Tag Archives: panorama

La Sal Mountains, Evening

La Sal Mountains, Evening - Sunset light on sandstone towers of Arches National Park and on the distant La Sal Mountains, Utah
Sunset light on sandstone towers of Arches National Park and on the distant La Sal Mountains, Utah

La Sal Mountains, Evening. Arches National Park, Utah. October 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light on sandstone towers of Arches National Park and on the distant La Sal Mountains, Utah

I was hoping to get up into the La Sal Mountains, in the Moab/Arches area, during this visit to Utah, but it didn’t quite happen. We had seen some aspen groves high on their slopes and thought they could make a good photographic subject, but we were twice stymied – well, once stymied and once we guessed wrong. The wrong guess came first. As we approached Moab late in the day from the south, we though we would turn off the main highway before reaching town and drive up there. However, a sign warning of construction and a road closure dissuaded us, so we turned around and continued to Moab. Later, thinking that if it was closed from the first route (and actually, it wasn’t) then there must be access from the alternative, we drove up the Colorado River Canyon and turned off to head up that way… only to encounter road construction! We could perhaps have continued on, but it was late in the day and we had not calculated this delay when guessing how long it might take to get up to the trees.

So, in the end, our views of the La Sal Mountains were from greater distances – from high on the plateau of Canyonlands National Park and from Arches National Park. On the day I made this photograph, the light had been “interesting” – a combination of blah, clouded-over light, with occasional bursts of beautiful light coming through breaks in the clouds. We had been out on the ridge near the end of the main park road and had really enjoyed those moments of wonderful light, but late in the day it looked like the breaks would end there, but that they might continue over near the section of the park where this photo was made. So we quickly got in the car and headed over that way. When we arrived, things did not look so promising. The large clouds that had begun to block the light earlier were also affecting this area. But there we were, and there wasn’t time to try to get to another location before the end of the day, so we headed up into this rocky area to see what might develop. From here, the La Sals were largely clear, with more sun than shadow on the face of the mountains. Even though there were clouds overhead at our position, they were increasingly broken as they led toward the mountains. Now all I needed was some evening light on the foreground rocks and I might have a photograph. I got my wish, with just a few brief moments of somewhat attenuated golden hour light on the rocks as the more intense light fell on the distant range.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove, Evening

Aspen Grove, Evening - A ridgetop aspen grove in full autumn color, Dixie National Forest, Utah
A ridgetop aspen grove in full autumn color, Dixie National Forest, Utah

Aspen Grove, Evening. Dixie National Forest, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A ridgetop aspen grove in full autumn color, Dixie National Forest, Utah

This is another photograph that resulted from a more or less chance drive up a back road that I happened to spot while out looking for color, and the particular location of the photograph is anything but iconic – in fact, I’m betting that this grove of aspens is rarely photographed, given its someone “off the beaten track” location in a place without even a recognizable name. Essentially, we had turned off onto an interesting side road and started driving up into the mountains. A bit earlier we had stopped to photograph incredibly colorful aspens and other trees before moving on.

As we continued on up this climb, we became aware of time issues – mainly because I had an idea about photographing another specific location at sunset, and that location was still a good drive away from here. So when we came to an intersection along the gravel road, it seemed like a fine place to stop, look around, and consider heading back the in the direction from which we had come. As we pulled over we began to see several interesting things here. First, nearby there was a little old track leading into the aspen forest. (A photograph of that subject will appear here later.) Then another side road nearby started to look interesting, so we drove a short distance along it until we had a panoramic view of the mountains leading toward Cedar Breaks. Here we turned around, and drove the short distance back to that intersection, and I though that this row of colorful aspens, set along the edge of the ridge and fronted by a bit of meadow, looked interesting enough to photograph – and when I saw the faint clouds line up in the low spot between the trees I had to photograph the scene in this soft, overcast light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Mendocino Coast, Evening

Mendocino Coast, Evening - Evening light on coastal bluffs below the village of Mendocino, California.
Evening light on coastal bluffs below the village of Mendocino, California.

Mendocino Coast, Evening. Mendocino, California. August 28, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light on coastal bluffs below the village of Mendocino, California.

The little village of Mendocino, now largely a somewhat rural vacation spot, has a lot going for it: connections to a number of historical traditions, lots of quaint old buildings with that weathered look of coastal communities, tons of places to stay, great food, and California’ Pacific Ocean coastline. Though the chamber of commerce might disagree, it seems to be just far enough from major population centers to escape the over-running crowds and rampant souvenir-ism of places like Carmel that once had this same sort of charm. The village sits on a wide peninsula that just out into the Pacific and gradually angles down toward the water, ending in relatively low coastal bluffs and shoreline rocks.

It is often foggy in the part of California, but on our late-August visit we had just enough fog to add a bit of atmosphere – but mostly it hovered off-shore and at times disappeared completely. On our final evening there, we had a bit of time before dinner – and who wants to eat when there is golden hour light! – so we walked out along the bluffs on the south side of town and made a few photographs as the day ended.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Arthur Tress, De Young Museum

Arthur Tress, De Young Museum - Arthur Tress discusses his photographs with a group of photographers at his exhibit at the De Young Museum, San Francisco.
Arthur Tress discusses his photographs with a group of photographers at his exhibit at the De Young Museum, San Francisco.

Arthur Tress, De Young Museum. San Francisco, California. March 9, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Arthur Tress discusses his photographs with a group of photographers at his exhibit at the De Young Museum, San Francisco.

Back in early March, Adobe invited a number of San Francisco Bay Area photographers to meet with photographer Arthur Tress at his show at the De Young Museum, “San Francisco 1964.” (Thanks, Adobe!) After we assembled in the lobby and had a moment or two to speak to some of Adobe folks, including some working on the just-released new version of Lightroom, we adjourned to the gallery. In this photograph, the group listens to Tress (barely visible at the far side of the taller) as he walks through the gallery and talks about his work.

Tress and a photography curator introduced us to the show and shared some back-story and perspectives on the work it includes. The photographs are all black and white images shot in medium format during a period when Tress first came to the west coast in 1964, a year when a lot of interesting stuff was happening in The City – including the first US concerts by the Beatles, the “Goldwater” Republican convention, civil rights demonstrations, and more. Tress’s photographs are interesting on several levels: as a record of aspects of the period that we might not realize we have lost (especially to this photographer who was a child living in the Bay Area at that time), as a record of actual events, and as an often-witty commentary on much of what he observed.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.