Tag Archives: meadow

Rock, Flowing Water

Rock, Flowing Water
A Sierra stream flows around a rock, reflecting trees and sky.

Rock, Flowing Water. © Copyright 2022 G Dan Mitchell.

A Sierra stream flows around a rock, reflecting trees and sky.

You might think that when visiting a place with the spectacular scenic views found in Yosemite that I might find something a bit more… profound to photograph. Well, I do photograph those things, too. But these days I’m often more interested in looking for less-obvious things that perhaps have not ever been photographed. Like some rock sitting in an anonymous stream. But such rocks and such streams are as much a part of the experience of this place as the waterfalls, cliffs, and alpine peaks.

For years I had passed by a particular little bit of creek, glimpsed quickly as I passed by on my way to other places. On this day I finally stopped and took the time to poke around a bit here, and I made a few photographs of shallow water flowing over granite slabs. Here the water passes around a large rock that somehow ended up in the middle of the stream, and the moving surface of the creek reflects the surrounding forest, mountains, and the sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Snags, Late Winter Fog

Snags, Late Winter Fog
A group of dead trees next to a riparian meadow on a foggy Central Valley winter day.

Snags, Late Winter Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

A group of dead trees next to a riparian meadow on a foggy Central Valley winter day.

Like several other photographs I have recently shared, this one comes from the Central Valley of California and was also made in the winter. However, this one is from a few years ago and in a slightly different location than my usual haunts in the valley. I made the photograph late in the migratory bird photography season, actually just after the main flock of geese had departed and when the place seemed downright lonely without them! That feeling was amplified on this particular visit, as it was right after the initial March 2020 lockdown, when so much about the trajectory of the pandemic was still unknown. We didn’t yet understand how it was spread or even how serious it was. At that time we were still paranoid of any contact with others, and I recall seeking out the most isolated gasoline station I could find on my way home.

The specific location is of a sort that fascinates me. Much of this valley is no longer exactly natural, being given over to huge agricultural areas. While the sense of vast space remains, what lies beneath it is largely affected by humans. However, in a few places the landscape is not so conducive to agriculture, and the land feels wilder. This is such a place, a shallow depression following the path of a creek which may be dry in summer but can flow rather powerfully in wet winters. I paused on a levee next to the area and photographed across a few old snags and into sun-lit fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Great Blue Heron, Fog

Great Blue Heron, Fog
A great blue heron, photographed on a winter morning of heavy fog along the Paciic Flyway.

Great Blue Heron, Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

A great blue heron, photographed on a winter morning of heavy fog along the Paciic Flyway.

Fog can make for lovely, evocative atmosphere when photographing birds. In fact, I often try to time my winter bird photography for foggy days. On the best of these days, the sunrise hours begin with slightly translucent fog, colored by dawn light. Then a transition begins as the sun rises and begins to make the shallow tule fog layer glow. The fog continues to thin and the light becomes more directional. Every one of these stages in the evolution of the light has its attractions, and such mornings are often quite busy.

Then there are the foggy days like this one. There is such a thing as too much fog, especially when it comes to bird photography. On this morning conditions were verging on the “I can hear them but I can’t see them” state — and at first I was unable to see most of the birds that I could hear off in the fog. I finally came across this magnificent great blue heron near the edge of a pasture, and I almost missed seeing it in the murk.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Aspens, Sage Brush Country

Autumn Aspens, Sage Brush Country
A sage brush country grove of colorful autumn aspen trees in back-light, Eastern Sierra Nevada.

Autumn Aspens, Sage Brush Country. © Copyright 2021 G Dan Mitchell – all rights reserved.

A sage brush country grove of colorful autumn aspen trees in back-light, Eastern Sierra Nevada.

Wildfire smoke has posed challenges to Californians and those in other western states in recent years, and the current historic drought in the state has produced even more widespread and often large fires. We have come to live with smoke levels that are occasionally very unhealthy and almost always aesthetically displeasing. Almost every late-summer or autumn visit to the Sierra during the past two seasons has been affected, and on several occasions I have had to cut trips short as a result.

On this month’s brief visit to the eastern Sierra things were a bit better in the Sonora Pass area and a bit south, but the conditions deteriorated quickly starting just north of Mono Lake. Photographically speaking, this creates some rather serious challenges, especially when smoke covers (and discolors the atmosphere of) the larger landscape. There are some options — black and white can often work in such conditions or one can focus on closer subjects, composting to eliminate the longer views. The latter is what I did in this photograph of grove of small aspens growing in a shallow valley in sagebrush-covered hills, where back-light intensified the colors of the fall foliage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.