Barred windows, mural paint, reflections in the Mission District, San Francisco, California.
Photograph of wall details that I noticed as I walked along 24th street in the Mission. The bars and the mural painting first caught my eye, and then I noticed the many layers including the bars reflected in the glass, nearby passers-by and cars reflected in the windows, and the businesses and other details across the street. I framed up a composition that I sort of liked and waited for this person to walk through the frame. He was actually more or less behind me at first, and I grabbed three frames as he went past – with this one placing him in the middle of one of the windows.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
The corner of a brick building at the intersection of Ferry and Nimitz Streets catches glow from nearby outdoor lights – Mare Island Naval Shipyard, Vallejo, California.
This is another photograph from my late-February night photography shoot a the historic Mare Island Naval Shipyard with The Nocturnes. The panoramic format image shows the corner of one of the brick buildings along Nimitz Avenue near the waterfront at Ferry Street. I’m almost always a sucker for old brick buildings, especially when photographed at night, but a few other things in this scene caught my attention. The right side of the building fronts that “main” roadway of Nimitz Avenue and is more brightly lit by street lights and security lights, while the left side is more in shadow and here is lit mostly by the light of the full moon. I was also intrigued by the contrast between the angular vertical and horizontal forms of the brick wall and the odd curving shape of the cable snaking up the side of the building in the center of the frame. I also noticed the glowing windows along the dark side of the building – the interior walls are picking up light coming in through the windows facing Nimitz Avenue. I also like the tiny bit of contrasting green color in the “Ferry St” sign.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Night panoramic photograph of the powerplant building and other structures along Railroad Avenue at the historic Mare Island Naval Shipyard, Vallejo, California.
This is a bit of a first for me – a night photography stitched panorama. This image is composed of two separate exposures which were aligned and “stitched” into a single image in post. (As such, it could be a very large print!) Shooting from an elevated position, I shot almost directly north (as you can tell from the star trails in the larger version). The view looks up Railroad Avenue past the iconic power plant building with its smokestack that is visible from all over Mare Island.
I’m usually a bit casual about exposure time with long exposure night photographs. It isn’t that I don’t care – it is just that one has a ton of leeway when it comes to the very long exposures I typically use. For example, on a 3 minute exposure you would have to be off by three minutes to overexpose by one stop! So rather than use a stopwatch or an automatic timer I just count to myself. I’m usually will within a 10% error, and that is good enough. However, when stitching “good enough” often isn’t. The separate component frames really need to be quite similar, so in this case I resorted to using my watch to get relatively accurate 90 second exposures.
Another interesting factor in night photography is illustrated in this photo, namely the wildly varied colors of the light sources we deal with. There are three dominant sources in this image. The overall illumination comes from the full moon, which is quite similar to day light in terms of white balance. On the near wall of the brick power plant there is very “hot” and saturated yellow/red tinted light, probably from sodium vapor lamps. Near the left end of the image is an old wooden building that is illuminated by very green light, which I believe comes from mercury vapor lamps. I often chuckle a bit when people speak of “white balancing” the color in a scene like this. If you pick one source for your white balance you’ll throw the others even more out of line. My philosophy is usually to just go with what looks right!
Finally, the idea of making the stitched panorama came from the recently started Panocturnists web site, begun by people connected with The Nocturnes, the San Francisco Bay Area night photography group. I was intrigued by the idea of creating panoramic night photography, and I’ve done a few images along these lines on my two most recent visits to Mare Island.
Black and white photograph of a night scene on Railroad Avenue at Mare Island Naval Ship Yard with cyclone fence, brick wall, pipes and tank, window, and speed limit sign.
I was thinking about the Panocturnists group when I made this photograph at the Mare Island Naval Ship Yard during the first weekend of February. The location is in many ways pretty mundane – one of the first areas that most first-time Mare Island night photographers shoot near the entrance to the so-called “historic core” of the site, and nothing that would warrant a second look during daylight hours. Not surprisingly, most photographers here are initially attracted to a nearby turnstile or to the massive steel structures overhead. I’ve shot here enough now that, while I’ll still shoot those subjects, I usually look for less-obvious subjects that I may not have tried previously. So while some new folks photographed right behind me I decided to see what I could do with the street light-illuminated fence, wall, and collection of pipes in this corner. (And, as the long exposure was underway I was able to help out the first-timers… :-)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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