Tag Archives: monochrome

Above the Water

Above the Water
A flock of small birds, reflected in the surface of a winter pond.

Above the Water. © Copyright 2021 G Dan Mitchell – all rights reserved.

A flock of small birds, reflected in the surface of a winter pond.

These birds move so quickly and follow such unpredictable patterns that they are a real challenge to photograph. The sometimes stay in one place a bit while feeding but then, without much warning that I can detect, the whole flock of them instantly takes to the air, flying closely together and abruptly turning as if they were a single organism. They move quickly enough that it is hard to track them, and when they appear they are often in and out of camera range in a few short seconds.

Quite often they appear against busy backgrounds of grasses and trees and more distant water, and they can easily get lost against these backdrops. (Here their speed can be helpful, as panning with the birds can blur those backgrounds a bit.) It was foggy on this morning, and I chose (very quickly and intuitively!) to photograph them over a patch of uninterrupted water that gradually faded into the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Boba Tea Shop, Night

Boba Tea Shop, Night
A San Francisco Chinatown Boba Tea shot at night.

Boba Tea Shop, Night. © Copyright 2021 G Dan Mitchell – all rights reserved.

A San Francisco Chinatown Boba Tea shot at night.

This is another San Francisco night street photography photograph, made possible by the advent of very good, very small digital cameras that can now make good images in very dark conditions. Places like this one, with narrow streets, bright interiors, and a fair amount of ambient light from business signs, become viable subjects for the photographers working with handheld cameras and no electronic flash. In this sort of photography I often work quickly, pausing only long enough to frame up an interesting urban landscape and look for people to populate it.

As a person who frequently photographs on foot in San Francisco and who has lived reasonably close to The City for decades, I know some parts of San Francisco pretty well at this point. I’m frequently in and around Chinatown when I’m up there — because a friend suggests it, because I pass through on my way to another destination, or because it is my destination. For the most part I eschew the busy, commercialized stretch of Grant Street that most think of when they hear “Chinatown” in San Francisco. But at night it becomes more interesting to me, and the larger number and variety of ambient light sources are both interesting and helpful. The bright interior of this shop contrasts with the dark world on the sidewalk, and it is hard for me to say what is actually going on in the shop.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Three Women, Grant Street

Three Women, Grant Street
Three women stand in front of a Grant Street storefront at night, San Francisco.

Three Women, Grant Street. © Copyright 2021 G Dan Mitchell – all rights reserved.

Three women stand in front of a Grant Street storefront at night, San Francisco.

At this point I’m not sure I recall the exact circumstances that had me in this part of San Francisco after dark, but from the group of photographs that I have in my archive I can tell that I had made my way to the Chinatown district by evening, and after photographing there headed south past the Moscone Center, all of which suggests I had gone up there and back on the train. Taking the train to San Francisco for a day of street photography has long been a favorite activity, though I think it has now been about two years since the last attempt, aside from a few brief forays when I was up there this past fall for a couple of shows.

This San Francisco district, and others like it, are great places to photograph after dark, especially if you can work quickly, in street photography style, using a small handheld camera. There is often a fair amount of light from the combined sources of street lights, passing traffic, and the often-colorful lights spilling from commercial storefronts. With a small camera, especially at night, I can photograph without being so obvious that I intrude on the scene myself. One theme in my night street photography is people doing seemingly unusual things in a very normal human fashion. This appears to be a group of three friends passing through this area, but pausing to look in an unusual direction for just a moment.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Silo and Shadows

Silo and Shadows
Morning shadows fall across the curving surface of an agricultural silo, Central Valley, California.

Silo and Shadows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning shadows fall across the curving surface of an agricultural silo, Central Valley, California.

This photograph comes from the area where I first learned about bird photography. I’ve told the story before, but here’s the outline. I had almost no interest in photographing birds — it was completely outside my experience. One morning I was at my local espresso stand when I struck up a conversation with a friend who was also in the line. She happened to mention a birding location that she liked just south of Sacramento, California. For some reason, I was intrigued, and since I had some time to drive a few days later I headed out there, not knowing what I would find. It was a winter morning and as the sun rose I found thousands of birds everywhere — on the ground and in the sky. I had not idea what kind of birds they were (I think I assumed that all birds were geese…) but I was hooked. This was the start of a passion for photographing them.

You may wonder how that connects with this photograph. As I explored that area I came to some flooded rice fields, and nearby found a structure including several silos. I photographed it, and periodically I’ve returned to photograph it again. I photographed this view on a sunny morning, when the reflections of angled pipes, ladders, supports, and wire produced a complex pattern across the curving, corrugated metal skin of this silo.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.