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California Fall Color Season About to Start

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The autumn color season in the Sierra Nevada should start very soon. Actually, if you count – as I do – the dry grasses and the high elevation ground plants going dormant, it has already begun. But the real show is the turning of the aspens, mostly in the eastern Sierra, starting around the very end of September and likely peaking during the first week of the month. If conditions are right, it can last as long as the middle of October, but earlier is always better.

Several web sites have posted fall color guides in the past, and since timing is so critical it is a good idea to follow the as the time approaches. One site that is new to me is a US government site that reports on fall colors nationwide. Another that I’ve often followed in the past is the California Fall Color site, though it doesn’t (yet) appear to be active. In addition, I’ll summarize what I know and what I hear about Sierra fall color once the curtain begins to rise on this year’s show.

Photographs: Death Valley, Photographs: Desert

Rhyolite School Windows, Amargosa Range

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Rhyolite School Windows, Amargosa Range

Rhyolite School Windows – Amargosa Range. Near Beatty, Nevada. April 2, 2008. © Copyright G Dan Mitchell – all rights reserved.

Color photograph of the Amargosa Range as seen through the windows of the abandoned school in the ghost town of Rhyolite, Nevada.

This is a reworking of a photograph I made in April of 2008 while visiting Death Valley National Park, California. The building is the ruins of an old – and once quiet impressive – school building in this abandoned mining town. The view through the windows looks out on the Amargosa Range, which runs along the eastern boundary of Death Valley NP. While visiting and photographing this scene, and now while considering the photograph, I wonder about the lives of the children attending school in this stark but beautiful place in the desert.

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Photographs: Central California, Photographs: Ocean & Coast

Coast Highway – Big Sur

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Coast Highway - Big Sur
Coast Highway – Big Sur. Big Sur Coast, California. July 21, 2008. © Copyright G Dan Mitchell.

Coast Highway (Highway 1) along the Big Sur Coastline of Central California. Photographed during a “photography drive” up this spectacular and rugged route from Southern California in late July.

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Photographs: Sierra Nevada, Photographs: Yosemite

Leaving Lembert Dome, Dusk

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Leaving Lembert Dome, Dusk

Leaving Lembert Dome, Dusk. Yosemite National Park, California. July 30, 2007. © Copyright G Dan Mitchell – all rights reserved.

Hiker leaving the summit of Lembert Dome at dusk. Tuolumne Meadows, with the Sierra crest in the background. Yosemite National Park, California.

I shot this last summer on an evening when I had just finished photographing the Sierra sunset from the top of Lembert Dome in the Tuolumne Meadows area. The “good light” had seemingly ended and I had packed up my camera, lenses, and tripod and was heading down from the peak when there was a wonderful bit of post-sunset warm, soft light… just at the moment when this lone hiker crossed this section of the granite come below me. Not having time to set up my tripod and other gear properly, I simply grabbed three frames at very low shutter speeds, and I was very pleased when I found that one of them actually turned out beautifully. In this case, I was shooting hand held at such low shutter speeds that I had to rely on the image-stabilization feature of the lens I had on my camera at that moment.

(Update#2: Since I posted this color version I was contacted about licensing the use of  a black and white version of the photograph in a print journal. There are, I think, a few lessons in this shot and this experience.

  • First, not all landscape photography is done at a sedate and leisurely pace, pondering for many minutes the intricacies of composition and so forth. Sometimes things happen so quickly that you must depend upon instincts and react quickly to a situation that only lasts a moment. In this case I could not possibly have anticipated the light or the appearance of the lone hiker – when I saw this conjunction of subjects I had no time to set up a tripod.
  • Second, sometimes traditional landscape approaches (tripod, small aperture, etc.) won’t get the shot and the adaptability of your gear may save the day… or evening. I pulled out my camera and handheld the shot using the lens that was already on the camera with image stabilization and a rather low shutter speed.
  • Third, it probably isn’t news to any one, but sometimes an image that you conceive as color may turn out to work well in black and white, and vice versa. Be flexible.

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