Tag Archives: mountains

Edge of the Continent

Edge of the Continent
The rugged cliffs of the Big Sur coast meet the Pacific Ocean under cloudy skies.

Edge of the Continent. © Copyright 2021 G Dan Mitchell – all rights reserved.

The rugged cliffs of the Big Sur coast meet the Pacific Ocean under cloudy skies.

Although I was born in the Upper Midwest, I don’t think I could live there anymore — even though many aspects of the place are in my blood and feel comfortable to me. I recall visiting a few decades ago — and, honestly, generally enjoying myself — but watching the sun set and thinking about how many hundreds (more than a thousand, actually) of miles it is to the ocean. I can’t quite put the feeling into words, but it just seemed odd to this guy who has lived perhaps 25 linear miles from the Pacific Ocean for, well, more than a couple of decades.

I was thinking about this feeling as I visited the area in this photograph, the Big Sur Coast of California, the rugged interface between North America and the vast Pacific Ocean. The sense that there is an empty, unknown space that we don’t inhabit has long had a powerful effect on us, and here at the edge of the continent we can come face to face with a wilderness that most of us will never fully explore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Coastal Lagoon, Burned Hills

Coastal Lagoon, Burned Hills
A coastal lagoon between Santa Cruz and San Francisco, backed by distant burned hills.

Coastal Lagoon, Burned Hills. © Copyright 2021 G Dan Mitchell – all rights reserved.

A coastal lagoon between Santa Cruz and San Francisco, backed by distant burned hills.

This is a photograph that tells a story, one that may not be immediately apparent. But once you see it you may connect it to a larger story affecting California and the west right now, a story that is beginning to affect the entire planet it concerning ways. It is a photograph of a small lagoon along the Pacific Coast Highway just north of Santa Cruz, California. This is a place I have visited for years — decades, actually — and it is usually a lovely, bucolic landscape. I made the photograph in spring, and even during this very dry year the vegetation is thick and lush and the lagoon remains wet, supporting plant and animal life.

But take a closer look at the ridge in the distance. It belongs to what we loosely refer to as the “Santa Cruz Mountains,” the range lying between the South San Francisco Bay and the Pacific Ocean. The top of the ridge is covered with… the black remnants of a forest that was destroyed in last year’s tremendous lightning-causes wildfires. In places near this location the fire burned almost all the way to the ocean. Fires have always been part of the California environment, but what has happened in the past few years is unsustainable. Due to drought and high temperatures linked to human caused global climate change, the state is incredibly dry and any fire, even the sort that would have been quickly extinguished in the past, can take off and quickly get out of control.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Eastern Sierra Lake, Evening

Eastern Sierra Lake, Evening
Early evening light on a high country Sierra Nevada lake in the Hoover Wilderness.

Eastern Sierra Lake, Evening. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early evening light on a high country Sierra Nevada lake in the Hoover Wilderness.

A few weeks ago I decided to head to the eastern Sierra for a few days to get up into the high country. The main idea was to do a sort of pre-flight check for some potential backpacking, but I was also interested in photography, of course. I ended up camping at the end of an east side road that departs US 395 north of Yosemite. Despite the number of wildfires in California, I was lucky and the winds blew the right way to give me mostly clear skies. On this afternoon I decided to just hike up into the drainage above the road end to see what I would find.


Because I was looking for late-day light I didn’t start up the trail until mid-afternoon — my plan was to arrive at the high point when the light was getting good, make photographs, and then return by nightfall. After many years of hiking such terrain, this route felt familiar even though it was my first time on this trail. I passed a lake, following a trail through trees along its shoreline, and then climbed again, crossing a rocky ridge before another lake came into view. Eventually I came to my favorite sort of Sierra landscape — flat, meadowy areas with glaciated granite and small trees, with water flowing and peaks above. I stopped hiking and just sat for a while, enjoying the solitude and quiet… and noting that it was starting to get a bit cold. Eventually I made a few photographs and started back down the way I came, pausing to photograph a small peninsula at this lake as the angle of the light lowered.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Headlands and Fog

Headlands and Fog
Thin fog and brilliant autumn sun along the Big Sur coast.

Headlands and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thin fog and brilliant autumn sun along the Big Sur coast.

Today’s photograph takes me even deeper into the high key and minimalist landscape frames of reference. For a long time I have been intrigued by the question of just how little detail could be present in a photograph, and the conditions on this morning gave me an opportunity to extend the experiment to the subject of the Big Sur coast.

The light, weather, and geography here often collaborate to produce some remarkable conditions. The potential for various sorts of fog is a given along the edge of the Pacific Ocean. In many sections of this coast the headland ridges descend toward the water repeatedly over huge distances. And because the coast curves a bit toward the east as you travel south, by late morning the sun may be almost directly ahead of you as you compose photographs that include the ocean. I think of this as “the light that is too intense to look at.” Imagine the sun in front of you, the haze glowing brightly, and the details of the scene becoming almost invisible, leaving only the light, atmosphere, and outlines of forms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.