Tag Archives: overcast

Photographs: Nature, Photographs: Sierra Nevada

Blue Stone

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Blue Stone
Detail of fractured blue stone with colors intensified by light from overcast sky.

Blue Stone. © Copyright 2022 G Dan Mitchell.

Detail of fractured blue stone with colors intensified by light from overcast sky.

At some point on almost any backcountry trip I end up spending time looking at things that I might not notice and photograph at first. The initial focus is often the grand landscape of mountains and valleys and trees and rivers — but eventually I focus on the more “intimate” aspects of the landscape. Among these are the infinitely varied patterns and colors of rock, miniature landscapes of textures and fractures and more.

While walking back and forth between our camp and a nearby high point from which I photographed the larger landscape I had noticed several bands of interesting rock and made a mental note to return to them. A few days into our stay that moment arrived and I spent a few hours wandering slowly through this area, looking intently and finding more to photograph than I had initially seen. The intense color of these rocks is partially due to their innate blue tint and partly due to photographing them when they were in shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Evening Sea Stacks

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Evening Sea Stacks
Sea stacks and surf on an overcast evening, Crescent City, California.

Evening Sea Stacks. © Copyright 2021 G Dan Mitchell – all rights reserved.

Sea stacks and surf on an overcast evening, Crescent City, California.

The circumstances of this photograph were just a bit unusual, and it is not quite the photograph that I thought I’d be making when I recently visited the coastline at Crescent City. Because the days are so long right now, we decided to go out for an early dinner, planning to head back out into the field to photograph an hour or so before sunset. The plans was not totally solid, but I had this spot in mind as one of the possibilities, as it more or less in Crescent City. We finished dinner and it was still too early for the photography I had in mind, so we did a bit of exploring before we ended up back at this post.

I had photographed these very rocks a couple of years ago, and this time I was imagining something with sunset light, the colorful ocean and sky, and perhaps some dramatic shadows. The conditions had something else in mind. To the north a line of clouds was arriving, likely the result of a weak incoming cold front. When it became apparent that the brilliantly colorful sunset I imagined was not to be (though something else interest did eventually happen) I rethought the mood I wanted to suggest and began to see the appeal in this framing of the scene, focusing on the foreground island with the more distant sea stacks closer to the top of the frame.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Dawn Fog, California Hills

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Dawn Fog, California Hills
Sunrise fog drifts across springtime California hills under overcast skies.

Dawn Fog, California Hills. © Copyright 2019 G Dan Mitchell – all rights reserved.

Sunrise fog drifts across springtime California hills under overcast skies.

The fact that I’m unable to be in the field making new photographs right now is a good reminder that photography is more than taking a camera into the field to find and capture subjects. There is a lot that happens before the exposure — perhaps years of accumulated experience with subjects and how they might be photographs. And there is a lot that happens after the exposure — review, selection, experimentation, carrying out the plan for images that I had in mind when I made the exposures, and more. For now I’m living photographically mostly in that post-exposure world.

I photographed this scene on a memorable morning last spring in a remote area of California hills. I was there to photograph flowers, but this lovely morning of fog and soft dawn light distracted me. It was one of those wonderful unexpected moments in photography that reminded me of how much serendipity is involved in this endeavor.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Erosion Patterns in Afternoon Light, Zabriskie Point

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Erosion Patterns in Afternoon Light, Zabriskie Point
Erosion Patterns in Afternoon Light, Zabriskie Point

Erosion Patterns in Afternoon Light, Zabriskie Point. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Slightly overcast afternoon light on erosion patterns in the Gower Gulch area of Zabriskie Point, Death Valley National Park, California.

After posting such a long string of close views of the hills at Zabriskie Point… it is starting to become difficult to say much original and new about the photographs in this series! This one was made rather late in the afternoon – about 4:00 p.m. – when the light is usually still too harsh and bright for most photography here. Fortunately, some high and thin clouds diffused the light a bit – but still didn’t take the light too far in the soft direction.

It perhaps goes without saying that this another in my series of long-lens studies of small elements of the large and iconic scene at this location. I’ve photographed this particular bit of folded geology before, and I’m still interested in the combination of soft, almost organic shapes and the crazy patterns of lines and shapes heading every which way. From lower left to upper right the lines shift almost completely.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 200mm
ISO 100, f/16, 1/60 second

keywords: gower, gulch, zabriskie, point, erosion, gully, ridge, hill, crack, dirt, curve, fold, geology, shadow, light, afternoon, overcast, diffuse, death valley, national, park, california, usa, north america, landscape, nature, scenic, travel, detail, stock