the season, this can go on for hours in the morning until eventually the light becomes “midday blah” and I’m exhausted and hungry! Time for a (very late) breakfast break and a pause in the photography on most days. After coffee and food I’ll usually take care of some business, for example breaking camp if it my final day there, and I’ll often wander around to visit familiar places – perhaps a gallery or a museum – and then it is probably time for a short nap. (Keep in mind that I’ve been up since well before dawn, and will likely shoot until dark and then possibly drive for four hours or more!)

At some point in the mid to early afternoon it feels like time to photograph some more – the angle of the light becomes less and backlight opportunities increase, afternoon haze may be increasing the sense of depth in the landscape, and I need to begin figuring where I’ll want to be at various times during the evolution of the light that will continue until after sunset. On this afternoon I went back into photography mode at about 2:30 or so, and this photograph was made at the “early” hour of around 3:00. But because it was fall, the sun angle was already low enough to backlight and highlight the cottonwood trees at the edge of the meadow and the textures and shapes of the granite cliffs rising above the Valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.