Night photograph of a person sitting behind a blue sign along 7th Avenue near Madison Square Garden on a summer evening in downtown New York.
On our last night in Manhattan we needed pizza – we bracketed our visit with New York pizza on the first and last night. (We had lots of great food in between, but that is perhaps a story for another post.) So we headed out of our hotel and up 7th Avenue near twilight. My son – who shoots old film cameras these days – and I grabbed our cameras to see what we could shoot. Keeping things simple, I just stuck a 50mm lens on my camera, cranked the ISO, and shot quickly as we moved through the crowds. Nearby there was a building with a “sign” that moved blue text up and down the front of a building and across part of the sidewalk. Sitting behind a section of the garish sign I saw this man sitting quietly.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
The light of the rising full moon illuminates the ruins of the old bank building against a star-filled sky in the ghost town of Rhyolite, Nevada.
I have photographed the ghost town of Rhyolite, Nevada on several occasions in the past, but always in the very early morning. (I have a habit of hitting Rhyolite before dawn, shooting as long as the light allows, visiting Beatty for cheap gas and breakfast, then heading back to Death Valley via Titus Canyon.) I have wanted to try photographing the location both at sunset and under a full moon, and the timing for both worked out on my late March visit to Death Valley National Park. Late on my second afternoon I headed east out of the Valley and over the pass and arrived at Rhyolite before sunset.
I spent some time wandering around the familiar locations in the unfamiliar late-day light. In the end, my suspicion that Rhyolite is more of an early morning location than an evening location seemed to be confirmed. At this time of year the sun sets a bit too far to the “right” as you look west, and the the light is blocked by a low hill at just the time it would otherwise become interesting. I did make some photographs of the ruins of the ghost town in the fading light… then I settled in to make a few night photographs of the tall bank building ruins.
I’m thinking of this as sort of a practice run for a return visit for more Rhyolite night photography. I think that the full moon timing has potential, but I want to try again and think more about the placement of the structures relative to the North Star. One more thing… when I arrived there was essentially no one else there. Soon a couple other photographers showed up, but the place was still relatively deserted. Then, after dark, I was surprised when a number of cars showed up. There was apparently some sort of night photography workshop visiting the place – perhaps I shouldn’t be surprised that they acted like they owned the place and that the rest of us didn’t matter. Most night photographers would know better than to drive into a shooting location with headlights blazing, and they might ask photographers who were already there if their light painting would interfere with shots underway. Just sayin’…
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Star trails above the Manifold, Zabriskie Point, Death Valley National Park, California.
One of my goals on my late-March trip to Death Valley was to do some night photography, in particular to take advantage of the nearly full moon near the end of my visit. Some of my plans did not quite work out – for example, on the night when I intended to do night photography of the moving rocks at the Racetrack Playa it was cloudy all night! However, on the final night of my visit the weather gods cooperated and I was able to make a few exposures from Zabriskie Point as the moon rose. As if to partially make up for messing up the intended Racetrack shots, the “cloud gods” were kind enough to provide me with a few high thin clouds at Zabriskie. This was one of those wonderful occasions when things actually did go as planned!
Anticipating the full moon at Zabriskie, I made a point of camping in the vicinity of Furnace Creek at the Texas Springs campground. (I expect that my habits mystified a few nearby campers. I drove in at about 2:00 p.m., grabbed a site and “marked” it by leaving a chair and a tarp, and almost immediately left – not returning until nearly 10:00 p.m. Then I was up and gone well before sunrise.) In any case, I headed down to the Badwater area in the late afternoon to photograph sunset light on the salt flats and evening clouds – following an impromptu “dinner” at the back of my car at the Badwater parking lot. It was getting fairly dark by the time I finished up at Badwater, so I headed straight up to Zabriskie. By the time I arrived the moon was just coming up over the mountain range to the east, with its light at times filtering through high clouds. During the hour I was there I made three exposures. With exposure times in the 8 to 12 minute range and followed by “dark frame exposures” of equal length, this was a slow and quiet process.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Towers and brick wall at the corner of Eight and Nimitz, Mare Island Naval Ship Yard, Vallejo, California.
One more take on the corner of Nimitz Avenue and Eighth Street in the “historic core” of the Mare Island Naval Ship Yard, as photographed after dark on my recent visit with The Nocturnes, the SF Bay Area night photography group. (Visit their web site for lots of great night photography resources.)
I thought I’d post this photograph as an example of several things that I think about a lot as I make photographs and post them at my blog and elsewhere on the web. Here goes:
While I post a number of photographs that I am very happy with, I also post quite a few that are part of the learning and development process. In fact, posting daily is part of my dedication to practice, an idea that I learned from many years in music. Daily work with images – whether making photographs or working on photographs already made or thinking about how I might photograph subjects I encounter or looking at the photographs of others – sharpens my visual acuity and improves my ability to “see” photographs in subjects I encounter. This is one of those not-quite-right photographs that I learn from.
There is much that I like in this photograph, but there is also a significant compositional issue that I recognized as soon as I looked at it on the computer. See it yet? I’ll wait…
With a moment to look more closely you probably noticed some issues with the placement of the nearest steel beam on the right side of the frame. It almost, but not quite, covers one of the window frames in the brick wall in the background, but unfortunately a bit of that frame sticks out beyond the left side of the beam. In addition, and related to that, the right side of this beam partially blocks the upper right edge of one of the windows.
Of course, now that I’m sitting at my computer in a warm and well-lit room, I can easily see how I could have solved this problem when I made the exposure – most likely by moving a bit to the right and perhaps slightly forward. With that in mind, I’ve filed two things in the “photographic memory bank.” First, the next time I shoot this scene I’ll probably resolve this issue! Second, I’ve added one more data point to the experience that I draw on when I make a shot, and this increases the chances that I won’t miss things like this quite so often in the future.
Live and learn! :-)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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