Tag Archives: morning

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects

North Tower of the Golden Gate Bridge, San Francisco Oakland Bay Bridge

February 13, 2011 G Dan Mitchell 3 Comments

Black and white photograph of the north tower of the Golden Gate Bridge silhouetted against San Francisco Bay morning haze and the San Francisco Oakland Bay Bridge.

A week ago I posted a few other photographs from this early morning winter visit to the upper reaches of the Marin Headlands, from which I photographed the bridges of the San Francisco Bay, backlit by early sun and partially obscured by a low layer of fog and haze. Since I am not fond of adding poetic (or pseudo-poetic) titles to my photographs, preferring to let them say whatever they have to say on their own, I have resisted the temptation to call this one “The Three Towers.” ;-)

The dark shape in the foreground that dominates the frame is, of course, the north tower of the Golden Gate Bridge. Shooting it in this light is trickier than it might seem like it should be. The light coming from beyond, reflected and amplified by water and haze, is very bright – almost hard to look at directly. So the west side of the bridge is deeply shadowed. I like the dark and stark shape of the tower here – as opposed to the more familiar photographs front or side lit by late afternoon or evening light – but the trick is to keep just a bit of detail in that nearly black tower.

The scene posed another technical issue, though it probably isn’t visible in this small version. As the sun comes up and heats the atmosphere, and as wind blows (and it was windy on this morning!) there is a lot of atmospheric turbulence. Normally you wouldn’t notice this at all, but when you shoot with a long lens and enlarge the image you quickly see that sharp edges and fine lines take on an almost “painterly” quality as the atmosphere shimmers, much in the manner of a mirage.

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Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects

Golden Gate and Bay Bridges, Morning Haze

February 7, 2011 G Dan Mitchell 1 Comment

Black and white photograph of Golden Gate Bridge north tower, the San Francisco-Oakland Bay Bridge, and the East Bay Hills in morning haze.

I sometimes enjoy playing the juxtaposition game, going up into the Marin Headlands and using a long lens to juxtapose elements of the Golden Gate Bridge with other elements of the landscape, human and natural, of San Francisco Bay. One of the most iconic examples of such photographs is the one that many have shot (including me!) that centers the tip of the Transamerica building within a frame formed by the north tower of the bridge. But there are many other possibilities that might be at least as interesting, and which may depend more on the changing and often very interesting conditions of atmosphere and light over the bay.

This photograph was made from a point very close to that from which the Transamerica building photograph can be made, but a bit higher on the road up into the headlands. When I arrived just before dawn in the general area there were quite a few other photographers who I presume were there to photograph the dawn scene. (This is a difficult task, as it requires you to shoot essentially directly into the sun if you want San Francisco in your shot.) I was surprised when essentially all of the other photographers packed up and left a few minutes after the sun came up! (In their defense, it was windy up there – so windy that it made shooting with a long lens quite a challenge!) The sunrise wasn’t all that amazing, at least not if you know this area pretty well. But the low haze/fog over the east bay hills and some overhead clouds filtering the light a bit created the potential for some interesting and moody light – at least if I used a long lens to isolate small sections of the scene.

I’m almost a bit embarrassed to admit that I picked my first shooting location not based on the scene but rather on trying to avoid the wind! I went up the road to a spot where I could shoot in the lee of a hill side. After getting that out of my system, I went the other way and entered a very windy area along the road below the parking lot. I eventually found a spot that lined up the two great bridges of San Francisco Bay – the north tower of the Golden Gate Bridge in the foreground and two towers and a central span of the San Francisco-Oakland Bay Bridge in the distance, both backed by that low fog and haze and beyond the East Bay Hills.

Photographs: Nature, Photographs: Northern California

Trees and Brush, Levee

February 3, 2011 G Dan Mitchell 2 Comments

Weak sunlight breaks through Central Valley tule fog to illuminate trees and brush growing on a levee near the Cosumnes River.

This morning started out with extremely dense Central Valley tule fog – at first so thick that I more or less gave up photographing. But eventually, as usually happens, the upper layers of the fog began to thin, and some light began to filter down through the fog. By late in the morning the fog was thinning enough that very pale sunlight began to show through and softly light the dense vegetation on this levee along the edges of the Cosumnes River. This is an incredibly rich environment in the winter, especially with all of the water from winter rains and the nearby river, and the vegetation grows very thick here.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees Atop the Rostrum

January 27, 2011 G Dan Mitchell 2 Comments

Sparse trees grow in granite slabs above steep granite cliffs in Lower Yosemite Valley.

(Note: After receiving some advice from a helpful reader – which was much appreciated! – I now know that this feature has a name. It is called “the Rostrum,” and I have retitled the photograph accordingly.)

I’ve seen these tree-topped columns and the granite slabs beyond many times when I’ve taken Crane Flat Road into the Valley. On my recent visit to Yosemite, photographing these trees in both early and late light was on my agenda, and I got myself into position to shoot them on two or three occasions.

At the right times of day – and there are at least two when this can work – the light slants across the top of the granite slabs and ledges at the top of these cliffs and catches the trees with side or back light. Below these upper slopes the vertical fluted forms of the cliffs drop nearly vertically to the Merced River canyon below. The cliffs themselves are in what I might describe as lower Yosemite Valley – think of Crane Flat Road above Cascade Creek or the area well beyond the upper end of Wawona Tunnel. There is a lot of very interesting and imposing rock in this part of the Valley, though I think it may get overlooked a bit by comparison to the truly astonishing faces and domes and peaks of the Valley proper.

Since the light changes throughout the year, and especially because the point at which the sun sets moves north as the years moves from winter to summer, I want to come back and photograph this area again a bit later in the year when I think the potential for light later in the day might improve. From my point of view, the ideal conditions might combine “golden hour” side light with shadows that reduce the detail on the forest covered slopes beyond – and without the bright snow patches that appear here. Of course, a fresh snowfall here might also be interesting…

I got a bit of a laugh out of one thing that happened when I made this photograph, though it is similar to similar situations I’ve had in the past. It is not at all unusual for lots of tourists to stop when they see a photographer with a big tripod and large lens at a pull-out along the road. I assume they think that if the photographer with the Fancy Equipment is stopping that there must be something there worth photographing. But sometime the photographer is pointing the camera in direction that must only confuse them. On this occasion I was in a spot with a classic and stunning view of distant Bridalveil Fall, and I’ll bet that many of those stopping thought they might try to duplicate my “shot of the falls.” But as they stopped and looked they may have wondered about me if they noticed that my lens was aimed at some seemingly nondescript spot perhaps 30% to the right of the fall…

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