Tag Archives: north

Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Tortaria

April 14, 2018 G Dan Mitchell Leave a comment

A woman walks past a Manhattan tortaria with a red pickup truck parked in front.

I made this photograph about four years ago, and the brief tale of how emerged now is perhaps worth telling. Recently I was involved in a discussion of tilt/shift lenses. Part of the discussion drifted to image changes that could be made in post-processing rather than by using shift to correct converging perspective lines. I went looking for example files I could use, especially those that might have been shot with a very wide lens and in need of correction. I figured that urban photographs would provide good examples, so I started digging into my New York raw files. Eventually I ended up back in 2014… and to my surprise I found a group of images that I had almost completely forgotten about and which I never finished reviewing and processing.

Four years later I don’t even remember making this photograph, nor do I remember the location. (I could figure it out easily enough.) I’m betting that the initial attraction was to the contrast between the bright red pickup truck (and all of the things that it can symbolize) and the teal-colored front of the Tortaria. It may have been good fortune that the woman walked into the left side of the frame at this moment. I like the juxtaposition of the red and green-blue colors and the potential cultural and other symbolism of the big, red pickup truck.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Hiker, Natural Bridge Canyon

April 13, 2018 G Dan Mitchell Leave a comment

Hiker passes beneath a thick natural bridge spanning a narrow Death Valley canyon

With the exception of a couple of very accessible and popular canyons, many Death Valley Canyons are not visited all that much. Even canyons that are a short distance from major iconic locations and roads are often uncrowded. Canyons that are more remote can be wonderfully lonely places, locations to find the solitude that the desert supplies in such abundance. They are magical places though, to be honest, if you have experienced the red rock sandstone canyons of the Southwest, many of the canyons of Death Valley are more subtle. The canyons are also an undeniable reminder of the tremendous role of water in forming this landscape, odd as that may seem in what is now a desert.

While many Death Valley sights are arguably at their best during or near the golden hour period around dawn and sunset, the canyons can be good a bit later in the morning and earlier in the afternoon. In fact, too close to the sunset/sunrise times and the canyons can be quite dark — perhaps too dark for most photography. But when the sun is a bit higher in the sky the light can strike upper canyon walls and bounce and diffuse down into canyon depths. This light can be soft, gentle, and take on the colors of the canyon rocks. You can see some of that light on the massive bridge that crosses this canyon, and if you look closely you may see a small hiker providing a sense of scale.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Desert, Photographs: Southern California, Photographs: Structures and Objects

St. Madeleine Church, Trona

April 12, 2018 G Dan Mitchell Leave a comment

The stark architecture of St. Madeleine Sophie Barat Catholic Church, Trona, California.

I have a bit of history with the California town of Trona, but it has mostly been superficial. I may need to consider changing that. The town is in the far reaches of San Bernardino County, in the desert region between Ridgecrest, California and Death Valley National Park. The entire reason I even know of the place is that it is on the route that I almost always follow into the park. The town has roots that go back to the 1800s, and it seems to be supported almost entirely by the mining/extraction operations that go on there. To this outside, Trona has that utilitarian, dusty, sad, potential ghost town look of so many remote Western towns. I’m sure that some of that impression is the result of my own ignorance, but still…

I’ve passed through Trona annually for about two decades. However I rarely stop, mostly because Trona is either the last step on a very long drive to Death Valley (and I just want to get to DEVA and get to work without delay) or the first step on the long drive home (and I feel little need to stop yet). There isn’t much there for travelers — a drive-in, a restaurant on a side street, a market, a gas station or two. However, with each visit the feeling grows that there is something worth looking at and photographing here, especially in an increasingly urbanized age where fewer people have any experience with such places. So this time, on the way out of the park, we paused briefly and drove around just a bit. I noticed things that I have missed before. (For example, not all of the homes here are abandoned or unloved.) Our final stop before moving on was the parking area next to the St. Madeleine Church. In fact, this was one of the features that first suggested photography here to me some years ago, even though I had not previously stopped. It is a remarkable building, and its brutalist concrete construction and unadorned square shape somehow seem appropriate in this stark desert landscape.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes, Light And Shadow

April 11, 2018 G Dan Mitchell Leave a comment

A curving interaction between light and shadow on Death Valley sand dunes

The visual patterns of desert sand dunes can quickly become a sort of photographers’ playground. While we often may go out looking for individual subjects and composition (the “perfect photograph of that mountain”), once in the sand dunes there are likely to be photographs almost everywhere we look. The subjects are remarkably varied, ranging from the smallest to the largest, from nearly pure abstraction to literal depictions, including human elements or not, and changing over the course of the day and in evolving light. Topping another wave of sand or curving around into a new hollow can bring a whole new set of possible photographs.

I made this photograph on a morning when we walked out into a lonely section of dunes before sunrise. I generally tend to photograph more “literal” subjects in that softer pre-sunrise illumination. That softness quickly disappears with the sunrise most days, and I begin to look for more stark compositional contrasts. Here I was attracted but the abstract shape of the sand that was struck by the light, and the suggestively organic shapes of the curve.

G Dan Mitchell Photography

Tag Archives: north

Tortaria

Hiker, Natural Bridge Canyon

St. Madeleine Church, Trona

Dunes, Light And Shadow

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.