Tag Archives: mountains

Photographs: Desert, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

La Sal Mountains, Evening

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La Sal Mountains, Evening - Sunset light on sandstone towers of Arches National Park and on the distant La Sal Mountains, Utah
Sunset light on sandstone towers of Arches National Park and on the distant La Sal Mountains, Utah

La Sal Mountains, Evening. Arches National Park, Utah. October 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light on sandstone towers of Arches National Park and on the distant La Sal Mountains, Utah

I was hoping to get up into the La Sal Mountains, in the Moab/Arches area, during this visit to Utah, but it didn’t quite happen. We had seen some aspen groves high on their slopes and thought they could make a good photographic subject, but we were twice stymied – well, once stymied and once we guessed wrong. The wrong guess came first. As we approached Moab late in the day from the south, we though we would turn off the main highway before reaching town and drive up there. However, a sign warning of construction and a road closure dissuaded us, so we turned around and continued to Moab. Later, thinking that if it was closed from the first route (and actually, it wasn’t) then there must be access from the alternative, we drove up the Colorado River Canyon and turned off to head up that way… only to encounter road construction! We could perhaps have continued on, but it was late in the day and we had not calculated this delay when guessing how long it might take to get up to the trees.

So, in the end, our views of the La Sal Mountains were from greater distances – from high on the plateau of Canyonlands National Park and from Arches National Park. On the day I made this photograph, the light had been “interesting” – a combination of blah, clouded-over light, with occasional bursts of beautiful light coming through breaks in the clouds. We had been out on the ridge near the end of the main park road and had really enjoyed those moments of wonderful light, but late in the day it looked like the breaks would end there, but that they might continue over near the section of the park where this photo was made. So we quickly got in the car and headed over that way. When we arrived, things did not look so promising. The large clouds that had begun to block the light earlier were also affecting this area. But there we were, and there wasn’t time to try to get to another location before the end of the day, so we headed up into this rocky area to see what might develop. From here, the La Sals were largely clear, with more sun than shadow on the face of the mountains. Even though there were clouds overhead at our position, they were increasingly broken as they led toward the mountains. Now all I needed was some evening light on the foreground rocks and I might have a photograph. I got my wish, with just a few brief moments of somewhat attenuated golden hour light on the rocks as the more intense light fell on the distant range.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Old Cottonwood Trees, Autumn

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Old Cottonwood Trees, Autumn
“Old Cottonwood Trees, Autumn” — Old cottonwood trees against autumn sky, Grand Staircase-Escalante National Monument

This is a photograph that I wish I had seen this way while I was there! On the scene, while wandering into a beautiful section of a big, deep canyon to photograph water, sandstone, and fall colors, I came across these trees (or this tree – they may grow from a common root system) and made the photograph in landscape orientation… and only realized while working on it in post that I really like it in portrait orientation, too. So, yes, this is cropped from a larger original photograph.

I don’t know how others will “see” this, but for me this version recalls a lot of older monochrome photographs of subjects like this from an earlier era – the era in which I first came to be fascinated by photography. Way “back in the day” when I first did photography, with the encouragement and help of my father, virtually all of the photographers whose work inspired me shot black and white. With that in mind, and with my early experience involving how to shoot, develop, and print black and white, I suppose it shouldn’t be a surprise that I still love monochrome. (A number of my personal favorites among my own work are black and white.) In this one I even applied the virtual equivalent of the classic filtering to alter the tonal balance and lighten clouds and foliage and somewhat darken the massive, twisting forms of tree trunks and branches.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cedar Breaks, Dusk Light

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Cedar Breaks, Dusk Light - Post-sunset dusk light on the strata and towers of Cedar Breaks, Utah
Post-sunset dusk light on the strata and towers of Cedar Breaks, Utah

Cedar Breaks, Dusk Light. Cedar Breaks National Monument, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Post-sunset dusk light on the strata and towers of Cedar Breaks, Utah

This view of the red rock formations at Cedar Breaks National Monument is from a different portion of the area than shown in the photograph I posted previously, and was made on a different day. Earlier I had photographed aspen color far below in an area of the Dixie National Forest, and when I finished there it seemed like there might be just enough time to swing by this overlook during the very last light of the day. One thing led to another – primarily photographic distractions, if I recall correctly – and when we arrived it was literally the last sunlight, and it was going fast.

By the time I got my gear together and walked out to the edge of the drop-off, the direct sun was pretty much gone, as a consequence of the late hour and of the clouds that were in the west. But sometimes the most beautiful light comes after the sun drops below the horizon, when features are lit by the soft yet colorful western sky and shadows are filled in by this more diffused light. Fortunately it wasn’t too windy – unlike the previous day when the winds were howling – so I was able to continue shooting into this evening light a bit before packing up and heading back to Brian Head.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Aspens in Transition

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Aspens in Transition - Aspen forest in autumn color transition near Cedar Breaks National Monument, Utah
Aspen forest in autumn color transition near Cedar Breaks National Monument, Utah

Aspens in Transition. Cedar Breaks National Monument, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Aspen forest in autumn color transition near Cedar Breaks National Monument, Utah

During the several days we spent in the Cedar Breaks area (with forays out to further surrounding destinations and back) I was looking for high elevation aspen color, which had, for the most part, passed its prime before we arrived. Many of the higher elevation aspen trees were bare of leaves, though a few sparse delicate leaves remained and in places there were a few trees here and there that somehow managed to retain all of their golden leaves. The rolling terrain of the National Monument along the thru-road, which I traveled several times, was not turning out to be a great spot to find the color I was looking for.

One morning, returning from Cedar Breaks to Brian Head, I saw the gravel road to Brian Head Peak (or Mountain?) and headed up there, to find an expansive 360-degree panorama visible from the summit of the 11,000+ peak. From this high vantage point I was able to spot where those colorful trees had been hiding out on the other side of the ridge west of Brian Head! I could also see that there were some ways to get back into that area, so on the final morning of our visit to this area I found another small gravel road, crossed that ridge, and was able to see vast groves of aspens beyond. While this photograph doesn’t quite show those trees, it does include an interesting feature of this area, the mixed conifer and aspen forest with very tall aspen trees reaching as high or higher than the conifers. Here there were a few brilliantly colorful clumps of aspens left among the other trees, with interesting texture provided by the many bare trunks – and all of this seems a bit more visible due to the soft, diffused light from the high, thin overcast.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.