Tag Archives: panorama

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Pinnacles And Desert Mountains

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Pinnacles And Desert Mountains
Distant desert mountians rise beyond rocky pinnacles in midday light.

Pinnacles And Desert Mountains. © Copyright 2019 G Dan Mitchell – all rights reserved.

Distant desert mountians rise beyond rocky pinnacles in midday light.

Photographers would typically not photograph a subject like this one on a day like this or at this time of day — close to the middle of a perfectly clear day, with stark desert light. But that’s when I typically pass through this area, always on my travels to and from Death Valley. On this spring day I had gotten on the road very early to start the long drive, planning to arrive in the park by mid-afternoon, so being in this spot was a secondary effect of that planning

But this challenging midday desert light is perhaps more typical of such scenes, with their stark contrasts between bright light and deep, sharp-edged shadows. Here the foreground pinnacles are backlit and almost in silhouette, while in the distance the lower reaches of a giant desert mountain range begin to rise from this broad valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes At Dawn

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Dunes At Dawn
Dawn light and shadow patterns on sand dunes, Death Valley

Dunes At Dawn. © Copyright 2019 G Dan Mitchell – all rights reserved.

Dawn light and shadow patterns on sand dunes, Death Valley.

Other recent photographic posts here have mentioned the astonishing transition of desert light between the pre-dawn twilight and the post-dawn light of daytime, and especially the rapid changes that occur right around sunrise itself. I made this photograph during the first moments after the direct sun had made its way onto the dunes after rising above a mountain range far to the east. At this point the light is still warm, but significantly less so that during that first instant of direct light, and the shadows still are deeply blue from the color of early morning sky.

The small stand of foreground creosote is emblematic of one of the astonishing things about sand dunes, namely that there is so much living stuff in a place that first appears to be completely inhospitable to life. It is a challenging environment, and plants are few and far between, but they do manage to survive. In the springtime the permanent plants such as the creosote bushes are briefly embellished by the appearance of seasonal flowers, at least during years with sufficient rain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

The Last Light

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The Last Light
A final and unexpected bit of sunset color over the Sierra Nevada crest at Tuolumne Meadows

The Last Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

A final and unexpected bit of sunset color over the Sierra Nevada crest at Tuolumne Meadows

I could probably write a chapter on topics related to this photograph and the circumstances of making it. But I promise to keep this to a couple of paragraphs… at least for now. Earlier on this day I thought that I might make an evening visit to this high point in the Tuolumne Meadows area. As I ascended the conditions were far from promising — thunderstorms and light rain were falling to the east and the cloud shield extended far enough west to cut off the light. It was one of those occasions when I was ready to simply enjoy being in the place and perhaps not bother to photograph. There was one other photographer in this location and since there wasn’t much to photograph we spend some time in casual conversation, largely about the less than exciting light. There was a lighter area far to the west, but it appeared to be too far north of the setting sun to send much light our direction.

As we talked I mentioned a specific condition that can quickly (and often quite briefly) turn very boring light into something miraculous. If the cloud shield ends far to the west (or in the east at sunrise) there may be a narrow gap between the edge of the clouds and the horizon. If so, as the sun nears the horizon there can be a short burst of intensely colorful light. Any time I’m in a situation like the one on this evening, I look for signs of that horizon light… and if they are present I stay. That’s what I did on this evening, and I set up my camera with a lens selected for my guess at what the scene might do. With 5-10 minutes to go before sunset the sky was still murky and gray, and it appeared that my patience might not be rewarded. Then I noticed some pink in clouds far to the north. In a matter of second a soft reddish glow appeared at the summit of the large granite dome, and almost instantly the light came up on the peaks as a beam passed across the forest in the foreground. For the next 3-5 minutes the entire scene was a miracle of colorful light… until the sun dropped below the horizon and the red was gone.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: France, Photographs: Urban/Street

Restaurant Windows, Benches

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Restaurant Windows, Benches
Two benches outside the windows of a San Francisco restaurant

Restaurant Windows, Benches. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two benches outside the windows of a San Francisco restaurant

At the end of April I spent a couple of hours shooting through the golden hour and on into the evening in San Francisco, mostly exploring along The Embarcadero on the shoreline of San Francisco Bay. Our group first wandered out on a pedestrian pier, where we hung up through sunset and into early twilight as the light faded from the sky and city lights came on.

Soon I left the group — I had a long drive back home — and wandered along the Embarcadero as I headed back to my car. Photographing into restaurant and club windows intrigues me. There is often a striking contrast between the interior world of people having dinner or drinks and the exterior world of very quite urban landscapes. Here a couple of unoccupied benches sit beneath windows, with more colorful lighting and a number of patrons inside.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.