Tag Archives: national

Abandoned Car, Desert Gully

Abandoned Car, Desert Gully
Abandoned Car, Desert Gully

Abandoned Car, Desert Gully. Death Valley National Park, California. March 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

An old and very weathered car abandoned to the elements in a desert mountain streambed.

There are many threads to the Death Vally story, and portions of these stories can be read by looking in the right places in the park. There is the geological story that involves seismic activity, a very old lake, and the surprising role of water in what is today a very dry place. Occasional remnants of their ancient presence tells the faint story of the people who lived here before Europeans arrived. And there is the story of extraction – prospecting and the mining of all sorts of materials, some of which has not ended even today. (There are a couple of inholdings within the larger boundaries of the park where mineral rights are maintained and mining work continues – a jarring sight the first time you encounter in while in a national park.)

Much of this work took place only a few decades ago, and the detritus of that period is still found throughout the park. A few examples are well-known, marked on maps, and even have directional signs and interpretive information displayed by the park. However, if you poke around even a little bit you’ll soon come across many other examples of old mines, tailings, buildings, automobiles, and more. (If you visit the park and see these things, please be very careful around them. They are deteriorating, and almost anything you do to disturb them will hasten that process and deprive future visitors of the experience that you are enjoying.) There is one such site that I have driven past many times, but where I have never stopped until this trip. Beyond the obvious artifacts that are visible from a passing road, the site continues. This time I stopped, got out of my car, and spent some time wandering up and old trail that heads up a gully and then switchbacks up a nearby hill. A ways up this hill, after passing some dilapidated buildings, I came to a gully that must have been the occupants’ automobile graveyard, since there were several very old, rusting vehicles in this gully, partially embedded in sand that must have washed down during rain.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dusk Sandstorm, Desert Mountains

Dusk Sandstorm, Desert Mountains
Dusk Sandstorm, Desert Mountains

Dusk Sandstorm, Desert Mountains. Death Valley National Park, California. March 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Strong desert winds whip up a dusk sandstorm below the Grapevine Mountains, Death Valley National Park

To look at many photographs – including my own – of places like Death Valley, a viewer unfamiliar with the desert might begin to imagine a place of clear skies (with appropriate beautiful clouds), brilliant sun, intense colors, flowers, plants, and much more. While all of those things can be found in the desert, the fact that they are often more the exception than the rule may at least partially account for their popularity as photographic subjects. Yes, I have seen stunningly beautiful and colorful sunrises and sunsets, while standing in quiet and still air and in comfortable temperatures. However, I have also experienced rain, snow, very powerful winds, sand and dust storms, intense cold, nearly debilitating heat, and more.

This photograph was made during some of the less-than-lovely conditions that are quite common at this time of year, namely very strong winds and the resulting sand storm. Near the middle of the day I had caught my first glimpses of sand/dust rising up into the sky from some nearby dunes. Having been through this before, I was not fooled by the fact that the air remained almost completely still at my location at that time – and it wasn’t long at all until the winds become more general and began to lift sand and dust into the air across the entire end of the valley and then carry clouds of this material northward. I cannot say that I enjoy being in such conditions at all. Sand gets into everything, stuff that isn’t tied down blows away, breathing and opening your eyes can be a challenge. (Later, when I returned to camp in the darkness, I couldn’t face the idea of breaking out the camp stove and trying to cook and eat in the strong winds… so I wimped out and went to the restaurant at Stove Pipe Wells!) But as uncomfortable as these conditions can be, they are also visually special and impressive, so I headed out to the far side of the Valley, figuring that I might be able to shoot back into and across the sand storm while remaining on its edge. I shot through the late afternoon and continued as the sun set, leaving behind the murky, dust-filled atmosphere that shrouded everything. As twilight came on, the winds shifted, and dust clouds that had been blowing away from me began to move south down the valley towards me, obscuring the base of the Grapevine Mountains along the edge of Death Valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Diablo Range, Winter Sunset

Diablo Range, Winter Sunset
Diablo Range, Winter Sunset

Diablo Range, Winter Sunset. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Colorful winter sunset over the Diablo Range, seen from California’s San Joaquin Valley

It is rare for me to shoot a scene quite like this one, with the setting sun included in the frame. It was a sort of spontaneous thing. I had a very long lens on the camera since I was photographing geese and cranes in the evening light, and when I looked up and saw that the sun was setting right in the low point on the ridge of the Diablo Range I quickly grabbed my tripod and made a few exposures of this scene.

This time right around and just after sunset is what I think of as the magic hour here in this Valley between the Sierra and the Diablo Range. Much of the pre-sunset coming and going of the geese pauses and things seem to slow down. The wild color was only there for a brief moment, and only in this specific part of the sky right above the setting sun, where the low light reflected off the bottom of a high, thin cloud layer. A single bird (perhaps a hawk? is in the upper branches of the tree at far left, and some light reflects off of the surface of the ponds at this wildlife refuge.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Evening Shadows, Pebbles, and Tracks

Evening Shadows, Pebbles, and Tracks
Evening Shadows, Pebbles, and Tracks

Evening Shadows, Pebbles, and Tracks. Death Valley National Park, California. April 5, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The tracks of a passing animal among small pebbles in evening shadows on the dunes, Death Valley National Park

The day before I made this photograph a huge wind/dust storm had swept across Death Valley, raising tall clouds of dust high into the air, blowing away tents and anything else not firmly tied down, and spreading a thin film of dust into cars, tents, sleeping bags, and just about everything else. The idea of a desert dust/sand storm is interesting and exciting, and there are certainly some elements in this weather that are photographically compelling – but the reality is that they can make like quite difficult for a while.

On the other hand, after the dust storm passes, many of the usual traces of human presence are temporarily erased from sand dune areas. So on this evening after the dust storm I wandered out into low dunes away from the more popular areas and saw virtually no human tracks where I ended up. However, I did non-human tracks, perhaps more clearly given that there were fewer of them and they were isolated against the newly clean and smooth wind-blown sand. I just happened to spot these small tracks (a lizard?) as I entered a small “dune” valley. I first noticed the uppermost shape, which reminded me of a small branch or twig or possibly a bit of coral. I soon noticed the more linear track up the middle of the branch-like tracks – a tail? – and thought I might be able to make a photographic composition out of these tracks, a few small rocks embedded in the sand, and some of the early afternoon shadows across the sand.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.