Tag Archives: lodgepole

Fog at Forest’s Edge

Fog at Forest Edge
“Fog at Forest’s Edge” — Morning fog drifts among forest trees after rain, Yosemite National Park.

There is enough of a story behind this photograph that I will eventually post an article about it in my “A Photograph Exposed” series. It involved an afternoon and evening of heavy rain, a subsequent morning of fog and mist, moisture-enhanced colors, and a subject that I have almost intentionally chosen not to photograph much at all for decades. It is, obviously, a scene where a forest meets a wet meadow, photographed on a morning when fog drifted from that meadow and through the trees.

I was up early — likely around 4:00AM — since I suspected that there might be fog and mist on this morning after heavy rain. As I drove over a pass to get here there were piles of hail everywhere from the previous evening’s storm. Soon I came to a familiar small lake — the one that I almost never photograph — and I saw fog rising from the lake and drifting into the trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Sierra Pines

Sierra Pines
“Sierra Pines” — Dense forest of small, high elevation pine trees in the Sierra Nevada.

These lodgepole pines could be anywhere in a wide range of places in the Sierra Nevada — it is a very common tree found at higher elevations. Its form ranges from tall and upright, through slightly bent (like these trees at the edge of a high forest) to twisted and warped trees growing in rocky annd exposed locations. In the Sierra, lodgepoles are your friends, and you see them everywhere. You have undoubtedly walked among them and camped beneath them.

I photographed this scene in a high valley just outside Yosemite National Park, near the eastern entrance at Tioga Pass. I was up there during autumn to photograph aspens when I got sidetracked by some new snow above this area. Intimate photographs of these trees are often difficult in bright light since the contrasts can be harsh. But shadow light is softer and more forgiving, muting highlights and filling the shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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A Storm Approaches

A Storm Approaches
“A Storm Approaches” — Forest trees stand in sunlight while distant ridges are darkened by the clouds of an approaching Sierra storm.

At first look this might just seem like a photograph of a row of trees. It is late in the day, and the warm light lends color to this forest at Tuolumne Meadows, and it looks like a pleasant early evening. But that bluish strip at the top of the frame tells a different story. Look closely and you can make out a peak, and the peak is backed by higher peaks that are partially obscured by the dark clouds from an incoming storm.

We hear all the time that photography is about light, and there’s truth to that claim. (I would hold that it isn’t always “just” about light, but subjects usually benefit a lot from wonderful light.) One of my favorite situations is the one shown here — something nearby in lovely, warm light, but in the background a darker and more dramatic effect.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Baby Forest

Baby Forest
Lodgepole pines growing at the edge of the meadow at Tioga Pass

Baby Forest. © Copyright 2022 G Dan Mitchell.

Lodgepole pines growing at the edge of the meadow at Tioga Pass

While I often prefer to minimize the content of photographs when possible — some of my favorites qualify as minimalist images — I also have a weakness for trying to make photographs out of extremely dense subjects. (If you know a bit about “minimalism,” you may recognize that filling space with details can also be a characteristic.) Sometimes the pure density and complexity of the scene is enough, though at other times the challenge is in finding a viable composition among so much detail.

This little “baby forest” vignette is from high in the subalpine zone in the Yosemite Sierra, in the young forest near the edge of a meadow, a place where new trees can gain a foothold out of the literal shadows of the more established trees. Particularly in the early season — late spring and the start of summer — spots like this can be lush and full of new greenery and wildflowers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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