Tag Archives: narrow

Purple Larkspur

Purple Larkspur
“Purple Larkspur” — Purple larkspur flowers, blooming in Northern California.

Recently I wrote — again! — about returning to unremarkable “special places” that probably don’t have any meaning to anyone but me. This photograph comes from one that I mentioned, a trail through a small ravine at a nearby country park. Every spring I go there to visit spots where I can photograph a few favorite wildflowers, including a particular little area where these Larkspur flowers bloom.

They are odd flowers, not like so many of the other popular spring wildflowers. Their color is dark, sometimes so dark that is is quite difficult to photograph them. (I try to find them when they are still in the shadows, and the soft light helps reveal details.) Because of the way they grow from a central stem, it can be challenging to make a composition out of them, much less get a plane of focus that lines up ideally with their dense details.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Canyon Bend

Canyon Bend, Death Valley.
“Canyon Bend” — A narrow desert wash curves though the depths of a slot canyon, Death Valley.

This photograph was made in a somewhat remote Death Valley canyon — access requires a long drive on primitive roads followed by a bit of walking. On this late February day it was very quiet here, and I saw only two other parties during my visit. We often see photographs of very colorful Utah slot canyons, but this photograph is more typical of Death Valley, where the rocks are more likely dark and much less colorful. But the shade and the quiet are just as wonderful.

I often photograph canyons in vertical “portrait” format. The feeling of these landscapes tends to be vertical — narrow passages between very high stone walls. But stepping back a bit we notice that the canyons wind back and forth. Rather than heading straight into the mountains they lazily twist from side to side. It felt like the horizontal “landscape” orientation might better illustrate this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Narrow Passage.

A narrow walkway at night, Zaragoza, Spain.
“A Narrow Passage.” — A narrow walkway at night, Zaragoza, Spain

One of our pleasures when we travel is just plain wandering. While we do hit some of the “must see” sites, we also just go out and walk, sometimes without any specific goal. We think this is one of the best ways to get a feel for a city — to plunge in and go where the locals are, even if lack of language skills and cultural familiarity may us feel a bit awkward. That is more or less how I ended up in this spot.

This is an interesting street (walkway? passage?) in Zaragoza. It is very narrow, rivaling some of the remarkably narrow passageways in Venice. It was almost deserted — a few people passed by before I made the photograph. But that wasn’t because it was late — it was because it was too early! In Zaragoza the restaurant and bars that line this walkway open late, well after our familiar American dinner hour. A bit later these shuttered businesses would open and people would populate the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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Narrow Street with Automobile

“Narrow Street with Automobile” — A small car makes its way along a very narrow street in Montpellier, France.

This is a narrow street in Montpellier, France. Like so many European cities and towns, with their long histories, the central area is filled with these tiny, curving lanes. They were most definitely not designed with automobiles in mind — more likely pedestrians and perhaps an occasional horse-drawn wagon. Since the building are built right to the edge of the street, there is no way to widen the lanes — so cars are very small and access is quite limited.

If you are American, you might think this would be a bad thing. We are used to cities built around and/or adapted to the automobile. Even older cities, like those on the Eastern Seaboard, have been adapted to have many wider avenues and lots of parking — not necessarily “enough” parking, but still. The folks who live in these European cities seem to do OK, though. Vehicles can get in when necessary, but much of the time pedestrians take over these streets.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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