Yesterday I shared elsewhere a photograph that someone had posted featuring a line-up of scores of photographers, arrayed tripod-to-tripod, ready to photograph one of those iconic views that we all know so well. I suspect that we have all been to such places and either found the experience of seeing and photographing them to be powerful… or we might have been repulsed by the crowds of people all apparently trying to “capture” the same thing, among them perhaps a number of folks who might be trying to almost literally recreate versions of the scene that they had seen elsewhere.
The point of the share (seen here and here) was not complimentary. My reaction to the photograph was to wonder, even more than usual, why people would want to make photographs that way. I phrased it as, more or less, “yet another reason to avoid photographing icons.”
However, a person wrote to me after I posted and pointed out, with a bit of anger and with some justification I think, that complaining about and putting down those who want to photograph a beautiful place might seem a bit pretentious and self-righteous.
She has a point.
While there is something a bit troubling about seeing dozens of people lined up to make the very same photograph, some of us might be a bit too quick to jump to overly negative conclusions. Perhaps there is a way to cast this as a positive lesson, rather than ridicule. So let me engage in a bit of reflection and honesty. Continue reading Photographing Icons – Or Not→
Evening fog comes in as the rugged Big Sur coast stretches north from near Soberanes Point, California.
Talk about photographic geekiness – we ended up making photographs on my birthday! Because of a variety of factors, this turned out to be a bit of a low key birthday this year – despite some earlier plans to do all sorts of wild and crazy things. (Completing the JMT or going to Alaska will perhaps wait a bit… ;-) After a quiet and lazy morning we decided to head down to the Monterey area for a birthday dinner, which turned out to be quite nice by the way. (Thanks, Patty!)
Since we arrived a few hours before our dinner reservation. After stalling around a bit, thinking about this and that option, we decided to do the usual, obvious thing and head south on the Highway 1, the “coast highway,” into the upper portion of the Big Sur coastline area. While it is a very familiar area and one I visit a lot, it is never the same twice – all of the variables of light and atmosphere and season and weather are in play and you almost never know quite what you’ll find. On this early evening, the most important factor was that the edge of the ocean fog was positioned very close to the shore. This meant that sometimes it extended just a bit inland, creating light that ranged from slightly luminous to gray and murky, while in other areas it was just offshore, allowing light to hit the coast and even to light the surface of the ocean a bit. Here at the cove where the creek comes down Soberanes Canyon to meet the ocean, we found one of those boundaries – quite gray along the immediate coast in the distance, sunlight on the bluffs and hills at the right, and that wonderful boundary light in between. And above that, the barely perceptible difference between the soft clouds of fog and the light blue of the late-day sky.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Evening fog obscures the landscape of Rodeo Lagoon, Golden Gate National Recreation Area.
There is a somewhat unlikely story behind this photograph, but a pleasant one. Earlier on this day I had been in downtown San Francisco, in the heart of one of the more urbanized (and not in the good sense of the word) areas of the town. The reason for my visit was a pleasant one, and I do like San Francisco a great deal, but it was a very urbanized experience. I planned that after my downtown event concluded I would go do some evening and perhaps night photography elsewhere within an hour or so radius of The City, since I needed to be back there at about 11:00 p.m. It was mostly sunny in San Francisco, though there were a few wispy fog clouds present, so I started driving more or less west to see what might turn up.
As happened the last time I tried this pattern earlier this summer, as I drove I ended up in more fog rather than less. I recalculated and, again, thought that I’d try to cross the Golden Gate Bridge and see if I could get above the incoming fog by climbing into the Marin Headlands. The fog on the bridge was very thick and it was quite windy. At the north end of the bridge I headed up the hill – there was tantalizing, glowing light somewhere out there in the fog that suggested some clearing to my west and south, but the road itself was completely socked in. Optimistically (or foolishly!) I continued on to the area near Point Bonita, but I could not get out of the fog. It was now getting very close to actual sunset – though I could only detect this by a general darkening of the murky gloom – and I figured I might as well drive down towards Rodeo Beach to see what was there. As I crossed the upper end of Rodeo Lagoon I looked to my left and saw this small group of birds congregating not far from the shore, and in the fading light I decided that it was going to be this shot or no shot at all. I pulled over, took out the camera with the prime lens that I had used earlier for street shooting still in place, attached camera to tripod, and walked over close to the edge of the water.
After all of this driving, I was suddenly conscious of the quiet of this place in the evening light. The thick fog was blowing rapidly up the lagoon from the beach and glowing in the backlight as the light was fading, and three fog horns producing the tones of a minor triad (!) were slowly and mournfully sounding as I made several exposures of this scene. I finished, the light became very dark, and I drove a bit further so that I could walk across the beach to stand at the edge of the surf in the wind and fog before leaving.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Deer graze in the early evening in Tuolumne Meadows below Lembert Dome and Mount Dana, Yosemite National Park.
Although compressed here by the use of the telephoto lens, this view of Tuolumne Meadows, Lembert Dome, and Mount Dana is one of the first that you might see when arriving at the Meadows from the west – at least if you happen to look towards Dana after dropping to the meadow and rounding the first gentle curve to the left past a group of trees that grows along the roadside and at the edge of the meadow. This alignment of Lembert and Dana is one that I always look for when I arrive.
Perhaps because I often see it when I arrived at Tuolumne, and because I most often arrive in the morning, my mental image of this view usually includes haze that makes the view of Dana opaque, especially in when the haze is back-lit by this morning light. Oddly, I don’t often look across the meadows from this point of view during the evening, when I suppose I’m more likely to be further up the meadow and closer to the Tuolumne River itself. On this July evening, however, I did happen to be here just before sunset. (I don’t recall for sure, but I’ll bet that I was returning from photographing somewhere to the west.) When I saw that familiar alignment of Lembert and Dana in the evening light, I stopped. I don’t think that I noticed the herd of deer along the meadow at the bottom of the frame until I was set up.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
