Tag Archives: morning

Pond, Clearing Fog

Tule fog begins to clear above a Central Valley pond on a late-autumn morning.

Pond, Clearing Fog. © Copyright 2022 G Dan Mitchell.

Tule fog thins above a Central Valley pond on a late-autumn morning.

The core of my landscape photography follows a pattern linked to the seasons — no surprise, I suppose, since the landscape is so profoundly affected by seasonal changes. Every year at this time my attention turns to California’s Great Central Valley, where the combination of migratory birds, tule fog, and its minimal landscape become my focus. I finally made it out there this week for the first time this season.

I suppose “normal people” would avoid this area on a day like this. Objectively speaking, this thick fog is not conducive to travel, and those who live there get tired of days and weeks of the cold and damp. But these conditions turn a landscape that can be a bit pedestrian into something mysterious and atmospheric. When I arrived before dawn the fog was so thick that I couldn’t see more than perhaps a hundred feet. But shortly after sunrise the fog began to drift and thin, faint windows opened in the sky above, and soft light began to subtly illuminate the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Inyo Sunrise

Inyo Sunrise
Looking south from the White Mountains toward the Inyo Range at sunrise.

Inyo Sunrise. © Copyright 2022 G Dan Mitchell.

Looking south from the White Mountains toward the Inyo Range at sunrise.

On my aspen photography trip to the Eastern Sierra during week three of October I took one day off from photographing the autumn leaves and headed east into the White Mountains to visit the Ancient Bristlecone Pine Forest. It had been a few years since my last visit, and it seemed like time. I left the town of Bishop in predawn darkness, planning to be at an overlook of the High Sierra at dawn. Dawn on the Sierra is always impressive, though the photographic challenges on this morning were many. But just at sunrise I looked back to the Southeast, across the Inyo Range and all the way to the peaks of Death Valley, to see an impressive sequence of silhouetted peaks..

From here I continued on to the higher reaches of the White Mountains, an alpine moonscape of round and very high peaks, covered in many places by the remarkable bristlecone pine forest. These trees survive in one of the most challenging environments in California, at high elevations in these dry and barren mountains. At this late-season date there was hardly anyone else there. I saw a couple of cars at the (closed) visitor center, and I was entirely alone for an hour or so at the highest, most-distant grove of trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Basin Mountain, Autumn

Basin Mountain, Autumn
Basin Mountain on an autumn morning, with a bit of fall color.

Basin Mountain, Autumn. © Copyright 2022 G Dan Mitchell.

Basin Mountain on an autumn morning, with a bit of fall color.

Unless you look closely, you might not see this as an autumn photograph, but the evidence is there. The most obvious indication is in the canyon that descends from the right of the tall peak, Basin Mountain. Just beneath the lip below the dark canyon you can spot a batch of very colorful aspen trees following the drainage into the valley below. There are some other subtle clues, too. The general golden-brown color of vegetation, including that in the high desert hills in the foreground, is typical of fall. Even more subtle is something in the quality of the light and atmosphere… which is what provoked me to detour to make this photograph.

I’ve long been intrigued by Basin Mountain, which rises to the Sierra Crest west of Bishop, California. From the east, the face of the peak is marked by a striking “basin,” and some interesting old trails switchback across its lower face. I’ve wondered what is in that basin, but I’ve never found the time to go up there. I would not typically make a photograph of such a subject at this time of day — late morning. The east side of the Sierra is often in less-than-lovely light at this time, especially if there is haze. But on this day there was merely enough haze to make things interesting, while higher clouds softened the light. So I detoured away from the start of my homeward drive to follow some backroads to this camera position where I could include the foreground hills and the peak.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Trees, Mountains, and Valley Fog

Autumn Trees, Mountains, and Valley Fog
Colorful autumn trees and morning fog in distant valleys, New Hampshire.

Autumn Trees, Mountains, and Valley Fog. © Copyright 2022 G Dan Mitchell.

Colorful autumn trees and morning fog in distant valleys, New Hampshire.

This route across the White Mountains is — as I was warned and then witnessed — a very popular location for viewing New England fall color. While I like to investigate less well-known subjects as I get to know a place, since this was our first-ever visit to this region in the fall we started out by joining the hordes on this road. It is iconic and, as I often say, “there’s a reason it is an icon.” The autumn forests here are, indeed, spectacular and our visit coincided with peak color. (In case you wonder, it only took me a day or two to start exploring a few odd little gravel roads, too.)

While this viewpoint is popular and likely heavily photographed, on a morning like this it presents some aesthetic and technical challenges. The beautifully receding hills beyond the fog-lined valley are almost directly in line with the rising sun. This leads to flare challenges and to high contrasts between shadows and backlit foliage. Nearby trees, as lovely as they are, also impede on some of the longer views. But with the camera in just the right place, using my hand to shade the lens, and an exposure that captured scene data to be optimized in post… I think it works.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.