Tag Archives: long

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Zabriskie to Rogers Peak

Image Leave a comment
Zabriskie to Rogers Peak
“Zabriskie to Rogers Peak” — Long morning view, from formations at Zabriskie Point to distant Rogers Peak in the Panamint Mountains.

Poor Rogers Peak doesn’t get a lot of respect. Despite being just under 10,000 feet tall, offering a rather impressive view from close up, and being snow-capped in the winter… it is eclipsed by its neighbor, Telescope Peak, the highest in the park. (You can see a bit of the shoulder of Telescope Peak at the far left.) It doesn’t help that a communications complex has been installed on its summit — which seems like a bit of an inappropriate insult in a national park!

The photograph encompasses a very long view, extending from rugged hills at Zabriskie Point all the way across Death Valley to the summit of the Panamint Mountains. I estimate that this is over 20 miles as the proverbial crow flies. Such distances are common in Death Valley National Park, a huge place with an expansive landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

(All media © Copyright G Dan Mitchell and others.)

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mountains, Morning Shadows

Image Leave a comment
Desert Mountains, Morning Shadows
“Desert Mountains, Morning Shadows” — Early morning light casts long shadows across desert mountains, Death Valley.

This photograph was sort of “unintended” — I made it after I finished with my primary subject for the morning. A plan to photograph shallow water near the edge of salt flats brought me to this spot well before sunrise. The Panamint range (behind the camera position in the photograph) catches the first light, and I photographed from its arrival on the highest peak until it worked its way all the way down and across the valley floor.

This was a period of focused and continuous photography which sometimes entailed working quickly as the light changed — and refocusing a tilt/shift lens setup that I was using. Eventually the light came to my camera position, and the landscape of light and shadow that I had come for was now behind me, literally and temporally. I paused, looked up, took in the full circle of the landscape, and for the first time noticed the morning shadows stretching across these desert hills and mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

(All media © Copyright G Dan Mitchell and others.)

Photographs: New York City, Photographs: Travel, Photographs: Urban/Street

Long Shadows

Image Leave a comment
Long Shadows
Pedestrians at the High Line Park cast long shadows.

Long Shadows. © Copyright 2023 G Dan Mitchell.

Pedestrians at the High Line Park cast long shadows.

In my experience, interesting things happen to the light during late-fall and winter in Manhattan. Many are familiar with the “Manhattanhenge” phenomenon where the sun lines up with streets, but I’m thinking more of the combination of low sunlight angles and midday and afternoon light casting long shadows to the north and northeast of subjects, who appear against a bright, sometimes-glowing background.

Interesting things happen in this light. The shadows fascinate me — they are long and often anngle across the scene. (In some places the shadows themselves criss-cross when the light is reflected from building windows.) To photograph this light I have to walk towards it, and if I’m including human subjects they are often walking the other way — so things happen quickly and I have to react with little time for careful thought. As a result, there are surprises… such as the arm position of the man at the left, who walks almost as if he is trying to balance on a tight rope.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

From the Panamints to the Sierra

Image Leave a comment
From the Panamints to the Sierra
The long view from the crest of the Panamint Range in Death Valley to the peaks of the Sierra Nevada.

From the Panamints to the Sierra. © Copyright 2023 G Dan Mitchell.

The long view from the crest of the Panamint Range in Death Valley to the peaks of the Sierra Nevada.

While details are somewhat obscured due to haze, this view stretches from the crest of Death Valley National Park’s Panamint Range all the way to southern summits of the Sierra Nevada. The distance here is quite impressive — my estimate is that those peaks are perhaps 80 miles away or so. If you look closely, you can see that the ridges just across Panamint Valley — two ridges before the Sierra — are topped with recent snowfall, even on this early spring date.

The haze tends to sit in the valleys between the mountain ranges, but it also extends higher into the atmosphere, thus hiding almost all details of the distance Sierra Nevada. The late-afternoon backlight contributes to the effect. Despite the hard edges of ridge lines this light brings a softness to the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.