Tag Archives: morning

Forest, Fog, Soft Light

Forest, Fog, Soft Light
“Forest, Fog, Soft Light” — Soft morning light filtered through coastal fog on a forested hillside near the California coast.

It isn’t news that California and the West have been suffering under an extreme and long-lasting heat wave. Here in the San Francisco Bay Area it has been bad — though clearly it is much worse in other locations. This week I finally had enough, and I drove over the hills to the coast early in the morning to seek out fog. I found it! In fact, it was so thick on the coast (where the temperature was a blessed 55 degrees) that it interfered with my intended photography. So I followed side roads that took me inland to the edge of the fog, where soft light was starting to illuminate the landscape.

By most measures, this is a rather nondescript location. (I actually parked in from of a CalFire Station.) But across the small valley, trees led up the hillside, catching the soft light that was just barely penetrating the fog. There’s an additional detail here: A large wildfire swept through a few years back, denuding the landscape in many places. These trees at the bottom of the valley were spared, but you can see skeleton of dead trees on top of the ridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wetlands, Winter Clouds and Fog

Wetlands, Winter Clouds and Fog
“Wetlands, Winter Clouds and Fog” — Winter clouds and fog mute the colors and details of a wetland landscape.

Who can resist the symmetry of clouds and their reflections in still water? I know I cannot. I have photographed such things many times, but more typically the photographs feature some kind of overpowering sky — thunderstorms or a brilliantly colorful sunrise or sunset. (In fact, I’ve made a few of the latter at this very location.) But here I wanted to focus on something different, a subject that suggests the quiet and stillness of this wetlands landscape.

It was a foggy winter morning. As the fog began to thin the high clouds and their reflections became visible, although the horizon just beyond the rushes was still obscured by tule fog. Aside from the sounds of birds, it was quiet. The air was nearly still, and the scene was almost static — though to be accurate, it was simply changing very slowly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Clearing Fog, Point Lobos

Clearing Fog, Point Lobos
“Clearing Fog, Point Lobos” — Morning fog clears in the distance at Point Lobos.

In early spring I made a quick visit to Point Lobos, located between Monterey and the Big Sur area. (The latter was still closed due to storm-caused road damage, and the thru-route won’t likely open again until much later this year.) I went early on a weekday morning, more or less the only way to enjoy this place without crowds, especially now that the weather is warming. I spent hours slowly wandering familiar areas, and enjoying the quiet morning.

As much as any other photographer, I often gravitate to making photographs of the Pacific coast that capture its grand scale and the power of the ocean. (I love to photograph the drama of Pacific winter storm surf.) But this morning and this picture represent a different but also compelling state of the coast — a quiet, gray day on which nothing seemed hurried.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Blue Mountains

Blue Mountains

“Blue Mountains” — Desert mountain ridges, obscured by morning haze, extend into the distance.

If you have been following my 2023 photographs from Death Valley — I visited in March — you may recognize the contours of these distant mountains from a couple of monochrome images I shared earlier. I was at a high elevation location along the east side of the valley to photograph the playa at sunrise, but from time to time I turned my attention the other direction to look at these ridges extended into the distant haze.

One pleasure of viewing the world from such a location, high above the surrounding landscape, is that we sometimes see so far that eventually the features simply disappear into the distant haze. Here the haze was so thick — and back lit — that details were lost, leaving only the counters of the main features of the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.