Tag Archives: metal

Red Bench, Ball, and Shadows

Red Bench, Ball, and Shadows
Red Bench, Ball, and Shadows

Red Bench, Ball, and Shadows. San Jose, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A weathered red bench next to a suburban lawn and in front of a home with tree shadows

This probably seems like a different sort of photograph from me, but I actually have a thread of images along these lines that goes back quite a ways. They belong to what I think of as “wandering about my neighborhood” photographs, which I make on occasional walks in an extended version of my neighborhood – literally stepping out the front door and then walking. These walks encourage me to see things that I would otherwise miss, both in the general photographic sense of noticing things more when I have a camera in hand and in the more specific sense of noticing things that I otherwise simply pass by in my neighborhood.

I distinctly recall one of the first times I did this. I “saw” two things that I simply had never noticed before, even though I’ve lived in this neighborhood for years. First, in a nearby small downtown area there are buildings with more than one level – and it wasn’t until that first walk that I actually noticed the details of the second stories of these buildings. The second thing I noticed were shadows of trees. It turns out – no surprise now that I think about it – that they are everywhere. It was as if every building had trunks and branches and foliage painted on its walls. This photograph includes these shadows. It also has some other compositional elements that interest me – I’ll leave it to viewers to think about them – and there is something interesting to me about that old, weathered bench and the ball parked next to the column on the patio at the top of the concrete stairs.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Blue Shed, Evening

Blue Shed, Evening
Blue Shed, Evening

Blue Shed, Evening. Near Vallejo, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A metal-walled blue shade beneath an abandoned industrial building in “blue hour” evening light, near Vallejo, California

This photograph belongs to a genre that might be called Almost-Night Photography. I was at this location to do night photography, in fact, but for once decided to also try shooting the area a bit before the daylight disappeared. So perhaps 45 minutes before sunset I stopped what I was doing (eating pizza, actually…) and drove around a bit looking for “golden hour” photograph opportunities in this abandoned industrial area. I started a good distance from the location of this shot and did my sunset shoot in a more open area full of run down and falling down ruined buildings. After that I headed back towards an area of less-dilapidated but also virtually abandoned buildings.

So I arrived here a bit after sunset as the so-called “blue hour” light was coming on. The structure was open to the west where the post-sunset sky was visible over San Francisco Bay. Some clouds near the horizon still had the bright and orange-yellow colors of sunset, but the larger part of the sky was transitioning toward deep blue. As a result, any place in this image that was in shadow was primarily illuminated by the very blue overhead sky, while the upper windows of the taller building still reflected some of those last bits of color, though they were distorted by the uneven arrangement of the windows to create interesting patterns that are perhaps better seen in a larger presentation of the photograph. There are three buildings in the shot. The foreground round-roofed shed seems to be some sort of storage or work space that might have been added later. Behind that and to the right is a lighter-colored building that seems like it might have held some offices or similar facilities. Beyond that are the mostly glass walls of a very large industrial building that seems to be at least a full block long. These giant old buildings intrigue me in many ways, but the number of windows seems remarkable. I assume that they were designed this way so that people could work inside with little or no supplemental electrical light, and the interior spaces of such buildings can contain beautiful light during the day.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Building 106, Night

Building 106, Night
“Building 106, Night” — Black and white night photograph of Building 106 and surroundings, Mare Island Naval Ship Yard

It has been a while since I have posted new night photography, much less work from this location. I’ve photograph this area extensively over a period of years, often working with my friends from The Nocturnes, the San Francisco Bay Area night photography group. In fact, I was there with them once again on this mid-March night.

Atypically, some of us had begun the evening’s work by shooting in the daylight! Shortly before sunset someone came up with the novel idea, among night photographers anyway, of going out before it became dark to photograph in the golden hour light. So, I started early and gradually worked my way back to the familiar central core of old ship yard buildings. Some years ago when I first visited I was entranced by the most obvious subjects, mostly very large and impressive industrial structures. I still find them impressive and continue to photograph them, but as I returned many more times I began to push out the boundaries of what I know of the place. Eventually I looked for less obvious subjects, sometimes small and out-of-the-way things I had first overlooked, and I began to move beyond the familiar core area to look a bit more far afield. While the location in this photograph isn’t that far from where I started shooting, it is a bit less visited and it was probably the first time that I had explored this particular spot. I was first attracted by some nearby tall structures that look like they might be some sort of hoppers or collection equipment. Then I continued walking and turned up this side alley where nearby artificial lights illuminated the terribly weathered metal walls of old factory buildings, rising from the small one at right, past the taller building just beyond, and culminating that the much taller building near the upper portion of the frame, with its large pipe that must have carried smoke or gas away from its room.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Window and Rusted Chimney

Window and Rusted Chimney
“Window and Rusted Chimney”Detail of the outside wall of a dilapidated wooden building with a window and a rusted metal chimney, China Camp, California

During the first weekend of 2013 I joined a bunch of Bay Area photographers who were taking part in a “long exposure photo walk,” shooting with this group at dawn near the Golden Gate Bridge and then later in the morning at this historic location. China Camp was, as I understand it, a shrimp fishing village established on the shoreline of the northern San Francisco Bay in the 1800s by immigrants from China. It has long since been abandoned and now is part of a California state park. It seems mostly like a place of quiet and solitude these days, and the most common sounds during my visit were the cries of shore birds.

A few buildings, some apparently reconstructed or restored, remain from the original village. They sit right along the shoreline in a shallow cove with an open view across the northern bay. I had beautiful soft light on this visit, as a Pacific winter storm was just beginning to clear, leaving it its wake plenty of atmospheric moisture and cloudiness. I photographed the very weathered side of this building as that light vacillated between cloudy gray and nearly full sun, catching this shot as some sun shone through, though softened a bit by the clouds.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.