Tag Archives: nyc

Ben Is Watching

Ben Is Watching
A Brooklyn, New York wall

Ben Is Watching. December 21, 2015. Brooklyn, New York. © Copyright 2015 G Dan Mitchell – all rights reserved.

A Brooklyn, New York wall

I generally make it a rule to not photograph graffiti, though it is not quite a hard and fast rule. I almost never photograph a subject with someone’s vanity tag on it, and in a few cases when a larger subject as been compelling I have removed or defaced the tag in post. There are probably a range of reasons that one might write or scribble or draw on public and private property, ranging from a poor sense of social belonging to a desire to produce something like art — so the decision to show or not isn’t without context.

In this case, the wall seemed to be one that had become, likely by more or less popular agreement (or a concession?) a place where such public art is perhaps not only tolerated but also expected. While a simple tag doesn’t usually interest me, here there were layers of text and imagery that had been assembled over time and then modified by weather, wear, and perhaps later contributors. Eventually, the accidental juxtapositions seem to take on their own lives, as in this vignette featuring a worn dollar bill image of Benjamin Franklin, and oddly anthropomorphic red and white and green shape, bits and pieces of paint, and the underlying old brick wall. And, of course, this is all very temporary — and probably transformed or gone by now.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Graffiti Covered Wall

Graffiti Covered Wall
A small portion of a colorful graffiti covered wall, Brooklyn

Graffiti Covered Wall. Brooklyn, New York. December 21, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A small portion of a colorful graffiti covered wall, Brooklyn

I used to have a firm policy of virtually never photographing graffiti, and when I couldn’t avoid it I would remove or modify it in post so as to not be part of the sharing that might encourage the sort of graffiti that is really simple vandalism. I still avoid photographing simple “tags” in most cases, especially when they offer little more than the evidence that some anonymous person wrote on a wall. I also have this nagging feeling that photographing graffiti-ridden cityscapes can too easily become a street photography cliché.

However, I’ve become more open to the idea of finding and photographing the accumulative juxtapositions of layers of drawing, painting, posters, and weathering that show up on some urban walls. That’s my way of explaining why I stopped to photograph this Brooklyn wall, moving in close to find compositions among the colors, lines, and shapes that have built up over time and which have been revealed as time has weathered away later layers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Accessible Entrance

Accessible Entrance
A metal door with an accessibility sign

Accessible Entrance. Brooklyn, New York City. December 21, 2015. © Copyright 2016 G Dan Mitchell – all rights reserved.

A metal door with an accessibility sign

OK, how to explain a photograph like this one? On the first full day of our recent visit to New York City we were out walking around in the Williamsburg vicinity in Brooklyn, and I was taking in the combination of very old stuff, very new stuff, and some very worn and dilapidated stuff. Even for a photographer used to photographing street subjects in San Francisco, many New York neighborhoods are, as they say, photographically “target rich environments,” with lots of things to see.

If I recall correctly, we had walked down a street toward the East River waterfront, passing though an area of older industrial buildings that seems to be converting to modern tech and commercial space. All I remember of the making of this photograph is that I made it more or less while passing by. I was attracted by the wild color and by the seemingly odd placement of the accessibility sign on what looked like a rather unfriendly entrance door.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Parking Lot Near High Line Park

Parking Lot Near High Line Park
Parking Lot Near High Line Park

Parking Lot Near High Line Park. New York, New York. August 14, 2010. © Copyright 2010 G Dan Mitchell – all rights reserved.

Evening photograph of an urban parking lot near the High Line Elevated Park in the Chelsea area of New York City.

I photographed this parking facility from above as we started down the stairs at the north end of High Line Park. Since I was traveling light at this point I had no tripod – so I made this 1/8 second exposure hand-held. (Image stabilization can be your friend!) Lighting was, to say the least, tricky. Areas of the structure were in deep shadow, but there were also bright artificial light directly within the frame. By some miracle I managed to pretty much capture the full dynamic range in one shot.

These parking elevators are seen all over Manhattan, and they allow cars to be parked several deep on the vertical lift. This was the first time I had the opportunity to shoot one from a position that wasn’t on the ground, and the complicated mass of vertical beams filling the space and lit by artificial light sources seemed like an interesting subject. I haven’t seen the elevators in operation, so I still wonder how the lot operators manage to get the right cars at the top/bottom of each lift so that each person’s car will be at ground level at the right time.

G Dan Mitchell Photography
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