Tag Archives: national

Scot Miller’s ‘First Light’ Videos

A bit more than two decades ago (I believe it was 2001), the Yosemite Fund (now the Yosemite Conservancy) initiated a project to put groups of landscape photographers into the Yosemite backcountry for a week or more at a time. With pack animal support, the photographers were able to bring the range of equipment required to do this work, and to remain “out there” long enough to become deeply acquainted with these places and produce an extensive body of photographic work.

The initial group was comprised of Charles Cramer, Karl Kroeber, Scot Miller, Mike Osborne, and Keith S. Walklet. I started tagging along in about 2008 and eventually became one of the gang. Over the years the group — will occasional others join us — continued to photograph in the Yosemite backcountry and eventually branched out to work in other locations in the high country.

There have been few projects like this one, supporting serious photography in the High Sierra over a period of many years and producing an exception body of work.

Scot Miller is not only a fine still photographer, but also a very accomplished videographer. In addition to making his own beautiful photographs on these trips, from the very beginning he was documenting the group’s work in video form. More recently Scot managed to do a series of interviews with each of us, and he has begun releasing them on YouTube.

Below are links to some of the videos that are currently available. First the “origin story” of the group.

Then pieces on three of the photographers:

Charles Cramer

Karl Kroeber

Mike Osborne.

And a bonus: The Longest Ride

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Fog at Forest’s Edge

Fog at Forest Edge
“Fog at Forest’s Edge” — Morning fog drifts among forest trees after rain, Yosemite National Park.

There is enough of a story behind this photograph that I will eventually post an article about it in my “A Photograph Exposed” series. It involved an afternoon and evening of heavy rain, a subsequent morning of fog and mist, moisture-enhanced colors, and a subject that I have almost intentionally chosen not to photograph much at all for decades. It is, obviously, a scene where a forest meets a wet meadow, photographed on a morning when fog drifted from that meadow and through the trees.

I was up early — likely around 4:00AM — since I suspected that there might be fog and mist on this morning after heavy rain. As I drove over a pass to get here there were piles of hail everywhere from the previous evening’s storm. Soon I came to a familiar small lake — the one that I almost never photograph — and I saw fog rising from the lake and drifting into the trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Light and Dark

Light and Dark, a narrow Death Valley canyon.
“Light and Dark” — A canyon wall lit by reflected sunlight is seen through a dark section of canyon narrows, Death Valley.

Having photographed in the red rock canyons of Utah, I suspect that I have a bias toward that sort of beautiful, warm-toned landscape. In Death Valley I often look for, and enjoy finding, canyons with similar smooth surfaces… though that Utah red rock isn’t something you’ll see very much here. The narrow canyon in this photograph is perhaps more typical of the Death Valley landscape, with much rougher and more angular rocks.

I have written frequently about how wonderful canyon light is and how much it contrasts with the harsh and brilliant light of the desert landscape outside the canyons. In the deepest and narrowest sections the shadowed light becomes quite blue since the blue of the sky that is the main source of illumination. In this photograph we see the contrast between those blue foreground shadows and the warmer colors of the more distant canyon wall that is more open to the light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Alone in the Wilderness

Alone in the Wilderness, Death Valley
“Alone in the Wilderness” — Over a dozen morning photographers crowd one small section of sand dunes, Death Valley.

Yes, the photo title is obviously tongue-in-cheek. This is not really “wilderness,” nor is this a place where one is likely to be “alone.” But there is a lot to think about here. If you look closely — and you may need to click the image to get a larger view — you can count at least a dozen photographers spread out in this desert landscape that comprises a very small section of these dunes… and it is not at all the most crowded area.

You can diminish the number of people out there with you if you go in the off-season, avoid weekends, get up very early, and perhaps go there when the wind is howling. But most often you will not be anything like “alone” in this place. To be honest, one task for photographers here is figuring out to work around the crowds, assuming the crowds are not your intended subject.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

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(All media © Copyright G Dan Mitchell and others.)