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Spring Torrent, Merced River

Spring Torrent, Merced River
Spring Torrent, Merced River

Spring Torrent, Merced River. Yosemite National Park, California. May 3, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Rushing spring run-off flow and reflected evening colors, Merced River

I made this photograph at the very end of the day, on my first real spring trip to Yosemite Valley of the season. There were rumors of a bigger-than-usual dogwood bloom (true, it turns out), which was probably the main factor related to the timing of this quick trip. However, in this very dry year in California, any high water in Valley rivers and waterfalls was going to come very early – and, in fact, the waterfalls were reasonably high, the Merced was flowing with some force, and there was almost no snow still visible anywhere.

In the evening I ended up near Pohono Bridge, shooting dogwood trees and some photographs of early evening light filtering through the forest. As the light in the Valley faded, it become more difficult to photograph the nearby forest, but some sunset color lit the higher faces of the cliffs, and this colorful light reflected on the surface of the Merced River. The lower light also allowed me to lengthen shutter speeds and allow the motion of the water to blur.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese in Dusk Light

Geese in Dusk Light
Geese in Dusk Light

Geese in Dusk Light. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Geese take off into the dusk sky above marshes, San Joaquin Valley, California

Yes. More geese. I photographed these on my New Year’s Day visit to the San Joaquin Valley with a group of fellow photographers and other folks with an artistic bent. We were out there to join the migratory birds in greeting the first sunrise of 2013. Joining us were many Ross’s geese, a heron or two, some egrets, thousands of geese, one flock of white pelicans, quite a large contingent of cranes, the odd coyote, and many others. We arrived early, photographed all morning, broke for a movie in a nearby town during the middle of the day, and returned to photograph until dark.

It is an interesting though challenging atmosphere on this day, one of those days that isn’t remarkable for extremes of weather or light – thick fog, brilliant sunrise light, etc. Instead, it was sort of gray in the morning with light fog and mostly very subtle colors at dawn. It never fully cleared, but near sunset the sky turned interesting colors of pink and purple and there was a last-minute bit of colorful light, as seen on the birds in this photograph. They had been settled in on a pond, but as the day ended they took off on the evening “fly out” to some other place. The lifted off in groups ranging from a few birds to a few hundred at a time and then mostly headed north or northwest. In this photo there is a close group that has just taken flight but beyond there are several other groups at varying distance that had left moments earlier. The result, as often seems to be the case with geese, is a sort of organized chaos. There are various ways to try to photograph this, but here I was trying to find instantaneous composition in which the various groups of birds aligned themselves, both within their groups and among the separate groups, in interesting ways.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Hills and Trees Near Limantour, Drakes Bay

Hills and Trees Near Limantour, Drakes Bay - Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.
Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.

Hills and Trees Near Limantour, Drakes Bay. Point Reyes National Seashore, California. August 18,2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.

Limantour Beach sits along the inner curve of Drakes Bay at the Point Reyes National Seashore north of San Francisco, California, and the area is one of the best-known and most visited in the park. On certain days, the air is clear and the sun is bright and the beach can be warm, and the view includes not only the nearby wildlife and the surf, but the peninsula leading to the tip of Point Reyes and the coast stretching south towards the Marin Headlands and the Golden Gate. One of the first times I visited this place to make photographs it was one of those clear days, and I recall photographing the curve of the Bay leading to the right with the beach and some birds in the foreground. I’ve carried a mental images of how I would like to improve that photograph, and it was with that in mind that I went to Limantour this time.

The weather did not cooperate with that plan. After crossing the ridge between Tomales Bay and Limantour, I could see right away that there was going to be fog along the beach. The shoreline edge of the water still reflected blue sky in a few spots a bit to the south, but at Limantour the fog came a good distance inland from the beach. So as I drove down toward the end of the road, I started looking for some spot that would let me photograph the rounded, grass-covered hills and the bits of forest in sunlight, with the Bay and its fog in the distance. Finding a spot that included all of these things and which made some visual sense was not easy, but with a bit of back-tracking I finally found this spot and made a few exposures.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Drakes Bay, Fog

Drakes Bay, Fog - Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore
Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore

Drakes Bay, Fog. Point Reyes National Seashore, California. August 18, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore.

What could possibly go together more naturally than fog and Point Reyes? Living in the San Francisco Bay Area, Point Reyes National Seashore is one of those treasures that is close enough that I can manage to visit frequently and throughout the year. However, I’m still trying to “get my mind around” the place as a photographic subject. Some aspects of it are relatively easy to see in photographic terms – these include some of the wildlife (such as elephant seals and tule elk), the tall and rocky coastal bluffs and the beaches often found below them, and certain beaches. Others are not, at least for me, so obvious. I find that some very beautiful things, such as the dense forests of short trees, hills covered with dry grasses and scattered bushes, and fog shrouded valleys, are not always easy subjects from which to make effective photographs.

This scene (if “scene” is the word for it) could be almost anywhere in along the hundreds of miles of the California Pacific coast, and it belongs to my “minimalist seascape” thread, something I’ve been attracted to for a while now. On this afternoon I had decided to go to Limantour Beach, hoping for sun and enough clarity in the air that I could make some photographs across Drakes Bay that I’ve been thinking about. Earlier in the day, things looked promising for that, but when I arrived the fog bank was hovering just along the shoreline and making its way inland nearby. Looking a bit more to the south, the sky was clear – and in between these areas there was a wonderful play of light between the areas covered by fog and the occasional gaps where more light still shone through.

I have been there a couple of times this month and on both occasions I had… fog!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.