Tag Archives: nevada

Sierra Nevada Fall Color (Morning Musings 8/25/14)

For various reasons — projects I’m working on, clear signs of the changing seasons, photographs I’ve recently seen — I have been getting into that autumn frame of mind that comes at about this time every year. With that in mind, today’s “morning musings” post is about finding and photographing fall color in the Sierra Nevada. Rather than re-writing the whole thing, I’ll start by pointing you to an extensive guide that I wrote a few years ago and have updated every year since that time — if you are thinking of chasing aspen color this fall you may want to take a look: “Sierra Nevada Fall Color — Coming Sooner Than You Think”

If things evolve on a relatively typical schedule, eastern Sierra aspen color is perhaps about six weeks away. I have been photographing this subject for a while now, and it is one of my favorites. I intend to be out there again this fall.

Aspen Color, North Lake
Aspen Color, North Lake

One popular game at this time of year is to predict/guess when the colors will arrive and how good they will be. I’m fully aware that I’ve been wrong quite a few times, and my increasing knowledge of this subject has perhaps only made me more aware of how unpredictable this can be. However, this year I have to wonder about the effects on the trees from our three-year California drought, which has reached an extreme level all across the state this year. I don’t know what the results will be, but I’m considering some possibilities:

  • During the last two years it seemed to me that I was seeing the onset of color move a bit earlier in the season. I have to wonder if we may see stressed trees go into fall mode a bit on the early side this year.
  • Some people say that they are seeing a few aspen groves turning brownish-yellow already and looking like they are drying out.
  • Also during the last few dry years we have seen some anomalous early season storms, and I wonder if that pattern will continue. This can affect the season in various ways if it happens. On the negative side, leaves can blow down early. On the positive side, snow and aspens can make a beautiful pair.

As always, to the extent possible, I like to remain flexible about when and where I’ll photograph the aspens, and I watch the evolving conditions to see what this season may bring. How about you? What are your fall color plans?

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Basin and Range, Monsoon Clouds

Basin and Range, Monsoon Clouds
Basin and Range, Monsoon Clouds

Basin and Range, Monsoon Clouds. Between Winnemucca and Elko, Nevada. July 30, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening monsoon thunderstorms dissipate above the basin and range terrain of Nevada

This simple photograph necessarily leads to a long story. It starts many, many years ago when I was a child. My family moved to California from Minnesota when I was four years old, and every few years we took a long trip back to the Midwest to visit my mother’s family in Sioux Falls, South Dakota. (Although I have not been there for some years now, I still have fond feelings for the place.) Sometimes we drove, with my parents figuring out routes that would take us through national parks and monuments — Yellowstone, Rocky Mountain, etc — along the way. Several times we took the train, which in those days was the famous California Zephyr. We would get on the train in Fremont, California and travel all the way to Omaha, Nebraska, arriving very early in the morning and then getting to South Dakota by (usually) rental car or (occasionally) a plane. To a young kid, the California Zephyr was an amazing thing — somehow we got “Pullman” sleeper cars, ate in the dining car, and — if my memory is correct — passed hours in the vista dome car watching the terrain roll by.

Jump forward to the new millennium. Patty’s brother and sister-in-law, and two of our sons and their girlfriends live in Brooklyn, so we find excuses to go to New York City every year or so. This time we went not only to visit family, but also so that Patty could attend the International Double Reed Society conference at NYU. We’ve flown plenty of times, so this time we decided to give the train a try. (We did fly back home at the end of the trip — a good choice in my view.) So on this last day of July we went up to Emeryville, where the Zephyr’s trip starts these days, and embarked on our adventure, nostalgic for me and brand new for Patty. There is much more to say about train travel than I have space for here, but I’ll share just a bit about the first day. The route begins along the shores of the San Francisco Bay and then up the delta to Sacramento, the historic end point of the continental railroad. From there the train crosses the Sierra above Truckee Lake, an absolutely beautiful route that often reveals perspectives on this part of the Sierra that are quite different from what we know from driving Interstate 80. As we crossed the crest, the clouds thickened and we rolled through a hail storm as we descended to Truckee. Not long after that we stopped briefly in Reno, Nevada, and then continued on to the northeast across Nevada. After we passed through Winnemucca (from which I departed some years ago on a grand bike trip across the Black Rock Desert and into Northern California) the train continued on through the Humboldt Basin as evening came on and beautiful light fell on the rangeland and the monsoon clouds overhead as the day came to an end.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Monolith, Trees, and New Snow

Monolith, Trees, and New Snow
Monolith, Trees, and New Snow

Monolith, Trees, and New Snow. Yosemite Valley, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Trees on a snowy bench in front of the granite face of Half Dome

With this photograph I continue on the theme of Yosemite Valley winter photographs I made back in the late winter, while there for the opening of an exhibit in the Valley. The opening was just one evening, but that meant that we had most of three days to photograph. It had been anything but a snowy winter in the Sierra, but we were fortunate to arrive not long after one of the few snowstorms, and the Valley walls and pinnacles had a thin coating of new snow.

While out in a meadow photographing other subjects I looked up and saw that some of that snow was still plastered to the vertical face of Half Dome and to the row of trees standing precariously on the ledge running down from right to left at the base of the main cliff. Such places in the Valley are very interesting to me — spots that everyone can see but which remain virtually inaccessible to all but some climbers… and to photographers with long lenses who look closely. And, yes, I’m aware of the obvious precedent when I use the term “monolith” in the title of the photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Hanging Valley

Hanging Valley
Hanging Valley

Hanging Valley. Yosemite Valley, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Yosemite’s Bridal Veil fall emerges from a hanging valley among monolithic granite cliffs in late afternoon light

Late on a winter afternoon, the shadow of cliffs to the west rise up past Yosemite’s Bridal Veil fall and into the hanging valley from which it springs. The valley’s still-sunny eastern slope is covered with brush and trees, but the rest of the scene is almost entirely one of granite, from the relatively gentle V-shaped valley of Bridal Veil Creek to the vertical cliffs of the wall over which the water flows and the base of taller Sentinel Rocks beyond.

Bridal Veil fall comes out of a classic hanging valley. Apparently the creek descended toward a much older Merced River canyon even before glaciers finished (for now, anyway!) carving Yosemite Valley, and this creek cut is own beautiful V-shaped valley. (The V-shape is characteristic of river valleys. If you want to understand more of the life of a creek, when you visit Yosemite you can drive toward Glacier Point and cross the very shallow valley of this creek at a higher elevation. I’ve cross-country skied to it a number of times.) When the Valley was cut into its deeper U-shaped form, the existing valley of Bridal Veil creek was left… hanging.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.