Tag Archives: north

Abandoned Mill

Abandoned Mill
The ruins of an abandoned mill in the desert backcountry

Abandoned Mill. Desert Mountains, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The ruins of an abandoned mill in the California desert backcountry

During the nearly twenty years since I first “discovered” California deserts, my experience with them has changed. To be honest, as a person largely focused on the coast and the Sierra, when I was younger I didn’t really know much about these wild places, and I wasn’t really attracted to them. It wasn’t until the late 1990s that I actually made a serious visit and began to “get it” about the things that make these areas so marvelous. At first, like almost anyone else, I focused on some of the most obvious and iconic places. But eventually as I returned to these places, especially to Death Valley National Park, I began to push out my boundaries bit by bit. As I did so I discovered many more interesting things about these places, both the natural wilderness and the human history. One of the first experiences that connected me to the human history was an accident. One evening I wandered away from a camp and just sat down on a boulder in an elevated location on an alluvial fan. I happened to look down to see an unusual rock. I picked it up and quickly realized that it was a cutting implement left their by the earliest people to make their lives here — and my notions of the depth and variety of human experience in the desert was profoundly altered.

That human influence has many facets. Certainly the experience of the people we now refer to as “native Americans” is central. (I like Canada’s term: “first people.”) Later settlers showed up for a range of reasons — pioneers passing through, prospectors chasing the dream of the big strike, folks looking for a job, people not well suited to living in the civilized world, and other. They all left traces. The prospectors and miners left lots of them all over the desert landscape, and you can’t travel around these places without running into it. The photograph is a detail from one amazing structure high on a desert ridge, abandoned only recently in the context of the larger scale of history, but still putting us in touch with an era that is mostly gone now from these places.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Geese, Tule Fog, Autumn Trees

Geese, Tule Fog, Autumn Trees
Migratory snow geese and Ross’s geese in a pond on a foggy San Joaquin Valley morning

Geese, Tule Fog, Autumn Trees. San Joaquin Valley, California. December 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Migratory snow geese and Ross’s geese in a pond on a foggy San Joaquin Valley morning

Since it was December 1, it seemed like time to start my annual series of visits to California’s Great Central Valley to photograph migratory birds and the landscape of the place. (Actually, I had made one preliminary and very quick visit about a month earlier, but too early for the birds shown in this photograph.) There is a ritual about these visits which, for me, are typically one-day affairs that start very early and end rather late, with a fair amount of driving involved. Up well before dawn, I drive a couple of hours in darkness and often fog, arriving perhaps a half hour before dawn to the stirring sound of many thousands of birds, already awake at morning twilight. I photograph intensively for at least a few hours before taking, at last on most days, a midday break. By mid-afternoon I’m back at work again, photographing through the peak of the visual crescendo just before sunset and then continuing for perhaps another half hour or so until the light is gone. I pack, get into my vehicle, and retrace my two-hour drive back home. (At least the shorter daylight hours of this season allow me to get up a little bit “later” — if you consider 3:45 or 4:00 AM later — and return home in time for a late dinner.)

On this first day of December it was incredibly foggy when I arrived — so much so that it was really hard to make photographs. I usually enjoy photographing in the fog, but this was so thick that almost no sunrise light managed to color the gloom. But before long the light began to come through the fog and eventually I found a moderately large group of white geese settled in on a pond. Among them I saw Ross’s and snow geese, and beyond them there were trees with fall foliage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Reflection

A Reflection
Reflecting patterns

I think this photograph is more fun if I avoid saying too much about it. I will say that it actually is a photograph, and one with no more post processing work than I might apply in, say, a landscape photograph. I made the photograph while out on the street in San Francisco earlier this week, doing night photography with my friends and fellow photographers of Studio Nocturne SF.

And that’s all I’m going to write…


Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

A Gathering

A Gathering
“A Gathering” — Nightime Segway riders gather around a glowing structure.

I thought about calling this “Gathering Of Segway Creatures Before The Giant Glowing Orb,” but that seemed to be going too far. A bit too far, anyway. Last night I joined my fellow night photographers from Studio Nocturne SF for a bit of camaraderie and photography in the San Francisco night. We started at the iconic Alamo Park (the location of the oft-photographed “painted ladies”), and I’m either embarrassed or proud to say that it was the first time I have gone there with a camera. I can also report that I did not photograph the “ladies,” instead wandering around with a tripod-less camera in the dark and photographing other things.

We then adjourned to the waterfront, where we spent some time photographing in another (justifiably) popular location. This light sculpture and some other features cast interesting and varying kinds of colored light on the scene, and I spent quite a bit of time searching out and photographing subjects that were transformed by the colorful light. But when these folks suddenly showed up I quickly switched my attention them, and I managed to squeeze of one handheld photograph before they disappeared into the night once again. As is so often the case, night photography brings some unusual events and experiences. Shortly after this, as I walked along a deserted walkway on a pier, three police officers suddenly appeared, rushing towards me. Fortunately, they weren’t interested in me and they passed right by. Within minutes there were a half-dozen police cruisers and two fire trucks in the neighborhood. San Francisco — never a dull moment…


COMMENT OR QUESTION? Scroll down to the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.