Tag Archives: park

Curving Trees, Falling Snow

Curving Trees, Falling Snow
Snow falls among winter dormant trees in a Yosemite meadow

Curving Trees, Falling Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Snow falls among winter dormant trees in a Yosemite meadow

I have known for a month or so that I’d be in Yosemite for the last full week of February. That lead-in month was a very strange one for California weather. We had virtually no precipitation, and warm temperatures often made if feel more like summer than winter. These are not happy conditions for wintertime photography in the park, when a lot of the plant life is dormant and when snow and storm clouds usually provide more interesting conditions.

But immediately upon my arrival — literally the first moments I spent in the Valley — the weather changed. Not only did winter weather return, but it did so with a vengeance, and temperatures dropped much lower than would be typical for the date. On most days of my stay there were at least some clouds and on several days there was snowfall. The day I made this photograph brought the most daytime snow. In the afternoon a weak front worked its way into the Valley, and there were periodic snow showers. I headed to a tree-filled meadow when this shower arrived, and there I photographed juxtapositions of the interestedly shaped trees silhouetted against the falling snow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Winter Light, Granite And Snow

Winter Light, Granite And Snow
Winter sunset light on a granite face and distant mountains fade into falling snow

Winter Light, Granite And Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter sunset light on a granite face and distant mountains fade into falling snow

I spent the last week in Yosemite National Park, as an artist-in-residence sponsored by Yosemite Renaissance. (Thank you!) I stayed in the Wawona area and made the drive to the Valley every day. It was wonderful to have a full week in the park and, especially, in the Valley. I spend a lot of time in Yosemite, but most of it is in the high country during summer and into the beginning of fall, so having this unbroken block of time in winter was a special treat. Making it even better, I got some weather luck. Recently California has again been in drought conditions, and last month we had record high temperatures that often felt more like spring or even summer. But I arrived to find cold (at times very cold) conditions, and a series of weak cold fronts brought snow to the Valley.

If I recall correctly, I had spent much of this afternoon photographing in the eastern part of the Valley, and as the weather closed in the light there began to die. I finished up my work in that area and prepared to depart for Wawona, but leaving enough to time to stop along the way should interesting light appear. In fact, further to the west the skies were trying to clear, and intermittent light made its way through breaks in the clouds to spotlight various areas. I stopped here and waited a few minutes, at which point almost the very last light of the day cut across the edge of the El Capitan monolith as the snow storm closed in on the upper Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Museum Windows, Shadows

Museum Windows, Shadows
Silhouetted figures, windows, and beams of light, Metropolitan Museum

Museum Windows, Shadows. © Copyright 2017 G Dan Mitchell – all rights reserved.

Silhouetted figures, windows, and beams of light, Metropolitan Museum

This is a second “take” on a location I photographed between Christmas and New Year’s Day last year, when we spent a week in New York. It was an exceptionally cold week, and on a few days we decided that we really needed to find indoor activities. (On other days we defied the cold and wind and walked all over Manhattan anyway.) One of the reliable options is a visit to a museum, so we headed to the Metropolitan, where we wanted to see the David Hockney show. You can’t see it in this photograph, but the museum was packed with other visitors who were also looking for a warm, indoor option.

We passed through this room twice, on our way to and from a section of the museum with relatively modern art that we wanted to view. This space is really essentially a very wide walkway, though I suspect that it could also be used for exhibits at times. The row of tall windows along the southern wall opened to Central Park and, further away, the Manhattan skyline. Lots of people took advantage of the wide window sills as a place to sit. The resulting effects of light were intriguing — backlit people in a variety of poses, the faint image of the park and city outside, and the alternative effects of shadows and reflections from the bright light streaming through the windows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Another Horsetail Fall Post

UPDATE: As of 2020 I am no longer posting annual updates concerning this subject — and I am editing older posts on the subject in light of the need to be more responsible about not encouraging the onslaught. I also no longer recommend going to the Valley to see it. Unfortunately, too much exposure (yes, I played a part in it, unfortunately) has led to absurd crowds, traffic jams, littering, destruction of areas in the Valley where too many people go to see it… and the park has increasingly — and appropriately — cracked down. Parking options have been eliminated, at least one viewing location has been closed. Good news! The rest of Yosemite Valley is still there and often exceptionally beautiful at this time of year.

Horsetail Fall, Early Evening
Horsetail Fall, Early Evening

Every winter, for roughly a week or so starting just after mid-February, the sun and various geological features line up so that sunset light falls on the seasonal and ephemeral Horsetail Fall near the east end of the face of El Capitan. Sometimes the light of the setting sun may illuminate this waterfall from behind and briefly make the waterfall and its misty spray glow in sunset colors.

Since it is that time of year again, I’m going to briefly share a few bits of information and perspective about Yosemite Valley’s Horsetail Fall. For more, see an earlier article.

But before you get too excited…

  • This is another extremely dry winter in California, with Sierra snowpack far below normal. There is very little snow in the drainage the feeds the fall, and forecasts suggest that it will remain dry. In other words, there probably won’t be enough water to start the fall.
  • The “event” has gotten out of control as thousands of people showed, parking everywhere and trampling through forests. The park service decided that something has to change. This year access to the typical viewpoints will be more difficult, with extremely limited parking (by advance permit only), and roads near the viewing area will be closed to parking or shut down completely. If you don’t have one of those permits, you have a long walk ahead of you… and probably a long return walk in the dark.
  • Third, what you see in photographs (including my own) is not what you are likely to see in person.

My best advice this year? Probably don’t bother. Between the uncooperative weather and the access restrictions, you are perhaps more likely to experience a #HorseFailFall than Horsetail Fall.

Also, while seeing this phenomenon can be special, it is but one of many, many special experiences to be found in the Sierra. Too often these days, social media convinces use that such experiences are Super Mega Peak Astonishing Ultra Wonders. This poses some dangers, and you should consider resisting. It falsely transforms quiet, contemplative experiences into the equivalent of a sports event, unfortunately creating greater distance between observers and the experience they crave. It also brings crowd that threaten the very places that they come to see.

Perhaps consider something else?

Fortunately, winter in Yosemite Valley has a whole lot to offer besides this event. Fog often forms in quiet meadows at dawn, clouds frequently float among cliffs and peaks, you might get lucky and see some snow, some wildlife is much easier to see in winter,  the crowds are generally  a lot smaller, and some interesting events take place, such as the Yosemite Renaissance Exhibit opening near the end of the month in the Visitor Center Museum Gallery. (I’ll be in the park during this period as a Yosemite Renaissance “artist in residence,” photographing and attending the opening of the exhibit.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.