Tag Archives: monument

Photographs: Central California, Photographs: Nature

Hills, Edge of the Carrizo Plain

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Hills,Edge of the Carrizo Plain
Evening light on a stream bed dropping though Temblor Range hills toward the Carrizo Plain

Hills, Edge of the Carrizo Plain. Carrizo Plain National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light on a stream bed dropping though Temblor Range hills toward the Carrizo Plain

On this early April day I drove south from the San Francisco Bay Area on highway 101, leaving that route and heading east near Paso Robles to travel through the impossibly green spring landscape of Central California hills. I wasn’t alone. This being a beautiful spring Sunday, many others were out here to look for spectacular wildflower displays. And here, as in many other similar California locations, we found what we were looking for.

I continued to the east, eventually arriving at this high plain, often a desolate place but for a few weeks in wet years a place full of growth and color. I met up with friends who were already camped there, and we soon headed out to look for places with special color. We followed a small gravel road up into the foothills of the Temblor Range — we parked where it ended, loaded up packs, and continued on up into the hills of foot, heading toward some extensive fields of colorful wildflowers. As we topped the first rise I paused an looked back down at the base of the hills where the gully of a small stream winds its way toward the plain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Fall Color, River Canyon

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Fall Color, River Canyon
Cottonwood trees and other fall color along the bottom of a river canyon, Grand Staircase-Escalante National Monument

Fall Color, River Canyon. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2017 G Dan Mitchell – all rights reserved.

Cottonwood trees and other fall color along the bottom of a river canyon, Grand Staircase-Escalante National Monument

I made this photograph a few years back on a beautiful autumn day when a small group of friends walked down a river canyon, exploring and photographing the river, the vegetation, and the rocky walls. Direct sunlight does not reach the bottom of these canyons most of the time, especially during the times of the year when the sun’s path is lower in the sky and the daylight hours are shorter. Instead, the light strikes the upper walls, bouncing back and forth, diffusing and picking up the color of rocks and fall leaves as it makes its way downwards. If you look, you can see it in this photograph — in the glow on the canyon wall, the saturated colors of the leaves, and the light making its way into shadows.

Such canyons are wonderful places to go if you want to be cut off from the rest of the world. The landscape above the canyons is often relatively bare, perhaps dry and flat with occasional junipers. But none of that flat land world is visible once you are down in the canyon, where cottonwoods and brush spring up along the creek and every bend promises something new an interesting.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cedar Breaks, Evening

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Cedar Breaks, Evening
Soft evening light on the formations of Cedar Breaks National Monument

Cedar Breaks, Evening. Cedar Breaks National Monument, Utah. October 5, 2010. © Copyright 2017 G Dan Mitchell – all rights reserved.

Soft evening light on the formations of Cedar Breaks National Monument

This was only my second photography trip to Utah — the first had been not long before this when we visited in spring. (When I was very young, my family used to drive through Utah on trips between California and the Midwest, but I was hardly aware of the landscape.) This time we aimed for autumn, leaving the eastern Sierra at the beginning of October and heading across Nevada (not the usual route!) to western Utah and staying near Cedar Breaks National Monument for a few days at the start of our visit.

I did not know much about Cedar Breaks, and one thing that surprised me was the abrupt break between the wildly colorful and sculpted pink rock of the canyon and the flat and relatively plain high country to the east. A road travels along this boundary, and it took me a while to figure out how to photograph the area — the high flatlands seemed plain and the canyon dropped away into the western light. But that light from the west turned out to be the key. Near the end of our visit we were along the southern edge of the chasm late in the day when high, thin clouds softened that light from the west, and from here, rather than photographing straight into it, I could focus on the textures and colors made visible by the light sweeping across from the left.

As you consider this beautiful scene, also consider that such areas in Utah are currently threatened by radical anti-environmental Utah politicians who seem hell-bent on giving away our shared public lands to special interest extraction industries. It is simply astonishing that people who live in a place of such beauty could be so blind to it. Consider supporting the Southern Utah Wilderness Alliance in their work to defend these treasures.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Weathered Sandstone Wall

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Weathered Sandstone Wall
A weathered and cracked sandstone wall in Utah canyon country

Weathered Sandstone Wall. Grand Staircase-Escalante National Monument, Utah. October 28, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A weathered and cracked sandstone wall in Utah canyon country

It has been about four-and-a-half years since I visited this spot and made this photograph, but I remember it distinctly. We had followed the twisting course of a small stream down a canyon as it wound back and forth between the tall sandstone walls. Eventually we perhaps began to think it was time to turn around, but it was hard to resist finding out what was around “one more bend” — until we had passed through quite a few more of them! I remember three things about this particular wall. It was huge — a monumental expanse of nearly solid granite broken in a few spots where giant flakes of rock had fallen. The stream passed right along the base of the wall. And there were odd circular patterns inscribed into its surface — so regular in shape that I first thought they must have been made by humans.

This spot is in Grand Staircase-Escalante National Monument, a place that we might have believed to be safely protected for future generations. But these days, when America has been turned upside-down, things we took for granted are now threatened. And, yes, there are forces in the state of Utah that are working to take land out of this incredible monument and turn it over to extractive industries to dig it up and take out shale oil, uranium, and whatever else they can get their hands on. There are many things we can do about this. One very important step is to get the attention of the people of the state of Utah and remind them that one of their greatest assets is the beautiful system of parks, monuments, national forests, and other lands that draws visitors from all over the world — visitors who support a thriving tourism and recreation economy in the state. Since their legislators don’t seem to respond to reason or shame, perhaps they will respond to economic pressure. This week a consortium of outdoor manufacturers announced that they are moving their annual convention out of Utah. Lots of us are vowing to not visit the state until they stop trying to destroy it — and we won’t be staying in their motels, eating in their restaurants, buying gas there, or anything else.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.