The last autumn leaves on a box elder tree against a dark wall of Escalante Canyon, Utah
On a very cold and somewhat cloudy day in late October we explored portions of the Escalante River in Utah. This was a tough day for shooting! Not only was it cold – it was trying to snow by the end of the day – but it was also very windy, making photography of cottonwood and box elder trees and other vegetation a real challenge.
In places the river twists and turns, first going one way and permitting sun down to the river, then abruptly turning in a share s-curve and heading back the other direction. Then, as they say, “lather, rinse, repeat.” The back and forth winding course of the river continues. As we passed through one of the sharp bends, beneath very tall cliffs and in deep shade, we had to wade across the river as it flowed next to this sandstone wall. Tucked up against the wall and growing from rocky ledges were several trees, including this one that still retained just a few autumn leaves.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Late spring rain on dogwood flowers, Portland, Oregon
We made a brief visit to Portland, Oregon over the Memorial Day holiday, and – surprise! – it rained! This was actually a welcome development for those of us who live in parched California, where we are in the second year of drought conditions. We spent most of our Portland time in the downtown area, predominantly between the main downtown and the Pearl district – where there are lots of interesting things to see, good food to eat… and, of course, Powell’s books. On the final morning we ventured out a bit further to an area of north Portland where we visited the beautiful St. Johns Bridge over the Willamette River. We wandered down below the span and its gothic-looking support towers, where we found lots of vegetation including some very lush dogwood blooms.
There is also a bit of a technical story behind this photograph. I usually shoot with a full frame Canon system, using a variety of lenses and mostly working from the tripod. But that is a lot of gear to carry on a trip like this one that was not primarily about photography. (Though, to some extent, virtually all of my travels are at least partially about photography!) So I left behind the full-on system and instead carried my Fujifilm X-E1 Digital Camera, along with the Fujifilm 35mm f/1.4 XF R Lens and the Fujifilm XF 14mm f/2.8 R Ultra Wide-Angle Lens. The camera is a mirrorless “rangefinder style” body that brings to mind the classic rangefinder film cameras. This makes for a very small and light package – and this photograph was made handheld using the 35mm prime. While my main goals with this camera are more likely to involve street or travel photography, I’m quite pleased with how it performed in this nature shot.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
I made this in the last moments of an early March visit to the California Central Valley to photograph migratory birds. (As I write this in late March, I’m pretty certain that this was the final “goose chase” of this winter season.) I had come across a very large flock of snow geese in a field alongside a road south of Sacramento near the end of the day – somewhat to my surprise – so I pulled over on the barely adequate shoulder of the road and photographed over a fence and some roadside weeds as the birds began to fly off in small groups.
This little episode illustrates, for me, some of the unpredictability and luck involved in photographing such birds. I don’t mean to diminish the importance of having appropriate equipment and knowing how to use it, nor of having some idea of where to find the birds. But there is a lot about this that is not in the photographer’s control. I had started the day many miles south of here before dawn at a very different wildlife site. My plans were a bit vague beyond starting there, and when the opportunities seemed a bit less than idea after the morning shoot, I decided that I would use the “blah light” midday hours to travel up the valley a good distance to another area where I had not photographed since last season. (This added bit of driving also allowed me to investigate a few highways and side roads that I had been wanting to check out.) After a long drive of nearly two hours I arrived at this location in the Sacramento area and found… not at all what I had hoped for. I was hoping for more large flocks of birds, preferably geese and/or cranes, but at the first place I stopped it seemed that formerly flooded fields had now been drained and tilled. I moved to another area, but still couldn’t see what I had in mind to shoot. I drove around a bit trying to get the lay of the land and discover if perhaps the birds were somewhere other than where I expected to find them, but aside from a few small groups I didn’t find much. I took a nap. I started the usual contemplation about how not every shoot is successful and reminded myself that it was a good day even if nothing turned up here. As sunset approached I decided to make one last loop around the area, stopping to briefly photograph a few Canadian geese. As I watched the, I caught a glimpse of the tell-tale white birds off to the north and since I wasn’t finding anything all the compelling where I was I drove off in that direction. I soon was surprised to find a field filled with many thousands of geese – and a bit more surprised to find that they (or at least many of them) were snow geese rather than the Ross’s geese I often photograph. I stood along the road, separated from them by a low fence and tall weeds and watched. Before long small groups began to take of and fly low angle paths across the field toward the setting sun. The light was beautiful but often they were in front of farmland buildings, trees, and wires. I kept shooting and occasionally a group would rise high enough and quickly enough to appear against early evening sky. One of the important factors, or at least it seems to me, is to capture the group when the birds are in a pleasing and interesting configuration. Too often they overlap, or may not have wings raised or lowered, or there distances may vary enough to create focus problems – so it is no surprise that a good percentage of the shots aren’t keepers. (I have a sense of when this is more likely to work, but only a sense.) But this group managed to cooperate nicely, not only flying against background of clear sky, heading into the golden hour sunset light, but also managing to maintain enough separation that none of them overlap at all.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A lone tree on pasture land of a foggy late-winter morning with pre-dawn clouds, San Joaquin Valley
Back near the beginning of March in this year that seems to have brought an early end to winter I headed out to the Central Valley to do what was likely my last migratory bird photography of the season. When I left the San Francisco Bay Area well before dawn for the trip out to the valley the skies were clear, and I was just a bit disappointed in that I prefer at least a bit of fog for this subject. The fog gods must have heard me, since as I neared my first location in a low-lying and often wet area of the valley, fog began to collect just before sunrise. It was that wonderful sort of fog that is almost opaque, but which moves around and changes enough that at least some of the time nearby subjects are visible and it is possible to see early morning clouds in the sky above.
Although my plan was to photograph birds, at first I didn’t see the birds I was most interested in (sandhill cranes and Ross’s geese), so I kept moving and eventually ended up in this flat pasture area where a few isolated trees stood along on newly green ground, with groves of trees beyond and the soft shapes of early morning clouds overhead. This soft light is a special feature of this area in the cool, damp season, and it characterizes my experience with this place. Before long the fog began to thin, the sun came out, and I found birds to photograph.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
