“Green and Yellow Tulip” — A yellow tulip begins to open, wiht some of its green bud color intact.
Yes, another tulip! I made a lot of tulip photographs on our early-spring visit to the garden of a historic estate on the San Francisco Peninsula. I won’t share all of them, but I will continue to gradually release a set that includes different colors, settings, and states of development.
As I have previously mentioned, I particularly enjoy the appearance of the buds before they fully blossom, and I rarely photograph them once they are mature flowers. This one takes me about as close to that final stage as I can go and still claim that it is (sort of) a bud. This specimen is right on the edge of blooming fully, and we can almost see it opening up. A bit of the bud’s green color is retained, but the yellow of the flower predominates.
“Reflected First Light, Panamint Mountains” — Shallow salt flat water reflects the first light on the Panamint Mountains.
During my late-February visit to Death Valley National Park, I spent two early mornings photographing the Panamint Mountains in the first light, with the salt flats and shallow water in the foreground. The water is not the ephemeral “Lake Manly” phenomenon that we saw in 2024. This is a slow, shallow flow of water that seems to continue all year, regardless of conditions. It is just enough water to produce these reflections.
These days I photograph almost exclusively with a full frame digital system. (Sometimes I use a smaller APS-C system, often for my street and travel photography.) I usually use a pretty straightforward set of lenses that work well for my landscape photography, but occasionally I bring out an adapted medium format zoom lens and mount it using the Mirex tilt/shift adapter — yes, movements with a zoom lens! That was pretty useful for this photograph given the low light and the extreme distance between the foreground and the distant mountains.
“Desert Holly, Dry Wash” — A desert holly plant, either dead or dormant, in the middle of a dry wash, Death Valley.
Desert Holly must be one of the must adapted and tenacious plans in Death Valley National Park. It grows in some of the least likely spots — places where there is barely any soil, where the sun bakes the land, and where water is rare. Desert Holly plants can occasionally put out a beautiful cover of pale green leaves, but more often the plant looks dormant or dead, with many dead leaves and very dry branches.
This specimen grew in a desert wash, where water occasionally passes through this very dry area. It has to rely on fairly rare flows of water. Plants grow in much of Death Valley, but few do in this location. While a few further up the wash had green foliage, I saw only dry, desiccated leaves on this one.
“Tulip Bud and Leaves” — A spring tulip bud, just before blossoming.
This photograph is the result of something I rarely do — post the same photograph in monochrome and color versions. I shared a color version recently, but while I was working on the image in post I took a little detours and experiment with a black and white interpretation. I like both of them, though they do create different effects.
Black and white almost always has a more abstract quality to me. We know that the world is not monochromatic, so we begin to accept a wider range of interpretations as soon as we move to black and white. There’s less of the “it isn’t real!” concern with monochrome. (Not everyone realizes it, but monochrome images have historically often been the subject of extensive post-processing.) Here I think that the monochromatic version lets us focus more on the shapes and tones themselves, with less need to relate the image to something real.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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