Yesterday I realized that I had sort of forgotten a huge batch of aspen photographs from this fall in the eastern Sierra Nevada. How can one “forget” a big batch of such photographs, you ask? I simply became busy working on several other projects and after I moved on to them I stopped thinking about the earlier work.
I have so many of them — with more to come! — that I’m not going to string them out and post one at a time. Instead, here is one big batch of them all in one post. To save typing, all are from the eastern Sierra Nevada in October 2014
“Crystal Bay, Lake Tahoe” — Blue water and light above Crystal Bay, Lake Tahoe
My annual hunt for aspen color took me to the Lake Tahoe area in early October. I realized that although I’ve gone to Tahoe for many years that I have very few photographs of the area. So often Tahoe has been a place to go for other purposes, such as skiing or a cabin stay, etc. And, frankly, Lake Tahoe is very busy and, in many ways, an urbanized place — so my nature and wilderness instincts are often a bit frustrated there. But it is a beautiful lake, and I saw more of that when I went there with photographic intentions.
The underlying reason this time has to do with a project related to fall color in the mountains of California. I’ve covered many other Sierra fall color areas, but I needed more material from the Tahoe area. So I spent an evening, a full day, and part of a morning doing some exploring. The “full day” began with a drive to the Carson City, Nevada and then north towards Reno and back toward Tahoe via Mount Rose. There were quite a few aspens along this part of the drive, but I couldn’t stop much due to road construction. Then I did something I’ve done a number of times before — I circumnavigated the lake, paying special attention to fall color. I realized that there is quite a lot of it, even if much of the color is in areas filled with cabins and resorts. This photograph overlooks the northeast part of the lake from the roadway descending from Mt. Rose.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Evening light on forests and a glaciated granite bowl, Yosemite National Park
Large slabs of nearly unbroken granite, left behind in the wake of ancient glaciers, are a prominent and characteristic feature of the high country of Yosemite National Park. There is granite all of the Sierra, but this granite often seems to me to be more intact, and rather than encountering fields of broken rock it is common to come across these beautiful structures of exfoliating granite, often still with areas of smooth and reflective glacial polish. Scattered trees have taken hold in surprisingly thin cracks.
This bowl is in such a characteristic place, in the bottom of a great river canyon, just where it begins to become narrower and steeper. The area clearly shows the effects of glaciation, from the smooth rock in the canyon bottom to the sculpted domes and faces above. I have photographed in this bowl before on several occasions, and despite shooting there many times I continue to find new ways to see it every time I visit.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Evening light comes to a tree-dotted peninsula on a subalpine lake, Yosemite National Park
A subalpine Sierra Nevada lake like this one, where I photographed over the course of six days in September, is both a comforting source of familiarity and an opportunity to seek and discover new things. Anyone who has spent much time in the Sierra back county is familiar with lakes like this one. It is set in a very shallow bowl between higher ridges in most directions, a low and rock ridge in another, and a forested valley holding its outlet stream. This one is entirely surrounded by forest, dense and growing right to the shoreline in places, and sparse and rocky in others. A walk around the lake — and I made quite a few of these walks! — reveals marshy sections, places steep and rocky enough to make passage challenging, rocky outcroppings, views through trees, small granite islands, and more.
These walks almost inevitably brought us to the far end of the lake, near the marshy outlet, where this granite peninsula extends into the lake and supports ground cover and a few isolated trees. As we explored and photographed individually, it was not unusual for us to run into one another in this spot where there are so many interesting possibilities. The peninsula was a bit of an enigma for me. Its visual appeal was immediate — the individual trees standing in the light, the granite rocks, the open views of surrounding terrain, and its path away from the shore and out into the lake. But once there, I discovered that it was not as easy to photograph as I might have expected! Despite its obvious appeal, there were challenges — how to find an effective background, getting just the right light, and placing the individual components of the scene into a pleasing composition. On this evening I shot with a wide-angle lens and decided to work the curving shoreline that faced the late-day light.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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