Tag Archives: orange

Small Aspens, Boulders

Small Aspens, Boulders
Early autumn color comes to small aspen trees among Eastern Sierra Nevada boulders

Small Aspens, Boulders. Eastern Sierra Nevada, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Early autumn color comes to small aspen trees among Eastern Sierra Nevada boulders

There are many ways to “see” aspens, especially during the season when they briefly take on their transitional fall colors. Whole slopes filled with masses of their color are always an impressive sight. Larger views in which the aspens appear scattered within the landscape produce a different effect. The shapes of the white trunks might be the subject. We can move in close and focus on branches or even individual leaves. In some cases, the trees can act as a foil to other elements of the mountain landscape — conifer trees, the sky, flowing water. In this case, the color is, I think, a foil to the shapes, colors, and textures of granite boulders.

I made this photograph quite early in the Sierra color season, when the first trees were changing — somewhat earlier than usual this year, or so it seemed. While the largest trees were still nearly uniformly green, smaller trees and those growing in more marginal dry and rock areas were already taking on fall color. These trees are small, growing among rocks, and comprise just a few trees growing in an area that is mostly filled with conifers. In some ways, this makes their coloration even more striking than if they had been simply two trees among hundreds of aspens.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Autumn Aspens and Boulder

Autumn Aspens and Boulder
A boulder in the midst of early autumn aspen color in the Eastern Sierra Nevada

Autumn Aspens and Boulder. Eastern Sierra Nevada, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A boulder in the midst of early autumn aspen color in the Eastern Sierra Nevada

Besides being an example of relatively bright color, this little aspen scene may reveal a few other things to close viewers. The colors range almost across the entire spectrum of aspen color, from the green or trees that have not yet turned, through the typical brilliant golden-yellow, and in between some orange and even a bit of red. These are rather small trees, growing on very rocky soil, the environment where the trees frequently begin to turn first.

The slope is perhaps not remarkable among many other similar slopes that are also covered with aspens. But for some reason — it may be an accidental turn I took near here years ago — this little section of an east side valley seems special to me, so much so that I have to make a sort of ritual passage past and through it when I’m in the area. This photograph was made close to the middle of September, which seems early for Eastern Sierra aspen color. But after several drought years the trees are not behaving according to the familiar plan. Yet, there is still a lot of green, too, which promises several weeks of developing color to come.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sunrise, Marshland, Birds

Sunrise, Marshland, Birds
Thousands of migratory geese fly above foggy San Joaquin Valley marshland at dawn

Sunrise, Marshland, Birds. San Joaquin Valley, California. February 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thousands of migratory geese fly above foggy San Joaquin Valley marshland at dawn

On this late-February day we arrived at the wetlands well before dawn, slowed by heavy tule fog along the final miles of our route. The fog was thick but not deep, and while our horizontal view was obscured we could see that objects as short as utility poles extended above the fog layer. At our destination we finally stopped, and got out of the vehicle to set up camera equipment and to get the lay of the land.

Almost immediately flocks of geese began erupting from ponds and taking to the sky, thousands at a time. First a group nearby, then one far off to one side, then another at the distant edge of the refuge, and so on until the sky was filled with them. We thought that it was perhaps the greatest bird tumult that we had seen, and we had arrived just in time to see it. (Of course, only a few days later we experienced an even more monumental evening, with tens of thousands of geese and cranes.) At first we simply photographed the birds in the low light, but eventually I turned my attention to the landscape and made a few photographs across the tule ponds toward the first light developing above the Sierra crest far to our east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Cranes, Dusk Sky

Cranes, Dusk Sky
Sandhill cranes return in dusk light above the San Joaquin Valley

Cranes, Dusk Sky. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Sandhill cranes return in dusk light above the San Joaquin Valley

It sometimes seems odd to me that as the day comes to an end out here where I photograph birds, things seem to both slow down and speed up. The slowing down is the natural consequence of the daylight coming to an end, with my own awareness that a long day of photography that began well before dawn is soon to conclude, and the quieting of some of the natural occupants of this environment. The speeding up comes from certain events that take place suddenly and evolve quickly, along with the potential for several of them to occur simultaneously.

Very late in the afternoon I made a quick circuit of the area where I was photographing, trying to make a few final full daylight photographs and identifying locations where certain dusk events might be more likely — a landing by cranes, a sudden departure of geese. I identified a spot out along the levee loop where a decent sized flock of snow geese (and perhaps some Ross’s geese?) had settled in close to the perimeter road, and less than a half hour before actual sunset I was back there and ready to photograph. For some time things were very quite nearby. The geese mostly sat still in the shallow water near reeds, and I had time to compose photographs that were essentially landscapes with birds. As I was working on one of these I saw, far off in the distance beyond a roadway, that a huge flock of geese had lifted off and was wheeling in circles. Ah, well, I wasn’t going to get to photograph that flock close-up on this evening! Before long I sensed a restlessness in the smaller flock near me and, sure enough, groups soon began to lift off suddenly and head south and west — first smaller groups, and soon almost the entire remaining flock. When this happens I transition immediately from the slow and leisurely “landscape with birds” photography to working quickly and making instant decisions about what to photograph and how to photograph it. As I tracked these birds into the distance I began to notice lines of cranes heading back to one of their favorite spots perhaps a quarter-mile away. Using a long lens I tracked them as they crossed the cloud-textured sunset sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.