Tag Archives: obscure

Monument Valley Squall

Monument Valley Squall
“Monument Valley Squall” — A passing rain squall mutes the view of buttes and ridges at Monument Valley.

This was a spectacular day in Northern Arizona. We were most of the way through a visit of several weeks to Southern Utah, and we had departed Moab that morning. Our plan was to go back via the route through northern Arizona and make it to Springdale, Utah by the end of the day. As we left Utah and started west across Arizona there were spectacular clouds and intermittent heavy showers.

As we approached this area, with its famous buttes, spires, and towers, a heavy shower passed between us that the distant scenery. At first I was disappointed, as it obscured the clear view I was expecting. But in the end, I think that this curtain or rain produced a sense of mystery that is not so present in a typical sharp and clear photograph.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Forest, Morning Fog

Forest, Morning Fog
“Forest, Morning Fog” — Soft sunlight appears as morning fog begins to clear above a forested hillside, Santa Cruz Mountains.

One of my favorite kinds of light is found at “the edge of the light” —places that are neither in full sun nor fully shaded. Often I search out these spots, especially when fog is involved. The effect can range from subtle to quite striking when there are strong contrasts between deep shadow and light. Here there is an additional factor — not only are the foreground trees in a bit of that gentle light coming through the fog, but the more distant trees almost disappear into the thicker clouds.

We often hear something along the lines of, “photography is all about the light.” That’s not quite literally true in every case, but there’s no question that interesting light can turn an otherwise-mundane subject into something special. To be honest, this scene would not likely catch your attention at all in typical full sunlight nor in thicker fog — it is that glow on the foreground trees that makes it work.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wetland Reflections, Winter Morning

Wetland Reflections, Winter Morning
“Wetland Reflections, Winter Morning” — Fog envelops a wetland marsh reflecing the soft light of sunrise on a quiet winter morning.

Am I alone in always looking forward (or sometimes backwards) to the season that is not the current one? In summer I anticipate fall. In winter I look forward to spring. For some reason today I got to thinking about last winter, and I dug into some photographs I made back in January when regular trips to photograph this cold, foggy landscape and migratory birds were part of my routine.

The photograph reminds me of the other sensations of this place at that time of year. It was cold and the air was still and damp with tule fog. The opaque fog muted the landscape more than a few hundred feet away, except that the tule fog was shallow enough to barely reveal the sunrise and high clouds. You might think it was silent, but the sounds of winter birds filled the air.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Plants, Dunes, and Sand Storm

Plants, Dunes, and Sand Storm
A plant-covered sand dune with a sand storm in the background.

Plants, Dunes, and Sand Storm. © Copyright 2023 G Dan Mitchell.

A plant-covered sand dune with a sand storm in the background.

Perhaps this photograph is about the sand dunes. Perhaps it is about the raging sand storm. Perhaps it is about the plants on the small dunes in the foreground. Or about all of the above. The conditions were, by objective standards, pretty atrocious. A gale was whipping up the sand and blowing it toward the dunes and then up into the sky. You might wonder why the foreground seems relatively clear. The wind was blowing from slightly behind me and most of the dust was being picked from the dunes and blown away from me.

About two months earlier I had photographed in almost this exact spot, and the green transition of these plants on this visit was striking — back at the end of January they looked very dry. But now, even though there has not been all that much rain in this part of Death Valley in the interim, the seasonal greening was underway.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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