Tag Archives: moon

Ellery Lake Moonrise, Autumn

The autumn mood rises over recent snow on ridges above Ellery Lake near the eastern edge of Yosemite National Park

Ellery Lake Moonrise, Autumn. Sierra Nevada, California. October 9, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

I’ll say good bye to 2014 with a few sunset photographs this week. Recently I had reasons to go back through over a decades worth of photographs, including many that I have not shared. While this is certainly work, it is also occasionally a source of wonderful surprises — as seeing the older photographs triggers memories of photographic adventures that I haven’t thought about for a while and as I “discover” photographs that have sat in the raw file archives for many years. They get left there for a range of reasons. Sometimes I just didn’t yet “see” them the right way at the time I made them, or in other cases I got busy before I finished working my way thoroughly through a set of images and I moved on too soon. (This may be yet another reason to be conservative when it comes to deleting “unneeded” files!)

This photograph came from the very end of several days of photographing fall color in the eastern Sierra. It was a special few days, as there was light snow and wonderful color for most of the time I was there, and these conditions had me shooting around the clock, from before sunrise until it was too dark to make more photographs. On this final day I did some shooting in the eastern Sierra near Lee Vining in the late afternoon and finally decided that I was finished and that it was time to start back home through Yosemite. In the early evening light I headed up Lee Vining Canyon toward Tioga Pass, and as I drove by Ellery Lake I found these lovely conditions: new snow on the ground, golden hour light on the peaks and reflected in the surface of the lake, a nearly full moon rising above the shoulder of the high peaks, into blue sky slightly streaked with thing lines of clouds, and the complex symmetries of curving ridges. I couldn’t have asked for a better benediction to mark the final photographs of this trip.

The autumn mood rises over recent snow on ridges above Ellery Lake near the eastern edge of Yosemite National Park


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Moon, Clouds, and Granite

Winter Moon, Clouds, and Granite
Winter Moon, Clouds, and Granite

Winter Moon, Clouds, and Granite. Yosemite Valley, California. February 23, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter moon rises through post-storm clouds above Yosemite Valley, California

On this winter evening, photographing the “usual subjects” in Yosemite Valley was not easy. This was the weekend of the Horsetail Falls pilgrimage, and hundreds or perhaps thousands of people were lined up with cameras in hopes of making their photograph of this thing/event – but for most this was not to be as the water fall was almost dried up and clouds blocked the sunset light. It had been a cloudy day, starting out with rain and staying that way for a good part of the day, with even a bit of light snow at times. As evening approached it looked like the cloud deck was going to remain thick and low and that it would likely be a gray evening.

With it looking like the potential for inspiring light was quite low, we went to Tunnel View – it seemed as good as any other option, it can be an inspiring place even when it doesn’t provide inspiring photographic opportunities, and I was with someone who had not really tried to photograph there. When we arrived there was some clearing, though the clouds seemed to remain thick to the west, meaning the no brilliant light was likely to be seen. I put a long lens on my camera and worked the upper rim of the Valley to my right, about 90 degrees away from the direction most were shooting, but where fog and mist drifted across the rim, granite pinnacles and cliffs, and among trees. As I watched this I noticed the nearly full moon occasionally poke out from behind clouds above Sentinel Rocks as the clouds and mist drifted this way and that. Since it was that early twilight time when a good exposure for the light of the moon can also work for other subjects such as clouds, sky, and mountains, I swung the camera around and watched the drifting clouds, waiting or moments when the took on interesting shapes and when the moon was visible.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Moonlit Stairs and Windows

Moonlit Stairs and Windows - Metal staircase and wood framed windows on an old building at the Mare Island Naval Ship Yard, photographed under the light of the full moon.
Metal staircase and wood framed windows on an old building at the Mare Island Naval Ship Yard, photographed under the light of the full moon.

Moonlit Stairs and Windows. Mare Island Naval Ship Yard, California. April 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Metal staircase and wood framed windows on an old building at the Mare Island Naval Ship Yard, photographed under the light of the full moon.

This month I have had the opportunity to return to the ongoing task for filing through older raw files to see what I missed the first time around. (The task also leads to deleting some files that I originally held on to.) For me this is an important ritual, as I often accidentally “leave behind” some photographs when I first review them – either I get to busy and move on before I fully explore them, or in some cases I simply don’t yet “see” the photograph when I look at it too soon after making it. I have a theory about the latter issue. Sometimes I think I’m so invested in what I hoped or thought the photograph would be that I fail to see what it really is, at least until I’ve waited a while.

The subject of this photograph is the exterior of a building at the historic Mare Island Naval Ship Yard in Vallejo, a place that I have photographed only in the dark! I have worked with this building before. It is superficially a pretty uninteresting structure, but some of the unusual exterior stairways become interesting compositionally when illuminated by moonlight as in this photograph. I’ll share a few odd technical details about this one, too. The exposure time was nearly 8 minutes! And the capture was still underexposed. Since I cannot meter a scene like this, I often make my first exposure based on some sort of educated hunch – and I guess I just couldn’t imagine that I’d have to stand there any longer than this! Of course, because of the distance between the close-in railing and the far portions of the upper story, I had to use a small aperture of f/16. And being concerned about noise I shot at ISO 200. In the dark. Right. So one reason that I think I neglected to work with this file was that it seemed underexposed – OK, it was underexposed, even given the very dark subject of the scene. However, when I began to work with the raw file I discovered that I could push it the equivalent of several stops and the image would still hold good quality without obtrusive noise. I like the odd combination of shapes and angles, and in the end I think the very dark interpretation is actually the right one for this subject.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Towers, Moon Rising Through Clouds

Sandstone Towers, Moon Rising Through Clouds - The full moon rises in a cloudy sky above sandstone towers, Arches National Park, Utah.
The full moon rises in a cloudy sky above sandstone towers, Arches National Park, Utah.

Sandstone Towers, Moon Rising Through Clouds. Arches National Park, Utah. April 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The full moon rises in a cloudy sky above sandstone towers, Arches National Park, Utah.

These rocks are near but not exactly part of the windows area at Arches National Park, where we ended up at the end of our first day there. We had arrived in Moab in the afternoon and then driven up into the park very late in the day – more or less gasping in amazement at the geology we were seeing for the first time – and finally ended up in this area just before sunset.

I’m repeating a story I wrote about earlier, so I’ll make the first part short. There was beautiful light leading up to sunset, and there were some interesting clouds in the sky to the north. However, it was extremely windy, making longer exposures as the light faded a real challenge and also making lens changes unwise. After sunset I ended up in the shelter of some rock towers where I found some protection from the wind. I knew that this was going to be a full moon night, but I was a bit concerned that by the time it was high enough that the ambient light would be somewhat dark, making it very difficult to photograph the twilight surroundings and the very bright moon in a single exposure. But as the moon rose and I found a location from which I could position it and the rocks together, high thin clouds partially obscured the moon and allowed my longer exposures for the dim foreground to work. I might have used a longer lens, but the thought of changing lenses in the blowing wind convinced me to just go ahead and shoot with the lens I already had on the camera – and in the end I think that let me produce a more natural view of the moon than I might have achieved with a longer telephoto.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.