Tag Archives: mountains

Late Season Wildflowers

Late Season Wildflowers
A patch of late-August lupine flowers in the John Muir Wilderness

Late Season Wildflowers. © Copyright 2019 G Dan Mitchell – all rights reserved.

A patch of late-August lupine flowers in the John Muir Wilderness.

Over the years I’ve seen some outlier seasons in the Sierra Nevada. A few years ago we experienced a serious five-year drought that left the range dry very early in the season, producing summers that were mostly brown up high and autumns that featured stressed aspens. I’ve also experienced summers that followed extremely wet precipitation seasons, including several during which the high country really did not open until July. In those years there was snow around all summer, and even at the end of the season there were still flowing water, green meadows, and even wildflowers.

This summer fell into the latter category. Although last winter’s season started out looking dry, a series of strong storms arrived a bit later and produced a much larger than average snowpack. Once again, the opening of the high country was delayed, and when it did open up there was water everywhere. My recent visit was during the final few days of August and the first couple of days of September. Despite the late date, many areas were still green — especially in the well-watered valley we visited — and wildflowers were still blooming. Not far from our camp I found extensive patches of lupine in full bloom.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Glaciated Terrain

Glaciated Terrain
A Sierra Nevada scene including glaciated slabs, a shallow lake, and old moraines

Glaciated Terrain. © Copyright 2019 G Dan Mitchell – all rights reserved.

A Sierra Nevada scene including glaciated slabs, a shallow lake, and old moraines.

There are quite a few “terrains” in the Sierra Nevada, ranging from foothills oak grasslands through the mid-elevation forest, and on up to the rocky alpine heights. Off all of them, I think my favorite is that found just below the treelike, where granite slabs are frequently interspersed with small trees and meadows, where you are rarely very far from water, and where evidence of the glacial heritage of the range are everywhere. There is virtually no element of this scene that doesn’t owe something to those glaciers — the smoothly rounded slabs of foreground granite, the lake lying in a scooped-out hollow where glaciers converged, the moraines (at least two of which appear in the photograph), and even the line between the tops of the glaciers and the more jagged formations that remained above their reach.

This photograph is also about light, and a more subtle form of it. I composed the scene to exclude as much of the direct morning sun as possible, but yet to take advantage of its presence nearby. One of the favorite forms of light among photographers is that which is reflected into the scene from nearby objects in bright light. Here much of the warmer colored light is of that sort, reflected into the scene from nearby slopes that were already in the direct morning sun. This light fills shadows and can add soft color to the cold tones in the shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Peninsula, Lake, Morning Light

Peninsula, Lake, Morning Light
Morning light on a rocky peninsula, reflected in the deep green waters of an alpine lake

Peninsula, Lake, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning light on a rocky peninsula, reflected in the deep green waters of an alpine lake.

My morning visit to this lake above our basecamp was fortuitously timed. I’d love to take credit for great planning, but I must admit that luck played a big role. I had a plan — it involved heading up that way quite early and then taking the time to ascend a low ridge and walk to the far side of the lake. But none of that happened. While I did get a reasonably early start, I was soon distracted by other subjects along the route to the lake, and I ultimately arrived there later than I had planned. However, my inability to stick to my schedule played to my advantage.

I arrived at the lake’s outlet, a long and narrow channel of still water, to find that the “quiet light” (thanks, Keith Walklet) was still there, so I paused to photograph that scene in soft shadows. Soon I decided to move on and head up and over that low ridge… but I immediately saw another scene that I had to photograph, some lichen-covered rocks along the shoreline. Finishing with this distraction, I now realized that I really had to get moving and climb that ridge. But by now the sunlight was on that ridge, and its reflection was casting lovely soft light back on a rocky peninsula and the boulder-strewn shoreline. So — again! — I stopped to make photographs of this scene. But this one took longer, as the light continued to develop and increase, until sunlight began to illuminate the water itself, building abstractions of light and color and reflections in front of the peninsula. (In the end I never did cross that ridge or go to the other side of the lake!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Peninsula, First LIght

Peninsula, First LIght
The first morning light strikes a tree on a rocky peninsula reflected in the still water of an alpine Sierra Nevada lake.

Peninsula, First LIght. © Copyright 2019 G Dan Mitchell – all rights reserved.

The first morning light strikes a tree on a rocky peninsula reflected in the still water of an alpine Sierra Nevada lake.

Our group’s method is generally to pack in to a base camp location, and to then remain in that single location for a week or so. Many years ago, when my primary orientation was that of a backpacker, I recall being almost terrified of staying in one spot so long — I imagined that I would be bored. But the opposite turns out the be the case. I gradually push my boundaries out from the camp, learning the variables of light and conditions, and get to the know the area much more intimately. I may initially visit a spot in light that is just “OK,” but then make plans to return when it is likely to be perfect. (And when I blow it I can come back and try again!)

This lake was only a ten or fifteen minute walk away from our camp. I had visited it some years back on a pack trip, but only briefly. This time I was able to wander up there quite a few times, in both morning and evening hours. On my first visit of this trip I missed the timing on the light, arriving just after interesting light had left some picturesque snags. But on the visit when I made this photograph everything worked out just right. I arrived very early before the sunlight had made it down to lake level, and I spent time photographing in this quiet light. Then I decided to move to a feature that I had scouted on the previous visit, and that also provided the light I was looking for. Finishing that, I decided to climb a higher ridge and traverse around the side of the lake, but as I did so I looked back and saw this scene illuminated by the reflected glow of rocks that were now in sunlight. I stopped and made a series of photographs of this little peninsula, the dark and reflective lake surface, and the jumbled rocks along the shoreline.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.