Tag Archives: monochrome

Morning Light On Wildfire Smoke

Morning Light On Wildfire Smoke
“Morning Light On Wildfire Smoke” — Early morning light on wildfire smoke drifting among forest trees

For a day that I began with only a vague plan (photograph Glacier Point at dawn) that I managed to miss (distracted by dogwood trees), I ended up with quite a photographic haul before it was over. I have a very early morning photograph of a lovely forest scene with autumn colors, a series of photographs of beautiful and mysterious drifting smoke along Glacier Point Road, several photographs of the autumn scene in Yosemite Valley, and finally a small set of photographs of sunset light on snow-dusted granite along Tioga Pass Road. All told, it turned out to be a rather remarkable day!

The least expected subject also turned out to be the one that produced the largest number of photographs — the early morning wildfire smoke that had settled down in valleys and among the trees overnight. If I had arrived at Glacier Point when I originally planned I might have missed this in darkness. Yet again, I got lucky, and after a delay brought about by my inability to resist stopping to photograph another forest scene I arrived here at just the right moment. The air was still and the smoke was barely moving among the trees in this large valley below my location. I had a good long time to stand and take it in and then work the scene carefully, with photographs ranging from those including the full scene to others, like this one, that zeroed in on small elements of it. Several things attracted me about this particular scene: the beams of lighting the smoke drifting through the trees at the bottom of the frame, the zigzag pattern produced by forest and smoke, the tall and thin trees on the far ridge, and the bits of Yosemite granite domes barely visible in the distance through the smoke.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Pasture, Estero, and Drakes Bay

Pasture, Estero, and Drakes Bay
Looking across pastureland and Drakes Estero toward Drakes Bay and the California coast

Pasture, Estero, and Drakes Bay. Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Looking across pastureland and Drakes Estero toward Drakes Bay and the California coast

I have a confession to make regarding Point Reyes. Although it is, relatively speaking, “in my local neighborhood” and I’ve gone there a lot, I have yet to fully wrap my mind around the place to the extent that I feel that I have fully photographed it or fully understand its character. I do have some photographs of the place that I like quite a bit, but when I go there I often find it more difficult to photograph than places like the Sierra, the Big Sur coast, California’s deserts, and similar. I love photographing the ocean, but here the features of the coast are perhaps more subtle, tending more toward beaches and bluffs and bay than to dramatic and rocky coastline. There are hills, but many are rather short, tend to be covered almost completely in forest in many cases, and tend to lack rocky outcroppings. The light can be very interesting, but there is often a fine line between too much and too little sun.

To summarize, I’m still working to figure out my vision of the place. Our most recent visit, in the middle of October during the northern California wildfires, was provided no exceptions to the challenge. There was no fog and the sky was almost clear… except that wildfire smoke often tended to blanket the terrain, producing a sort of yellow quality to the light. Because it is October, most of the green of meadows is long gone, and instead open areas are a kind of muted brown. Yet, I still want to photograph the place, and I know I’ll eventually “get it.” We did spend some time looking for photographs in the park this time, and this lovely inlet from Drakes Estero caught my attention as we traveled out toward the location of the Point Reyes Lighthouse. After we stopped and I looked more closely, I found the old stock fence to be an interesting addition to the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Bluff, Tidal Flats, Tomales Bay

Bluff, Tidal Flats, Tomales Bay
Evening along the shoreline of Tomales Bay

Bluff, Tidal Flats, Tomales Bay. Near Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening along the shoreline of Tomales Bay

This is another photograph from our very recent visit to areas of California just north of San Francisco. If you follow the news, that description perhaps calls to mind the recent (and current, as I write this) major wildfires burning in California, including the disastrous fire in the Santa Rosa area that killed dozens of people and destroyed thousands of homes and other structures. In fact, we were very close to that area on this trip. We might not have gone at all, except that one of the reasons for going there was to participate in a wedding — and since the wedding went on despite the first, we went. We had planned a few days after that for photography, and we decided to stick to that plan, too.

The effects of the fires were obvious in many ways: signs in shops and elsewhere about people needing a place to stay or raising funds for fire relief, the traffic heading to the coast to try to find relief from the smoke, and the constant presence of that smoke in the air. We ended up doing much less photography than we usually would, but on one day we did manage to make a few photographs. We had driven north up that coast a ways, turning around just north of Jenner where the smoke became quite severe, and we were returning to the area around Point Reyes National Seashore. We arrived alongside upper Tomales Bay, which separates Point Reyes from the rest of California, not long before sunset. Here the smoke thinned a bit, mostly just producing some atmospheric haze, and the scene was quiet and still in the early evening light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Glacial Valley

Glacial Valley
A Mount Shuksan glacier lies in a rocky valley under drifting mists

Glacial Valley. Mount Shuksan, Washington. September 10, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A Mount Shuksan glacier lies in a rocky valley under drifting mists

Recently I shared a photograph of the Wheeler Glacier and Cirque located beneath Wheeler Peak in the Great Basin National Park in Nevada. (Yes, I also was unaware that there is a glacier in Nevada…) As I worked on that photograph I had this photograph of a glacier open on my computer. (I don’t know its name — possibly Lower Curtis Glacier?) It struck me just how similar the general features of these widely separated glacier are. Each now consists of an ice field nestled in the bottom of a cirque. Both are surrounded by impressively steep head walls. Both have trees growing very close to the terminus.

I photographed this using a long lens while I was at the Artist Point area at the end of the road to the Mount Baker Ski Area. I had a free day while visiting Seattle, so I did the long up-and-back drive, leaving enough time to photograph in the afternoon. The light may have been less than idea, it being a bit too close to midday, but at times thin clouds muted the sunlight enough to allow light to fill in the shadow details a bit. In addition, some interesting clouds were drifting around the summit of Mt. Shuksan and the occasionally reached further down the peak as in this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.