Tag Archives: over

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Evening Storm, Sierra Crest

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Evening Storm, Sierra Crest
An evening thunderstorm dissipates over the Sierra Nevada crest in Northern Yosemite.

Evening Storm, Sierra Crest. © Copyright 2021 G Dan Mitchell – all rights reserved.

An evening thunderstorm dissipates over the Sierra Nevada crest in Northern Yosemite.

The Sierra Nevada crest runs just northwest of this area in northern Yosemite National Park, and the mountains here rise to rugged, rocky heights, in places high enough to be topped by the older geological layers that were lifted up on top of the material that produced the range. This is alpine country — in places it is easy to travel since the landscape is so open, but eventually you’ll run up against these jagged peaks.

On this evening I had ascended some gentler — though still quite rocky — terrain not far from our camp, originally with the idea of photographing a large valley to our west and the peaks beyond it. Just before sunset I started to descend, coming back around the shoulder of “my” ridge and turning toward this line of peaks to the east and the remnants of a huge dissipating thunderhead on the other side of the crest.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Water and Granite, Tuolumne River

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Water and Granite, Tuolumne River
Water and Granite, Tuolumne River

Water and Granite, Tuolumne River. Yosemite National Park, California. September 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Swift water flows over granite along the bank of the Tuolumne River, Yosemite National Park.

In this section of the Tuolumne River – as in many other places throughout the Sierra Nevada – the river passes through a steep section and across granite slabs that span the full width of the river. As the water flows over the granite it forms constantly changing patterns of rock and whitewater that can only be predicted in general ways. The spot included in the photograph was right along the edge of the river, and you can see the transition between the diminished flow along the bottom edge and the faster and more abundant water in the main channel beyond.

Part of the fun of shooting this sort of subject – and shooting it is a pleasant way to spend an hour along the river – is in trying to find workable compositions in such a changeable subject. And making it even more “fun,” the shutter speed becomes an important decision as it determines just much the image is affected by motion blur and how much of the scene is stopped. Fortunately, digital cameras make this process just a bit more predictable and productive, since they allow the photographer to quickly see the result of composition and shutter speed choices and verify whether or not the educated guesses were correct, and to see just how the infinitely variable and unpredictable patterns of flowing water come together at the instant of exposure.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ideas, Reviews, Technique

Review: “Light & Land” by Michael Frye

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Over the past few weeks I have had the chance to go through Michael Frye’s new ebook, “Light and Land: Landscapes in the Digital Darkroom.” Many are no doubt already aware of Michael’s reputation from his photography, his workshops, and his other publications including his “Photographer’s Guide to Yosemite” and “Digital Landscape Photography: In The Footsteps of Ansel Adams and the Masters.” I have the .pdf version of “Light and Land”, and I understand that an iPad app version may also be available.

Light and Land - Michael Frye
Light and Land - Michael Frye

It is typical for photographic “how to” books to focus on specific techniques, and to be organized around a presentation of these techniques – perhaps with a section on curves, a section on black and white conversion, and so forth. This approach has its place, especially for certain types of learners and at certain points in the learning process. It is important to understand the basic techniques and operations that are available in the “digital darkroom” of such programs as Photoshop, Lightroom and so forth. That said, the bigger and more important issue is how to call upon these techniques creatively and effectively and appropriately in order to make photographs. Not all “how to” books do an effective job of illustrating this.

Michael’s “Light & Land” takes a different approach, and one that more accurately and realistically reflects the thought process of a photographer who is calling upon this arsenal of techniques in the service of creating beautiful photographs.  He writes:

“The digital darkroom gives us tremendous control over our images. We can make them lighter, darker, add contrast, change the color balance, increase saturation, turn a color photograph into black and white, remove telephone poles, blend exposures with HDR, combine ten images to capture infinite depth of field, or put a winged elephant in the sky.

But what do we do with these choices?” Continue reading Review: “Light & Land” by Michael Frye →

Photographs: Northern California, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Painted Bricks and Wall

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Painted Bricks and Wall
Painted Bricks and Wall

Painted Bricks and Wall. San Jose, California. January 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

Painted bricks and painted-over graffiti on a suburban wall.

Somehow this little bit of painted surface caught my eye while I was out walking with my camera the other day. I follow a general rule of not photographing graffiti, especially the low-class street tagging sort of stuff, but I will photograph the interesting and varied ways that folks cover it up. Somehow it looks like the person who painted out this tag may have been in a bit of a hurry! I also find those painted bricks on the left side interesting and a bit strange.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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