Tag Archives: new york

Photographs: New York City, Photographs: Urban/Street

Nassau Crosses Ann Street!

Image August 2, 2019 G Dan Mitchell Leave a comment

The corner of Nassau and Ann Streets, Manhattan. (Charles Ives fans may get the reference.)

Anne Street

Quaint name Ann street.
Width of same, ten feet.
Barnum’s mob Ann street,
Far from ob-solete.

Narrow, yes, Ann street,
But business, both feet.
(Nassau crosses Ann Street)
Sun just hits Ann street,
Then it quits–some greet!
Rather short, Ann Street.

– Maurice Morris

Fans of the work of American composer Charles Ives may “get” this. Not long ago I finally worked out the location of theManhattan street that gives the song its name, found it, and looked for the parenthetical cross street. Located on the fringes of the financial district it still has connections to this rather old poetic description. (Those who are inclined to find and listen to the song should look for some wonderful musical puns in Ives’ treatment.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: New York City, Photographs: Night, Photographs: People, Photographs: Urban/Street

Man With Ice Cream Bar

Image May 18, 2019 G Dan Mitchell Leave a comment

As I continue revisiting some old raw file archives from nearly a decade ago, I’ve been going through some photographs from a weeklong visit to New York City. We were there partly for music-related activities, partly for family reasons, and partly to make photographs. A few years’ distance from the immediate experience lets me see the photographs a bit more objectively, I think, and I’ve found several that I think are worth sharing now.

For five or six years I’ve been doing a lot of handheld night street photography, but this photograph comes from before that period —actually from a single evening in Manhattan when I began photographing in twilight and just kept going. There are multiple ways to “read” this photograph. I think that one initial approach may be less than complimentary to the subject, but the more I think about it the more I see other perspectives that are positive. I’ll leave it to viewers to sort that out!

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: New York City

Pilings, Hudson River

Image September 20, 2018 G Dan Mitchell Leave a comment

Old pilings stand in the water of the Hudson River with New Jersey in the distance

We were staying at the lower tip of Manhattan, and on the morning of our first full day there this past August we decided to head out for a walk. We more or less followed the shoreline along the Hudson, eventually getting up into the streets numbered in the twenties before heading back toward the center of Manhattan.

These days the walk along the Hudson is mostly quite scenic, with walking/jogging paths along the waterfront and occasionally even more park-like facilities. In many places there are great views across the river toward New Jersey and some other areas. (The views back toward Manhattan are mostly up…) When we started our walk there was a threat of rain, but by the time I made this photograph the clouds were breaking up.

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Photographs: Abstract, Photographs: Nature

Leaf

Image September 18, 2018 G Dan Mitchell Leave a comment

A single leaf against a shadowed background

I photographed this remarkable leaf inside the conservatory at the New York Botanical Garden. The plants were phenomenal, but the conditions were not! It was terribly hot. The humidity was high, even for August in New York. And the light was limited… and I was shooting handheld. But the remarkable plant displays were too interesting to pass up, so I spent a bit of time photographing.

In these surroundings most of the photographs were, of necessity, close-ups, focusing on a few leaves or flowers and trying to exclude the background. (This was inside a building, and including the other visitors or the steel construction wasn’t what I had in mind.) Here the solitary curving green leaf was set off against a background of deep purple-brown leaves.