“Sandstone, Light and Shadow” — Early morning sunlight accentates the color of a Utah sandstone cliff.
The idea here was to get “up close and personal” with a small section of a monumental sandstone tower standing in the early morning sunlight. To make the photograph I turned away from the conventional scenic landscape I had been focusing on, using a long lens to focus on an area where features projecting from the wall were casting shadows back onto it.
Southwest sandstone is often impressive simply because of its color variation. I’ve commented before on how “my” California granite inevitably looks very… gray after I return from a visit to Utah. But in some places, such as here at Arches National Park, it isn’t just that the sandstone’s coloration is attractive, it is also that the strata of red rock are so thick and extensive.
“Autumn Forest, Fog” — Autumn fog drifts through a forest in California coastal hills.
Recently it has been very foggy across great swaths of the California landscape. Tule (or radiation) fog has turned the Central Valley cold and gray for weeks. At times the fog has spilled through the delta and over mountain passes into the San Francisco Bay Area. On one such day I decided to head to nearby woods to see what I could photograph.
I ended up on a narrow road heading into the hills, a road that I have known for decades — though I don’t believe I have ever photographed there before. At the head of a narrow canyon, just before the road ascended steeply to rise above the fog, I stopped to photograph this autumn scene. A few trees leaned this way and that, fog muted the light, and autumn leaves were everywhere.
“Autumn Hillside” — A Utah hillside with autum color from aspens and brush.
The range of colors in this photograph reminds me a little bit — but only a little bit — of the widely diverse autumn colors of New England forests. It is a bit subtler, with lots of softer tones, ranging from the marginal coloration of some of the green plants to the ghostly quality of the leafless brush in the foreground.
The location would usually be considered unremarkable. In fact, we ended up here more or less by accident. While driving a better known route through part of Utah I saw a gravel side road and spontaneously decided to see where it led. We started in a beautiful aspen grove, then climbed up and around a large ridge to west-facing slopes, where we found this autumn color.
“Dormant Wetlands Plants” — Dormant and dried wetlands plants reflected in the still water of a quiet pond.
My first “real” visit of the season to my favorite migratory bird photography location did not go as planned. (Actually, I did stop briefly a month ago and a half earlier, but things were still slow back then.) I was hoping for luminous tule fog and lots of geese and sandhill cranes. Instead I got thick gray elevated overcast and fewer birds than expected. Ah, well, it happens… and when it does I look for something else to photograph.
This is one of the “something else” photographs. This area is full of shallow seasonal ponds, and when they fill the summer’s plants still emerge from the still water and make fascinating reflections. For this subject the very soft light from the overcast worked well and revealed a more of the plants’ details.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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