Tag Archives: light

Canyon Light, Big Sur

Canyon Light, Big Sur
Canyon Light, Big Sur

Canyon Light, Big Sur. Pacific Coast Highway, California. April 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A solitary tree stands on a hillside at the base of a rugged canyon filled with morning light and haze

I have driven past this canyon many times, even stopping to hike up into it on more than one occasion. I’m usually there in the morning, when the early sun is just clearing the top of the high ridge beyond the canyon, and backlight streams down into the canyon, sometimes so bright that it is almost impossible to look up into it.

This was one of those mornings. As I got to the Monterey Peninsula I was initially surprised by the amount of haze in the air, since it was supposed to be – and actually was! – a very windy day. This was good news, though, since I love atmosphere that is not crystal clear. A few fog clouds were trying to form over some of the higher hills, but mostly the air was just filled with this semi-opaque, luminous haze that gave form to the light passing through it. As I arrived at this spot I looked to my left out of habit and first thought that it might be too hazy to produce a photograph that showed the faint details that I was interested in. But since I was there and this was a lot more interesting than the view out over the ocean, I stopped and took a look, soon finding a composition that placed the solitary tree silhouette near the bottom of the frame and anchored the scene, the rest of which was very atmospheric and subtle.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwood Trees and Sandstone Towers, Morning

Cottonwood Trees and Sandstone Towers, Morning
Cottonwood Trees and Sandstone Towers, Morning

Cottonwood Trees and Sandstone Towers, Morning. Arches National Park, Utah. October 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Cottonwood trees grow in Courthouse Wash with sandstone towers in morning light, Arches National Park

This is not exactly an iconic spot at Arches National Park, a place that is overflowing with icons. Very early on this morning we had engaged in icon photography, from a location near the top of a hill that provided a truly panoramic perspective on huge swathes of the park and from which I had photographed beautiful sandstone structures in the first light and the backlit, haze-filled vista looking toward the La Sal Mountains. We finished there and started to move on, having only vague ideas about what to photograph next, but knowing that if we kept our eyes open we could hardly avoid finding other subjects.

Descending into a wash to cross a stream bed, we came upon a large number of cottonwood trees lining the waterway. These trees were just beginning to transition to their brilliant fall colors, so we stopped. At first I dropped into the wash and made some close up photographs of the leaves themselves, along with some close shots of trees against sky and the nearby sandstone cliffs. Finishing with that I climbed back up to the roadway and there in front of me was another row of colorful trees where the creek emerged from under a bridge, and beyond that some of the same towers that I had earlier photographed from their far side now appeared almost back-lit and with a rim of morning light along their left sides.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstorm, Dunes

Sandstorm, Dunes
Sandstorm, Dunes

Sandstorm, Dunes. Death Valley National Park, California. April 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Strong winds lift clouds of sand high into the air above desert sand dunes, Death Valley National Park.

Sandstorms are common in Death Valley, especially when I visit, typically in the spring. I wasn’t totally surprised (nor totally pleased!) when one arose on the second day of this early April visit. After photographing all morning, I was back in camp to get something to eat and take care of camp business before heading back out in the mid-afternoon for the second shoot of the day. As I sat by my camp I saw a few pillars of dust out in the valley near dunes, and at that point I had a pretty good idea of what might be in store for me in the next few hours. It wasn’t long before the wind began to pick up, soon becoming strong enough to stir up a lot of dust and blow down any weak tents left by campers who had headed out for daytime activities elsewhere.

In objective terms, a sandstorm is an unpleasant thing. It is hot. It is dry. It is full of blowing sand and dust, and the fine dust gets into everything, no matter what you do to try to protect against it. In the worst cases, the blowing sand can damage the paint on vehicles. However, in visual terms, a sandstorm can be quite interesting – as long as you can find ways to shoot it that don’t risk destroying your photographic gear. It looked to me like the main storm was in the middle of the valley, so I figured I might be able to cross the valley, take road along the other side, and skirt the far edge of the storm, and photograph back into it with the light coming from behind. I drove across the valley and stopped right at the edge of the blowing sand and mostly shot from inside my vehicle so as to minimize the dust contamination. From this vantage point I could use a long lens to photograph the abstract shapes of sand dunes, backed by clouds of whirling and drifting sand that obscured the Cottonwood Mountains on the far side of the valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Four Ross’s Geese, Sunset Light

Four Ross's Geese, Sunset Light
Four Ross’s Geese, Sunset Light

Four Ross’s Geese, Sunset Light. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Four Ross’s geese in flight against the sky in sunset light

I photographed this group of Ross’s geese late in the day, just as golden hour light was beginning to intensify. We had spent the day in the San Joaquin Valley, visiting a couple of wildlife refuges, and returned at the end of the day to the place where we had begun shooting before dawn. We hoped for some combination of evening geese and then a dusk fly-in of sandhill cranes.

The amount of control you have when photographing these birds is minimal. It is up to them to decide where they will settle in, when and in what direction they will fly, and much more. A lot of the process involves doing things that you hope will increase your odds – being in likely spots at likely times, and so forth – then being ready to take advantage of whatever comes your way. The latter requires some sensitivity to how things are developing, some experience with the camera so that you can make decisions quickly and track flying birds that may turn up unexpectedly, and more. The situation with the geese on this evening was a bit unusual, at least in my experience. At this place we have often been able to find very large flocks of the birds late in the day, at which point a reasonable strategy is to position yourself nearby, taking into consideration the direction of the light, possible backgrounds, and the paths they will likely fly. Then you wait, ready to photograph, until the birds decide to do what birds decide to do! With luck, they will lift off in interesting groups, against interesting backdrops, and in good light. On this evening, we were only able to find one relatively small group of Ross’s geese. (We saw other much larger groups in the area, but they were further off and in places inaccessible to us.) So we found out spot nearby and waited, photographing very small groups of them as they lifted off and flow to the north. However, a few groups did an extra loop or two around us, coming back over our position quite low. You never know how the birds will line up, and often they will ether be too separated from one another or else they are so tightly clustered that you get blocked heads or wings that cover other birds. However, this group was polite enough to line themselves up in such a way that as they flew past each of them was completely visible in the evening light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.