The brown branches of a dying tree stand against a stone wall and column, Pittock Mansion, Portland, Oregon
This might be about as unrepresentative a photograph of the Pittock Mansion as one could make. ;-) Pittock Mansion is a historic location in the hills above Portland, Oregon. If I recall the story correctly, it was built by an early leading citizen of the area who ran the newspaper (The Oregonian?) and may have had interested in the lumber business. The expansive mansion was built on a hillside above the city, with views of three of the major volcanos of northern Oregon, and on grounds that included beautiful and lush gardens. The mansion itself is large and luxurious and was, for its day, very modern.
So I went and photographed a dead tree against a stone wall. What can I say? This section of wall combines a blocky section of the wall with a cylindrical column. Not surprisingly for the Pacific Northwest, moss grows on the rock, giving it the slight green tint. I think the tree is dying – at least it looks that way – and its odd color caught my attention.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Morning light in a pine forest at Point Reyes National Seashore
As I have visited Point Reyes over a period of years, I have often returned to the same familiar places – the “Point” and the lighthouse area, Limantour Beach, the area where the tule elk congregate, and a few other spots. These are areas of obvious photographic interest, but eventually I want to get to know a place better and to find other subjects. This year I’ve done a bit more of that – hiking some trails around Drakes Bay and Limantour for example, and trying to see the beauty in the pasture lands leading out toward the Point.
On many of the earlier visits I had passed by the turn off to Mount Vision Road without stopping, as I was often intent on getting to some other specific spot. Earlier this year, on a momentary whim, I finally turned left and headed up this route, not having much of any idea of what I would find. At first the road winds steeply up forested slopes, eventually emerging into more open country that affords views out toward Drakes Bay and the Pacific Ocean. (I have some ideas for photographs from up here, but so far the atmospheric conditions haven’t quite cooperated.) On the last visit, I looked a bit more closely at the dense forest growing along this road, and I stopped at one point to photograph this thick area of backlit trees.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A group of deer graze in Tuolumne Meadows near sunset beneath the summit of distant Ragged Peak
Perhaps I’ve simply missed this in the past, but on this early August trip to the Tuolumne Meadows area I saw a herd of deer grazing in the meadow in the evening that was larger than any I have encountered before. I’ve often seen small groups of perhaps a half-dozen or so there, but this group had at least two dozen individuals on the two evenings I was there. Many were bucks with antlers, but there were also some very young and very frisky critters among them, including one who seemed to be the ringleader of periodic high-speed races back and forth across the meadow. While waiting for interesting light for photographing other subjects (and that light is just beginning to appear on the dome behind the meadow) I spent some time with the long lens photographing them.
There are, of course, quite a few ways to photograph wildlife, ranging from what amount to intimate and close-up portraits to photographs that show the animals in their landscape – with the latter verging on “landscape with animals,” a different thing than much wildlife photography. I like doing both, but here I was thinking a lot more about photographing the animals in their world. This affected my approach in a couple of perhaps obvious ways. First, while I could have gotten quite a bit closer with the long lens I was using, I hung back so that I could include more than one deer in the frame, include more of the surrounding landscape, and not intrude to closely on the deer. Second, as soon as I had clicked of a first “insurance shot” of the animals, I stopped and looked at the landscape in order to find things that I could align with the deer. In this case, I was able to move some distance to one side and get a group to line up with the low dome (which, lucky for me, got hit with a bit of soft evening sunlight at the right moment!) and the distant ridge holding Ragged Peak, an area that I know quite well from many pack trips into nearby areas.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A last beam of sunset light illuminates the granite slabs of Lembert Dome and the distant slopes of Mount Dana above Tuolumne Meadows
This afternoon of a day when I was in the area of the Sierra crest near the Tioga Pass entrance to Yosemite National Park had turned murky, with a combination of wildfire smoke and high clouds that largely killed the interesting light as the “golden hour” approached. I decided to drive along Tioga Pass Road as the day came to an end, and look for whatever interesting light might appear. There is a lighting condition that can sometimes turn a “blah” evening into something amazing in the Sierra – though I wasn’t too optimistic on this evening. On an evening when clouds overhead obscure the late-day light, the clouds sometimes end a bit to the west of the high country, and as the sun drops below those clouds to the west there may be a last-minute glow that must be seen to be believed. You most certainly cannot count on this happening – sometimes the sun simply drops behind clouds and the light goes out. But if it is a possibility I will often go to great lengths to be ready for it.
Even knowing about this light, I was surprised on this evening – twice! In the first instance I had thought I saw a very subtle lightening and intensification of color on the shoulder of one distant ridge far up in the distant Rafferty Creek drainage, so I quickly found a place to turn around and return to a roadside pull-out where I thought I could photograph it. As I quickly worked to set up my tripod and camera… the glow faded and disappeared. I looked around for evidence that it might return – a bit of light elsewhere in the landscape – but seeing none I got back in the car. I had driven no more than 30 seconds down the road when the entire landscape to my south and east lit up with glorious warm light! I quickly – again – turned around and drove back and managed to get a couple of shots before it disappeared again. I then went on down to Tuolumne Meadows with a vague plan to look for interesting light or to photograph an exceptionally large herd of deer that I had seen on an earlier evening. When I arrived, the light was not stunning, but the deer where there, so I put on my “wildlife photographer hat” and a long lens. As I photographed them in less than amazing light, I saw a bright spot in the clouds to the west that just might line up to send a beam or light across the meadow from west to east – and sure enough, a moment later the light began to gradually build. Since I had no time to move or change lenses at this point, I thought about what I could do with the long lens before this light disappeared, so I focused on Lembert Dome, bathed in this light at the far end of the meadow and with the more distant slopes of Mount Dana beyond.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
