Tag Archives: park

Marché de Noël, Paris

Marché de Noël, Paris
“Marché de Noël, Paris” — Crowds at the Paris Christmas Market in the Tuileries Garden.

Last year’s late-fall and early-winter travel that took us to Germany, France, and Spain. We were in Paris for a few days about a week into December, and holiday festivities were in full swing. Stores had their decorations up, some streets had overhead holiday lights, and the Christmas markets were open. We briefly walked through this one at the Tuileries Garden near the Louvre.

Although the German markets seem to be the most famous — or at least the best-known in the United States — Christmas markets are all over Europe. Here it Paris it is the “Marché de Noël.” The basic idea is similar everywhere we went, from Germany to Spain. Vendor booths are set up in a public place, often a town square. They sell seasonal items, gifts, and local food and drinks. Mulled wine is the popular drink — vin chaud in France and gluhwein in Germany.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Alone in the Wilderness

Alone in the Wilderness, Death Valley
“Alone in the Wilderness” — Over a dozen morning photographers crowd one small section of sand dunes, Death Valley.

Yes, the photo title is obviously tongue-in-cheek. This is not really “wilderness,” nor is this a place where one is likely to be “alone.” But there is a lot to think about here. If you look closely — and you may need to click the image to get a larger view — you can count at least a dozen photographers spread out in this desert landscape that comprises a very small section of these dunes… and it is not at all the most crowded area.

You can diminish the number of people out there with you if you go in the off-season, avoid weekends, get up very early, and perhaps go there when the wind is howling. But most often you will not be anything like “alone” in this place. To be honest, one task for photographers here is figuring out to work around the crowds, assuming the crowds are not your intended subject.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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White Drin Waterfall

White Drin Waterfall, Kosovo
“White Drin Waterfall” — The White Drin Waterfall , near Peja, Kosovo.

For this American, used to spending time in our national parks and in our wilderness areas, my visit to this place was a bit of a culture shock. This waterfall and a nearby cave complex are part of a “natural monument” in Kosovo, at the village of Radac a few miles west of Peja, Kosovo. Much to my surprise, the crowds here were absolutely huge. The first challenge was finding a place to park, and it turned out to be almost impossible. It seemed like everyone in Kosovo was walking this trail — families, foreign visitors, you name it. Booths along the trail sold food, drink, and trinkets.

On one hand, this was not exactly a wilderness experience. On the other hand… people clearly love this place. And it is quite beautiful. The river flowing below this waterfall is full of picturesque boulders, and lush trees overhang the water. My understanding is that this waterfall is regarded to be the source of the White Drin River, which flows from here into Albania.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Gullies in Soft Light

Gullies in Soft Light, Death Valley
“Gullies in Soft Light” — Eroded gullies and ridges in soft light, Zabriskie Point.

These badlands formations, where soft layers have been eroded by water, can be difficult to photograph. Those difficulties can lead to ethical questions for photographers. The issue is that the range of colors and luminosity in these formations is very limited — the color is basically a light tan and the difference between the light and dark areas is small, at least in soft light. One choice is to enhance that contrast and coloration during the post-processing phase, and that can create some impressive images… though this can depart radically from the actual appearance of the landscape. Here I decided to go with the low contrast and soft colors instead.

To repeat a story I’ve previously related, almost by accident I ended up here to photograph a subject that ultimately did not develop as I had hoped. So I turned my attention to other things nearby, including these formations. I photographed them rather early, before the direct sunlight arrived. This meant that the contrast was even more subdued, as the soft light was from the early morning open sky — directional, but only subtly so.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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