Tag Archives: nevada

Intertwined Trunks

Intertwined Trunks
Tightly laced tree trunks, Southern Sierra Nevada

Intertwined Trunks. © Copyright 2019 G Dan Mitchell – all rights reserved.

Tightly laced tree trunks, Southern Sierra Nevada.

This is an older photograph that has languished in my raw file archives for nearly a decade. Back in 2010 I was on a long Southern Sierra backcountry trip with a group of friends — roughly speaking we made a giant semi-circle around Mount Whitney, starting southeast of that peak and coming out over a week later at a point considerably north. A milestone on this trip was realizing — finally! — that re-climbing that iconic peak is less profitable than spending time in many other equally beautiful places in the Sierra. At several points on this trip we found ourselves in lonely, less-visited spots, and I treasure the trip for that reason. These trees were at one of our campsites, in a location essentially right at timberline.

Everyone’s work habits are unique, but for me it is important to periodically go back and look through older photographs that didn’t “go anywhere” at the time. I inevitably find images that are worth the second look. I’ve often pondered how and why this happens. Among my theories: perhaps I simply moved on to quickly to other projects at the time, possibly I didn’t really understand how to “see” the image, my interests and perspectives have changed. Regardless, this is one reason that I’m hesitant to delete a lot of raw files — all too often I’ve gone back and found something that I was glad I kept!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Across Owens Valley

Across Owens Valley
Look across Owens Valey from a perch high in and Eastern Sierra canyon

Across Owens Valley. © Copyright 2019 G Dan Mitchell – all rights reserved.

Look across Owens Valey from a perch high in and Eastern Sierra canyon.

The east side entries to the Sierra Nevada high country bring all sorts of associations for me. My earliest experience with the range was always on the west side, coming across the great Central Valley, rising into the foothills, entering the great forests, and much later finally getting in sight of the highest, rocky peaks. My first trip to the east side, at least the first one I can recall, came much later. A friend roused me from my comfortable west-side stupor. He had gone to grad school at UCLA, and thus his orientation to the range was to drive up through the desert, parallel the immense eastern escarpment for miles, and then ascent abruptly into the range. After going into the range that way once… I was hooked.

Almost any east side entrance or exit will also produce long views into the depths of Owens Valley, and across that dry valley to the Inyo and White Mountains. These comprise quite a mighty range on their own, and the many are often surprised by their first view, when they discovered the there are peaks to the east and are just as high as those of the Sierra. I made this photograph near a trailhead in one of the east side canyons. We were just heading out for a week of backcountry photography in Sequoia-Kings Canyon, and as we started up the trail I paused to look back to the east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Lakeshore, Evening

Lakeshore, Evening
A few sunset clouds reflected in the quiet surface of a backcountry Sierra Nevada lake.

Lakeshore, Evening. © Copyright 2019 G Dan Mitchell – all rights reserved.

A few sunset clouds reflected in the quiet surface of a backcountry Sierra Nevada lake.

Periodically I find myself going back to my archives and looking through older photographs, typically images that I made years ago and sort of left behind as I went on to work on newer things. These reviews often have a couple of wonderful consequences. Often I rediscover a photograph that I had originally neglected, perhaps because it worked in a different way than what I originally imagined or possibly because I wasn’t patient enough at the time. The distance provided by a few years of time often allows me to see the image in ways I missed at first. In addition, these older photograph bring back wonderful memories — of the subjects, for sure, but also of the trips themselves and the people I traveled with.

I made this photograph on a long southern Sierra backcountry trip with a group of long-time backcountry buddies — folks I have backpacked with many times over the years. On this trip we were down to our core group of four, and we traveled into one of the highest, alpine regions of the range, into the upper Kern River drainage of Sequoia National Park. Those who know this region won’t be surprised to hear that we had to cross several very high passes, that we were out for over a week, and that we got into places where we saw very few other visitors. I made the photograph on a lovely, lazy evening, near a lake we ended up at almost by accident — a place that turned out to be utterly scenic, extremely quiet, and almost devoid of visible signs of humans.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mount Dana

Mount Dana
Mount Dana, against a sky full of summer thunder clouds

Mount Dana. © Copyright 2018 G Dan Mitchell – all rights reserved.

Mount Dana, against a sky full of summer thunder clouds.

This photograph comes from last summer, on a lovely mid-July day when I was slowly poking around a few locations near the eastern Yosemite boundary on a relatively early visit to the high country. You never know, from year to year, what you’ll find there in July. In a very snowy year this scene could still hold a lot of snow, but in 2018 the snowfall had been less impressive, and most of it was already gone. The creeks were still high and meadow grasses were coming up, with the promise of wildflowers soon to arrive.

The peak itself is on the park boundary, and the view here looks toward the side that is inside the park. However, my camera location was outside the park, in an area that has long intrigued me — for this view, for views back up to the crest north of Tioga Pass, and for some of the more intimate nearby views. It was a cloudy day, and alternative light and shadow moved across the landscape, changing the appearance from moment to moment.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.