This is another photograph from the Alfama district of Lisbon. The neighborhood is the original center of historic Lisbon, though it later became home to lower income people. It escaped the destruction from the 18th-century earthquake that leveled large portions of the city, so it retains the narrow lanes, steep hills, and older buildings of an earlier era.
Continue reading Travessa de Sâo Miguel
I know. Laundry hanging above urban homes in foreign cities is more than a bit of a cliche. I’ll try to minimize it, but sometimes I cannot resist. Here it is really more about the wild range of colors in the photograph, from that laundry to the colorful overhead streamers above the lane, and the contrast with the other less-colorful surroundings.
Continue reading Alfama Laundry
The material making up the walls of Southwest slot canyons varies quite a bit depending on which strata the canyon traverses. Sometimes the rock can be broken and somewhat unattractive, sometimes it can hold fossils or show joints between different layers. But in some places the sandstone seems pristine — solid layers of rock broken only by small details and textures. That was the case here, at a spot where a canyon junction allowed in a bit of extra light.
I made this photograph on my first visit to this spot about a decade ago. Because I like to see with fresh eyes and because I enjoy discovery, I often intentionally forego a lot pre-visit research, preferring to show up and just look on my own. That was the case on this day when I turned, more or less on a lark, down a gravel side road, found a place to park, and just started walking, eventually coming to this spot and others that were equally beautiful.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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This is the sort of slot canyon “narrows” that most of us imagine when we think of these places. You can literally touch both walls while walking though, and in places the space was just wide enough for me to pass. (I had to be careful to not bump my tripod-mounted camera as I walked through.) In person, such narrow and deep canyons are darker than we render them in photographs, but the light is very soft and beautiful.
I am sort of embarrassed — yet in a way also sort of proud — that I arrived at this place more or less by accident, and not by the usual direct route. I was out “poking around” in this area, and on a hunch I started hiking down an open canyon which soon narrowed into a slot canyon. Eventually I arrived at a junction in the canyon, where this very narrow slot intersected the main canyon.
Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.